{"id":824,"date":"2018-10-04T11:03:56","date_gmt":"2018-10-04T11:03:56","guid":{"rendered":"https:\/\/cherscholar.com\/cherblog\/cher-conquers-music-again\/"},"modified":"2023-02-20T08:16:51","modified_gmt":"2023-02-20T15:16:51","slug":"cher-conquers-music-again","status":"publish","type":"post","link":"https:\/\/cherscholar.com\/cherblog\/2018\/10\/cher-conquers-music-again\/","title":{"rendered":"Cher Conquers Music Again"},"content":{"rendered":"

\"Cherlove_dancingqueen_002\"<\/a>Before we get into the new album, it should be mentioned Cher\u2019s placement on Billboards Top Female Artists of All Time list.<\/a> <\/span><\/p>\n

My Billboard sensei, Christopher, sent me this explication of the list\u2019s meaning:<\/span><\/p>\n

In celebration of the 60th anniversary of the Hot 100, Billboard posted the list of the Top 60 Female Artists of all time on the Hot 100.  You will be glad to see <\/span>Cher <\/strong>ensconced all the way up at #16, (and right beside <\/span>P!nk<\/span>, which I thought was a nice, appropriate coincidence). <\/span><\/em>It's for real; no opinions factored in.  The ranking was calculated based on how many weeks each hit spent on the chart and at which positions.  It's a cumulative inverse point system. So, if you have a song at #23 on the chart, it is awarded 77 points for that week.  If the following week it climbs to #19, for that week it earns an additional 81 points, and so on and so on. This system thereby rewards both longevity and ascension.  It is the same system they use when determining the year-end charts.<\/span><\/em><\/p>\n

The Dancing Queen Album<\/h4>\n

So this all happened really fast. Mid-year, we found out Cher was recording a new album of ABBA songs and by September, here it was. <\/span><\/p>\n

Full disclosure: everyone has their own ideas about music they like. Methods are either cold and mathematical (example above) or infinitely subjective. There seems to be no in between. Even Cher fans have different inclinations. My personal favorite albums are: <\/span>With Love <\/span><\/em>(1967)<\/span>, Backstage<\/span><\/em> (1968)<\/span>,<\/span> All I Ever Need is You<\/span><\/em> (1971 and for highly sentimental reasons), <\/span>Stars<\/span><\/em> (1975)<\/span>,<\/span> Take Me Home<\/span><\/em> (1979)<\/span>,<\/span> It\u2019s a Man\u2019s World (1996), Believe<\/span><\/em> (1999) <\/span>and<\/span> Living Proof <\/span><\/em>(2001). I could go into my predilections for melody or unity but blah-blah-blah, who cares.<\/span><\/p>\n

Cher\u2019s last album, <\/span>Closer to the Truth<\/span><\/em>, was good but not great. It charted high (on the backs of concert ticket sales) and a few songs played on adult contemporary radio ("I Hope You Find It") but there was not a breakout hit. I'm liking this album much better. But I'm finding it hard to say why. Could it be outside cultural influences are working on me, (although don't we all feel like we loved <\/span>Stars<\/span><\/em> in a vacuum?). For sure, the advanced interest in this album was very high. Even Billboard predicts another high-chart debut, again possibly on the backs of merch and concert tickets sales.<\/span><\/p>\n

On the other hand, you can\u2019t really miss recording these ABBA songs. Are some arrangements are more original than others? Sure. Are some critics going to accuse Cher of being an opportunist,? Yes. But it would seem hard to sing ABBA songs (as Cher herself has admitted), so here is where the effort sits in my mind: in the stretch to do it. Cher could have picked easier opportunism.<\/span><\/p>\n

What\u2019s interesting to me, reading all the reviews, is how trends are showing up around who likes which songs. Dance clubs are already springing to the beats of \u201cGimme Gimme Gimme,\u201d other fans are gravitating to Cher's more original take on \u201cChiquitta. \u201d I also love the novelty of hearing Cher sing \u201cThe Winner Takes it All.\u201d Not everybody does. Boys seem to like the \u201cSOS\u201d track. \u201cOne of Us\u201d consistently stands out as a critical favorite. Trends like this show this album has gems on it. I don\u2019t remember any similar consensus around \u201cCloser to the Truth.\u201d<\/span><\/p>\n

And the critical reviews are mostly favorable, which is an odd thing to experience with a Cher album. I tend to want to deconstruct those things. Why is it happening? Is this really Cher\u2019s best album of all time? You\u2019d think so by the reviews. I break it down to three aspects of the current Cher phenomenon: (1) old white reviewers are all retired or dead and women and gay men are in positions of reviewing albums, (2) Cher has been canonized lately (a sub-phenomenon we can't get into right now), (3) the concept of this album is so juicy, it\u2019s immediately lovable, (4) the album has one producer for the most part and feels very unified, and (5) during these political times, we crave "the happy, happy."<\/span><\/p>\n

But what do I know? I do know this: <\/span>Believe <\/span><\/em>was a very good album with a magical-single attached to it and <\/span>Entertainment Weekly<\/span><\/em> still dissed it. M<\/span>usic critics were not inclined to like Cher circa 1999. And that means everything because reviews are perceptions always based on the trends of a larger culture or sub-culture<\/a> (which makes decoding "good" all but impossible). Culture is arbitrary, capriciously suggestible and apropos of nothing true. I can both hide behind that convenient fact, as a much maligned Cher fan, but it also makes my many rationalizations about it meaningless. Ah, what fun.<\/span><\/p>\n

So the good reviews feel amazing, no doubt. But they\u2019re so packed with so much unrelated, Cher love going on right now, it\u2019s hard to know how good the new album really is. <\/span>Do I overthink it? Yes, but that\u2019s what cultural study is. You can make the claim that these songs are just cotton candy to give us a respite of happiness, (a point made in many <\/span>Mama Mia 2 <\/span><\/em>reviews)<\/span>, <\/span><\/em>but I hate to think that way. It short-shrifts the album and our human capacity to deal with bad political times. <\/span><\/p>\n

I love that Cher dedicated the album to her mom. I love that she thanked her bffs and her long-time assistant. And I dearly love \u201cChiquita.\u201d <\/span><\/p>\n

I have three ABBA greatest hits collections: one double LP, one cassette tape, one compact disc) and I still missed all the visual ABBA references in the \u201cSOS\u201d video and on the album cover. I had to read about video references in articles about the video and Mr. Cher Scholar pointed out the album cover similarity as we looked at a CD prominently displayed at Target last week.  <\/span><\/p>\n

The album is predicted to debut at #2 on Billboard's album chart. \u201cGimme Gimme Gimme\u201d is now at #8 on the dance chart. \u201cFernando\u201d (the Mama Mia 2<\/em> version with Andy Garcia) made it to #22 on the Adult Contemporary chart. <\/span><\/p>\n

More Chart News:<\/span><\/p>\n