I'll be visiting my parents and brother's family in Cleveland next week. When I get back, I'll have a lot more smell-test results on the Cher Decades perfumes and will be posting those when I get back. In the meantime…
Main Man
Cher recently posted the official video for her 1988 single, the Desmond Child song "Main Man." Cher performed this on the MTV Video Music Awards that year but the song failed to 
chart. The home-video feel of it was due to being shot at her Benedict Canyon Egyptian compound (soon to be sold to Eddie Murphy).
The hair is less big and the outfits less blingy and coincidentally this song will make an appearance in my 2022 NaPoWriMo project this April.
As in all the other videos of this era, Robert Camilletti makes an appearance; but instead of the fictional-music-video role he normally played, this video seems to be saying this is a glimpse into their much quieter real life together.
Elijah also makes a brief appearance in footage from the aforementioned Video Music Awards performance.
This has always been one of my favorite songs from Cher's Geffen Record/Power-Ballad era.
Looking for Love/When Will I Be Loved
Cher also released two more Celebration at Caesars clips, Johnny Lee's "Looking for Love," from the very popular 1980 movie Urban Cowboy, combined in a medley with Linda Rondstadt's "When Will I Be Loved," a song Cher sings from atop a mechanical bull.
These performances are illustrative of what I think is so special about this show. Since I was about 11 or 12, I've seen this concert many, many, many times and I believe it's a key show in her live-show timeline. Many fans had mostly only seen Cher on television up to the early 1980s, variety show episodes and some experimental TV specials up to this point. Not all fans had had the opportunity to see Cher perform live on the road or in one of her Las Vegas shows. So this was a different kind of TV special, a sustained concert. And Cher was turning a new leaf as a musical performer. The seeds of this show grew out of her Take Me Home tour which was her first tour without Sonny. Her demeanor is remarkably different from the torch singer on the 1970s TV shows.
She is confident, makes eye contact with the audience and the camera, her body language is full of bravado and she moves with a kind of ease that will make an impression on all the fans watching her. It's the ingredient of swagger everyone will take for granted by the end of the 1980s.
These performances are very sexual. Cher is looking awesome in a cowboy hat and sporting her own turquoise jewelry. (And dancing with her at one point is Damita Jo Freeman, who allegedly taught Michael Jackson how to moonwalk, see pic at right). Cher's interaction with the male dancers is very physical. Cher lightly teases the hip-gyrating dancing cowboys and there's plenty of affectionate touching.
In "When Will I Be Loved," she romps with sometimes two cowboys. And there's an interlude on the mechanical bull with one of those cowboys which is very, very suggestive, their rhythmic movements indicating sex and exclamations of ecstasy, all providing some ironic distance from the lyrics of the song, ostensibly lamenting Cher's sad love experiences (lied to, put down, pushed 'round). It's a real "woe-is-me, wink-wink" performance.
Look at all those cowboys!
Me too, Bruce. That’s the first show I was able to see in St. Louis.
Watching these performances is pure Cher heaven! Although I’ve been a Cher fan since 1965, I wasn’t able to see her live until the “Heart of Stone” tour. I would have loved to see this concert live. I too loved “Main Man” and enjoyed the dressed-downed Cher and her real hair!