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Author: Cher Scholar (Page 98 of 102)

Cher Links

Cher_time_cover For some reason I’m obsessed with the old Alan Parson’s Project song "Dammed If I Do." I used to have it on one of my old K-Tel albums as I kid. Now it’s in steady rotation on my iPod. Last weekend my boyfriend was singing "Eye in the Sky" apropos of nothing and I dug out my old Alan Parson’s Greatest Hits long playing vinyl album. (I’ve been playing a lot of my LPs lately to try to weed them out). I played him "Damned if I Do" and he danced around the room making fun of it. His friend has been lending him symphonic performances of bands like Pink Floyd and The Doors. I asked him to get me an orchestral version of Alan Parson’s Project. He said "Alan Parson’s Project is an orchestral version of Alan Parson’s Project."

By the way, Cher should not cover this song. "I can’t seem to seize the light! I’ve done everything but I can’t get it right." You’ve already played it out in your head, haven’t you?

I particularly like the chorus: "Damned if I do, damned if I don’t but I love you." It changes to "Damned if do, damned if I don’t cos I love you" halfway through. Completely changes the meaning changing ‘but’ to ‘cos.’ Proves what one connecting transition word can do to alter the sense of a sentence. Lesson in poetry, right there.

Anyway, I found some interesting Cher-links this week.

My google blog search brought up this odd page: thin celebrity photos posted to inspire extreme dieting. I love the 80s Cher Jack LaLanne photos found here (and the awsome other-version from the Vogue/Dark Lady album cover) however further research showed this forum site was part of a larger "Pro-ana" site which is short for "pro-anorexia.

"Welcome to the Pro-Ana Forum! Pro-ana is a largely Internet-based movement which views the eating disorder anorexia nervosa as a lifestyle choice rather than a medical condition."

There’s a thread on the group called "threats to kill oneself" and "are you lacking in energy."

Sigh. I would be open to this assertion except personal experience tells me this death-defying lifestyle choice makes your family and friends cry.

Lots of kewl skinny Cher pics have been posted and oogled over at Thinspiration.

Here’s a link to the Time Magazine article from March 17, 1975. This is a very important piece. It was a whirlwind of commotion on the Cher timeline. Her solo show was just starting and she was doing interviews to re-introduce herself to a country who wanted her to go back to Sonny so they could watch The Sonny & Cher Show again because that’s the show they LOVED. The dress shown on the cover caused a stir when she showed up wearing it at a The Metropolitan Museum of Art in Manhattan and the press thought it showed more skin than it did.

Then there was the fact that a celebrity was appearing on the cover of time Time Magazine. Unless there’s a scandal occurring, this isn’t even done that often today. Time rarely calls out a celebrity phenomenon. In 1975, it was even more rare and it shows Cher was a legitimate cultural Phenomenon Interviewart_2 with a capital P in 1975. She was…HOT. She was called out as the most photographed woman in the world then (and this is with Jackie O running around), she had two teen-style magazines dedicated to her that year and and two pulp biographies published, one by George Carpozi (Cher) and one by Vicki Pelligrino (Superstar of the 70s….Cher!). She was the IT girl of 1975.

The article in Interview Magazine, December 1998 is not as great as the Warhol issue of Interview from the early 80s (with that wow-wonderful Richard Bernstein cover – I had it framed), but it’s still interesting in that she talks about Sonny, motherhood, biggest fears, and an odd little story about how she willed together the cast of Tea with Mussolini. She also has some interesting comments at the end about the process of being interviewed.

 

Charlie Rose Interview from 1996

CharlieroseFYI: I write for another blog (a blog subsidiary of Ape Culture) where I do things like compose haikus for Sanjaya and critique other matters of American Idol (don’t hate me…it’s my job!). I also make inappropriate personal declarations in a manner I’m not wont to do here.

I watched the Charlie Rose interview from 1996 on Google Video. Overall it was a great interview. What I like about Charlie Rose is that he asks interesting questions; then he probes for clarification when an interviewee is vague. And Cher is often vague, which is, needless to say, her strategic prerogative. But it was refreshing to see a talking head challenge her. Rose does that in gently prodding way. So we get some interesting information regarding Cher’s interior life, her experiences in therapy, her criticisms of herself.

Charlie and Cher talk about the kind of insecure personality show business attracts. Cher also expresses disappointment in herself for not being stronger at times in order to do the right thing more often. This interview shows Cher is more level-headed and sincere about being a decent, stand-up person than many celebrities of her stature. It also hints that she might have a more realistic idea of her accurate self, which must be a challenge after living in the fame bubble so long.

Rose did irritate me with his constant comments about her smarts and stupidity. He spent way too much time telling her how smart she was, she spent way too much time telling us how smart she was, and then toward the end Rose calls her "so stupid" for believing, in a fit of guilt, that being a working mom might have contributed to her daughter being gay. First of all, this is not a correct idea but it’s not stupid. Many mothers feel guilt about being working moms – and many of them feel responsible about all sorts of things about their kids. It’s a normal maternal reaction; admittedly a knee jerk reaction after adjusting to a secret exposed. No big whoop.

But smarts is an issue that keeps coming up with Cher, going way back to her comments about being a naïve young girl and not being able to match socks, being dyslexic and not doing well in school, and to funny naivetés like thinking Mt. Rushmore was a natural phenomenon.

I was shocked at Rose’s usage of the word stupid. Coming from him, it sounded rude, especially after all the unnecessary smart buttering. It made me question his whole attitude.

I don’t really think Cher is stupid. But I’ve never played Trivial Pursuit with her so what do I know? I don’t think Cher has crazy mad verbal skills but I do think she has many smart visual skillz, plenty of street smarts (Sonny often derided her ‘smart mouth’). She has also exhibited many smarts in putting together a professional, talented and loyal entourage of business players. Such a dummy would never last so long in show biz.

The Cher clip only runs for a half an hour. The second half is an interview with Michael Keaton. Thanks to the Follow This You Bitches blog for finding the interview on Google Video.

Btw, the last time I played Trivial Pursuit I only knew one answer and it had to do with Harry Potter. 🙁

   

Amish Envy

Hoodie_2I love this hoodie look for Cher! I can’t find words to describe how refreshing it is to see Cher in something I would wear.

I just want to continue my Luddite-esqe rant on technology for a minute. (Please keep in mind my day job and the publishing work that I do heavily uses the very technology I am ranting against at this moment and I’m not unaware of that.)

That said – I went to a meeting yesterday for a new calendaring software let’s just call MeetingSpam. It’s a new program we’re supposed to use for scheduling meetings with fellow co-workers. It also happens to have an email component that runs automatically every time you schedule a meeting in it; but other than those specific meeting-related emails, we’re not supposed to use it to send emails in general. We’re supposed to use a program I’ll call WhatEveryoneElseInTheWorldUses. But we can only use WEEIT-WU for email and not the very robust calendaring system it has. There are valid technological reasons for this that I won’t get into. But this I will say – neither of these programs can be open at the same time because they fight over the same dll file; so we have to keep opening and closing each one all day to send emails and schedule meetings alternatively.

As you can imagine, this complicated half-breed pair of programs requires extra work. But here’s the clincher. For this meeting on how to schedule meetings with MeetingSpam, I was the only one who showed up on time (by about 10 minutes!). All of the other meeting attendees had to be emailed or IM’d after they failed to show up. Excuses ranged from "I didn’t know where the meeting was" to "I never got the meeting invite."

I was coincidentally the only one who didn’t use a computerized product to remind myself of the meeting time and place, either with MeetingSpam, a WEEIT-WU email reminder, or a blackberry.

I often feel like we’re stuck in a quagmire of work management programs that have become over-complicated obligations. I’m often drowning in bugs, passwords and work-arounds. And it bleeds over into our fun time. How absurd is it that our social lives have now found the need for project management? (MySpace, endless mobile social softwares, etc.).

Have bugs, passwords and work-arounds made anybody’s life any easier?

I was the only person able to get to a meeting on time (or anywhere near the right meeting time) without extra technology prompts. How did I do it? How did I avoid being overcome by technology’s swamp of time management tools?

A small note to myself scribbled on day 11 of my wacky websites day calendar.

Nothing beats the technology of paper and a pen.

   

YouTube Overdose

EdgarbigheadYesterday was a hard day, a real hard day. I woke up from a night of crazy dreams, including one where I was stuck in a haunted house with The Edgar Winter Dog (pictured right). In the dream, the house kept shifting itself around so that my bedroom window, normally facing the backyard, was suddenly facing the street. What could that mean about my psychological state?

The past few weeks and days have been an endless stream of discouraging poetry project news which is making me feel pathetically sorry for myself. I’m suffocatingly behind on all of my projects and overbooked socially (Although I loved them, I can’t face anymore grind house festival movies). I needed some R&R time, some me time. Then my new iPod spontaneously broke itself. The last song it ever played was "Take Me Home." It wouldn’t surprise me if the thing went on Cher-strike. I didn’t even get a chance to upload the new John Waite song I had downloaded from iTunes, "Universal Soldier."  A great new song but very depressing! Hence, I was a muddled heap of inert despondency by mid-day.

So what did I do? I drowned my sorrows in Cher Scholar tasks. I posted two blog entries and uploaded the remaining Ask Cher Scholar Q&As from Zine 2 (including information on what to do with your 401(k) and how to increase your vocabulary).

After that I tried to peruse Cher clips on YouTube. The more I found the more I was finding. I found I couldn’t digest them all –  while watching one treasure, I would get distracted by another cool gem.

Which reminds me of a recurring dream I had as a young impressionable tween. I’d be in a used record store and I would find all these rare Sonny & Cher albums. Either I wouldn’t have any money or I’d lose the album among all the other records in the bins before making it to the cash register. This whole YouTube search felt like an flashback.

Maybe it’s technology that’s making me feel unhinged. While posting the Ask Cher Scholars, my version of MS Publisher had to be re-loaded. I went to a friend’s house for dinner and she couldn’t get her Tivo to work with her new HD TV. With my iPod suddenly becoming corrupted, I was feeling suddenly strangled by technology. And too much information.

YouTube is now a phenomenal source for getting rare video footage of your favorite things. And that’s where the some fabulous Cher magic really is – in the video clips. The Michael Dougles interview with the flowered headpiece…Cher is blooming herself. My Heart Belongs To Daddy is another great energetic early 80s performance I didn’t even know existed. Re-watching Cher call David Letterman an asshole, it’s all golden.

This all should have been an early evening of fun for me but I was too much in a funk about the too-much-ness I was facing. A kid in a candy store suddenly over-sugared. And still today, I feel too scattered to concentrate. And strangely powerless and small. But then if I give up into it…it feels kind of chaotically peaceful.

That’s it. I’m losing my mind.

Wall of Unsound

Spector_2If you’ve been watching TV at all, you can’t miss the latest court room news on the Phil Spector case. The latest evidence that prosecutors are submitting is testimony from a woman at Joan Rivers’ Christmas party. Spector was there allegedly ranting about all women deserving to die by a most violent means. Which if you’ve read Ronnie Spector’s biography (which I did because Cher wrote the foreword), these latest accusations of violent bullying aren’t exactly surprising. One wonders if Cher witnessed much of what Ronnie went through. Cher apparently was pretty feisty with Phil during those recording sessions at Goldstar Studios.

Then again, maybe Phil Spector, as freakish as he seems to us, didn’t frighten Cher all that much. She was probably exposed to a plethora of characters, quirky and unsavory, both in the family and growing up on the streets of LA. Maybe that gave her the cojones to survive in the cut-throat music biz after Sonny’s exit stage left.

LA Times’ latest on Spector’s trial:

Cher.com Was M.I.A.

Tom_jones18Cher.com was down for a few days and it didn’t seem to cause much of a fruckus on the two yahoo groups I frequent. This struck me as odd because I thought fans used the forums heavily…however, maybe the forums stayed up. I didn’t check. I wasn’t in the mood to get sideswiped by some d.r.a.m.a.

But the site being down struck me as interesting, especially the error message I was getting that the domain name had expired. Bizarre because a search of Whois verified the domain was safe as a peach.

One of my consulting jobs has educated me on domain name issues of the day along with other policies and politics regarding the running of the Internet. While the site was down I hoped the domain name wasn’t dismantled by a scandal occurring right now with Registerfly. The company, a domain name registrar, failed to renew customers’ paid-for domain name renewals and is preventing them from rescuing their domain names to a more stable and customer-service-friendly registrar. If you have a domain name that, at some point, may need rescuing, read this article on the whole story and how to protect your domain name. The situation is a serious one – many business’ web sites have gone off-web as a result, allegedly ruining their businesses and livelihoods.

Yesterday I noticed that Cher.com was back up, but sadly with the same old out-dated news and shtick. So little I missed ye, Cher.com. I know. I know. With fans like me, who needs fanemies?

One of the most interesting, usable artist sites to me has been www.tomjones.com. It always changes, experiments with technology and has just the right combo of distance to friendliness that a fan site requires. Plus, right now it’s full of TJ looking pretty freakin sweaty and hot.

Songs Cher Should Cover

Sandc_2Since my first thought of having a Cher blog, I’ve wanted to include a feature called “Songs Cher Should Cover.” You run into so many songs here and there that you think have that special stamp of Cher-potential. I always thought Elton John’s “Take Me To The Pilot” would really kick ass and I felt a self-satisfied sort of delight when finally seeing her sing it with the Pointer Sisters on a re-run of her mid-70s Cher Show. However, in my fantasy it was a Sonny & Cher cover for some reason. I could see them arm in arm, rocking to the chorus: “Take me to the pilot; lead me to the chamber. Take me to the pilot; I am but a stranger. Na na na. Na na na!” (See picture to the right.)

I feel the same way about the song “Best Imitation of Myself” by Ben Folds Five. Not only does the song rock hardy, but Ben Folds’ lyrics seem truly written about Cher, like those Prisoner songs back in 1979, only smarter. (I mean we all know Cher loves to shop, but I’d like the few-and-far-between biographical numbers to be more informative than she buys one in every color.

I feel like a quote out of context…withholding the rest so I can be free what you wanna see.
I got the gestures, sounds, got and the timing down …it’s uncanny. Yeah you’d think it was me.

Did I make me up?
Or make this face ‘til it stuck?
I do the best imitation of myself.

It’s a song that says both “Impersonators out there, take heed – you can’t do this better than me” and  “Everyone else, I am the master of my show; stop judging me and piss off!”

To fully disclose, I’m a Ben Folds fan. I’ve seen Ben Folds Five play in New York City and I saw Ben Folds play alone at the Coachella Music Festival a few years ago. He was amazing without a band, just him pounding away on his piano. I love “Brick,” “Eddie Walker” and “Rockin the Suburbs.” Even the line

I take the check and face the facts as some producer with computers fixes all my shitty tracks

makes me smile like Bette Midler might before saying something snarky about “Believe.”

Ben Folds Five also mentions Cher in a cover of the Flaming Lips song, “She Don’t Use Jelly”

I know a girl who reminds me of Cher. She’s always changing the color of her hair.”

My Dad just sent me the Tom Waits’ album Orphans. I know many pop-fans find Tom Waits un-listen-able. My Ape Culture co-hort Julie Wiskirchen said “[Waits] sings and acts like a crazy person on the subway.” In many ways Waits is the anti-Cher. He’s so anti-image, this is his image. So anti-artifice, that’s his artifice. He’s the pinnacle of rock ‘n’ roll credibility and would never be caught dead on dance-floor speakers. He dresses down – way, way down. No wigs (as far as we know) and no glitter.

I had the Waits CD once with “Downtown Train” on it. I don’t know what happened to it, which means the CD found its way to the Salvation Army store. A scoundrelish Irishman I used to date re-introduced me to a few Waits tunes which I passed on to my Dad who is now a fan. I didn’t realize Waits sang “Ole 55.” Back then he sounded more like Gregg Allman than the smoking, hard-drinking, gnarly voice we’re hearing today. (Yes I know, Allman has a gnarly voice too; but there’s really no comparison.)

I love the new album. The lyrics are stand-out poetry and the pieces are very melodious — if some of you can get past his voice. Which if you’re acclimated to Sonny Bono shouldn’t be a problem. In fact, I think if it were not for Waits’ rough-and-tumble image, these songs would be considered pop songs, they’re so catchy. The album has three CDs. Brawlers is bluesy, Bawlers is more about standards. I haven’t gotten to the last one, Bastards, yet.

But from the blues-infused Brawlers CD, two songs would be great to hear Cher cover: “Lowdown” and “Lost at the Bottom of the World.” They are lyrically strong (like her later Warner Bros material) and they offer contrast to her musical oeuvre, such as the ballads of It’s a Man’s World did. Those ballads gave Cher “a slow moment” in the overall show.

To this point, it was tragic when we lost “The Way of Love” from the set of Cher’s Farewell tour because that was the only quiet moment in a frantic, non-stop show. Just like Celebration at Caesars had “Take It To the Limit” and “On My Own,” the Farewell needed a ballad or two. We need a quiet, melodic contrast to all the lights and color, just as a visual design needs a contrast between light and dark or rough and smooth.

Plus, Waits would be a respectable choice for someone interested in amping up their rock ‘n’ roll street cred. In fact, “Ole 55” would be a great cover too.

And now the sun’s comin up
I’m riding with lady luck
Freeway cars and trucks…
Freeway cars and trucks…

If my mind’s somewhere else, you won’t be able to tell…
I do the best imitation of myself.

    

Cher-Impersonator Product

Thai_2I had a really miserable week last week. I ruined not one but two Thai food diners. A poetry project I’ve been working on for over a year (over many years, actually) didn’t work out. I was PMSing something awful and really swamped with work. Then Cher-fan Tyler informed me via comment a few posts back that the new dance album Forever Cher was actually a tribute album by Dark Lady, a.k.a. Jimmy James.

Ugh! Cher tributes are always low rent. Kate Bush or Sheryl Crow never rally to do re-interpretations of “Half Breed” or “We All Sleep Alone.” Although Sonny’s 60s tunes have been covered a respectable amount of times – search iTunes and you may be surprised. But when it’s Cher solo, we get completely unknown hacks. In other words, we’ll never get a Pickin on Cher. I would have been depressed to hell about the whole thing if it weren’t for my many other problems.

But damn it all, I’m a complete-ist and must buy the overpriced CD anyway. And you know what? It doesn’t suck. It’s actually…fun. I’d go as far as to say it’s the best facsimile of modern Cher I’ve yet heard. Jimmy’s voice sounds remarkably like Cher’s. In fact, you can almost forget. Did I just say that? That’s impossible, I know. The litmus test comes during “Walking In Memphis” when Jimmy tries to sing Beale Street. No one can sing “ten feet off of Beale” like Cher.

What’s really interesting is the arrangements which are different enough to work on their own. Some creativity was brought to these impersonations. “Bang Bang” and “Half Breed” start the album nicely. If only the Farewell recreations had been so kitschy-fresh. “Turn Back Time”. . .well, what can you really do with TBT? I tell you it doesn’t suck. In fact, these mixes make the Geffen-era tunes more palatable to me. Jimmy is infused with enough Cher-spirit to do free-form Cher singing, which takes this impersonation to the level of a real tribute. For this, props go to the creative producing and arranging by Keith Haarmeyer.

Here’s my thinking on the differences between impersonations and tributes:

Impersonator: Dresses like the band/singer but sings or lip-syncs exactly like the records or live performances.
Cover band: May or may not dress like the band/singer but plays/sings exactly like the records or live performances.
Tribute: Plays/sings similar to records or live performances but infuses songs with something new, an original spin on arrangements or something of one’s own personality.

The sex switch: Mistress of the Dark is a tribute band in my mind because these gals don’t just dress like Black Sabbath but they re-interpret Black Sabbath songs as a girl band; whereas most male impersonators just dress/act/lip-sync like their celebrity. They suppress themselves beneath the celebrity persona. Dark Lady is an impersonator/cover artist bordering on tribute due to the originality of the arrangements and Jimmy’s phrasing.

Dance remakes by the original artists walk a fine line. You have to infuse the song with some punch without messing up the basic pathos of the piece. Don’t make a sad song too happy, in other words, just because I’m dancin!

I wasn’t sure this fake Cher would be able to hold my attention over two CDs. Unless it’s a funny remix of a golden oldie (somebody please remix “Where Do You Go!”), I’m not a big dance-mix fan. I mean how many ways can you stretch out “The Music’s No Good Without You” or “When The Money’s Gone?” After a while, the stretch marks start to show. And I don’t like the “beat off to eternity” that most dance songs end with. It feels like extra fabric left over.

The first tracks are better than the later ones. “Song for the Lonely” sounds a little awkward but I loved the bridge. The voice-box effect on “Believe” is a little irritating and Jimmy seems to find the Cher falsetto in “One by One” harder to sing. Maddeningly, you still can’t understand what the washed-out sounding back-ups are singing in the intro of that song. Will some backup singer (or computer programmer) please come forward and resolve this decade-old mystery for us?

I haven’t finished the second disc yet, which mainly contains all the same songs on disc one but revamped as “Return to the Five and Dime” remixes by DJ Ross Alexander. Oh and they all run together on disc two which makes for one supercalifragilistic Cher party! Alexander also includes “Love and Understanding” and “The Shoop Shoop Song” on disc two. If he can make these two stinkers sound good, God bless him.

In any case, this disappointing product purchase turned out to be a pleasant surprise. I hope my next attempt at Thai cooking will do the same.
   

If This is What Respect Looks Like. . .

Cher2_2 So I’m eating my re-heated pasta from my celebratory dinner at The Buggy Whip last weekend (celebrating because the Wisconsin Review accepted one of my older poems) and enduring last night’s live broadcast of The Rock and Roll Hall of Fame on VH-1 Classics, a broadcast reminding us that neither Cher or Sonny & Cher have yet been inducted or are likely to be inducted anytime this solar life-span into that prestigious canonical orb of proper pop music despite the well-intentioned petitions of Cher Convention fans.

Which is fine. Because it’s stupid.

That Blondie drama last year was off-putting. The Van Halen debacle this year was ridiculous. Of all the worthy bands, these ass-clowns get in and then don’t even show up or send a note. Well, recently booted-to-the-curb Michael Anthony did show up as did 80s lead-singer Sammy Hagar. But not Eddie or that other-Van-Halen-brother or the glutton-for-attention David Lee Roth? Where was he? Did Eddie threaten to not let him come back into to the Van-fold if he dared show up alongside Sammy? Is this tomfoolery all over the latest Van-melodrama regarding long-time player Michael Anthony who got replaced on the tour by Eddie’s 15-year old son Wolfgang by Valerie Bertinelli?

No, this isn’t like the time Elijah played on the Love Hurts Cher tour. Micahael Anthony is a beloved founding member of Van Halen. This is despotic nepotism!

Sammy and Michael tried to recreate the magic with “Why Can’t This Be Love” and the help of every-musician’s friend Paul Shaffer among others; but without that iconic sound of Eddie, it sucked. I love Sammy but his performance was lackluster. They looked embarrassed. The whole show was cringe-making with its long pauses between performances which were filled with heckling  from the crowd and film clips of vintage Hall of Fame induction performances from years past with the likes of B.B. King and Eric Clapton, in other words past inductees with a bit of class and reverence for something beyond their navels.

So now Eddie’s in rehab and the civil war between him and all his long roster of former band-mates continues. Yawn. Can I see the next vintage Hall of Fame performance now? Ah, that’s it: Prince playing “While My Guitar Gently Weeps” with Tom Petty. It’s as if the Hall of Fame is saying “Now here is a real guitar genius eccentric…who puts out!” Prince kills us with a performance full of flair and dexterity and then maddeningly prances off the stage like an arrogant elf. I love him! I hate him!

Ronnie Spector of The Ronettes was also inducted. Remember Cher wrote the introduction to Spector’s autobiography and these gals used to pal around when both were working under the banner of Phil Spector. Cher also sang back-up on the iconic Wall-of-Sound recording “Be My Baby”. The autobiography of the same title is a must read for Ronnie’s take on the early punk/folk version of Cher and to understand what life was like behind that Wall…speaking of irrational eccentrics.

At the end of the show, all the inductees convened to sing a ditty, including Grandmaster Flash, Ronnie herself, two-fifths of Van Halen, and Patti Smith looking homeless as usual – which is fine because she’s an auteur and all…but why are her teeth so icky?? She would make a good ghost-of-rock-tours-past in one of Eddie Van Halen’s hallucinogenic drug episodes.

I’m frustrated with the rock canon right now and so I’m going to go buy the newly issued Cher dance mix collection, which includes remixes of “Dark Lady” and “Bang Bang [Return to the Five & Dime Mix]” which is sure to ensure Cher will continue to be snubbed from any future R&R HOF inductions to come. Darn it all.

   

Return of the Dolls!!

Ringleader_1Speaking of why I’m not rich yet. I’m trying to earmark $300 of my future earnings for three new Cher dolls soon to hit the store. I hope I won’t have to pay $50 each, but this is what underground dolls sites are asking for the dolls in pre-orders. Yes, I will get two dolls each for the future Chersonian Institute – one to be MIB (mint in box) and one to pose in the outer-box universe.

Barbie and Mattel sites show no signs of these new creatures set to arrive in June or July. But I’m very excited about the prospect. As we know, the 90s Bob Mackie doll left much to be desired; if the doll didn’t have the word ‘Cher’ emblazoned on the box cover we probably would have thought it was Phoebe Cates. Sure, it was fun to see Will and Grace promoting the doll on their show, but it was hard to get over the fact that the doll didn’t really look like Cher (even with her new nose). Some more artistic fans repainted the doll’s face to look more like her. Drastic measures – but I understand completely understand.

Sqaw1_2Halfbreed2The outfits are looking up this time around. One doll is quaffed in the ringleader ensemble, the new and fabulous outfit representing Cher’s 3-year historic farewell tour in America and Europe. Another doll is decked out as V.2 of Half Breed. This is a recreation from the 70s half breed fit and a scrubbed up retread, but it’s surely Cher’s most representative outfit from the 70s decade. But here is where things get really good: an 80s outfit. Encroyable! And the doll Gods have picked the hole fit!! Can you believe it?. This is big news because it elevates this mostly-ignored but oft-worn and re-designed hole-strewn uni-tard up to the iconic status it so deserves. Check out Ape Culture and scroll to the bottom of the concert review to view a retrospective of the hole fit as it has evolved throughout modern times.Holedoll_1

My fingers are itching on my wallet to purchase these babes. If only I could find out when Target will get their shipment? O’ where can I go in the free market to buy my Cher dolls? Stay tuned…the summer promises many good things: the last Harry Potter novel and now this!

You can see the new doll prototypes at these sites (just plug ‘cher’ in the search box).

goantiques.com
guyzanddollz.com
islandofdolls.com

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