a division of the Chersonian Institute

Category: Cher Product (Page 7 of 8)

(You)Tubed but not Contained

Cherhair Some interesting links this week…a bootleg from the Love Hurts tour (which I have not seen in its entirety). Those dancers kill me…they twirl around forever, Cher shouts out "Love is a Battlefield" and then the shirtless kilt guy…WTF?

http://www.youtube.com/watch?v=QJoyvEKgLN0

I actually had a discussion this week with a friend about who had the best 80s, female rock voice: Pat Benatar or Ann Wilson. (And don’t complain that I didn’t say Cher. We were talking about best voice for that 80s sound. I think Cher’s voice is larger than that.) My friend saw Heart over the weekend and said Ann Wilson was amazing. But Pat’s voice is operatic and her songs seem harder to pull off to me.

Our Cher friend Tyler has a fantastic assemblage of Cher video history on his You Tube page:

http://www.youtube.com/user/cherstyler

Don’t forget to check out the his playlists, either. Tyler is the Cher video master! His latest playlist is full of all the commercials and infomercials:

http://www.youtube.com/view_play_list?p=3054469F9514C82A

Tyler reminded us all recently about when we all used to stay up all nite enduring endless infomercials to get Cher’s latest infomercial taped onto our VCR. I taped the first 5 seconds of twenty or so infomercials on the Ionic Breeze because I didn’t want to miss a second of Lori Davis exposing the benefits of her hair tonics. By the way, I LOVED those infomercials. Uninterrupted Cher, faux-science seriousness, clubs and kits. Loved it! Why everyone got so upset…I’ll never quite understand. Look for an essay on these infomercials in the next Cher Zine.

This also Reminds me, I posted my All I Ever Need is You essay from the last zine a week or so ago.

Tomm, the owner of the Yahoo! Cher list created a very fun Cher quiz online. You have to register to get your answers and results but it’s a quality test…and I’m not just saying that because I missed three.

http://www.flixster.com/user/eurotomm/quiz/cher-and-cher-alike?invitorId=789121415
   

So all of a sudden all these queens start pelting her with gum…

Uninhibited My title refers to a funny post on the Yahoo! Cher list this week by JefRey who was describing a Cher-attended Uninhibited perfume-release party at a department store. Someone asked Cher do her TV character Laverne, which she can’t do without simultaneously chewing gum. As soon as she said that, gum suddenly hilariously appeared as described.

I’d love to see a movie with Laverne, by the way. I envision her with Carol Burnett’s character Eunice and the In Living Color character Benita Butrell ("I aint one to gossip; so you didn’t hear that from me") and I see them robbing banks as vigilantes for senior’s rights); but I guess three months of chewing gum nonstop would give Cher lock-jaw.

Anyway, I was like a patient elf this week waiting for my Chrome Hearts magazine to come. It didn’t. I went online to see what the dealio was yesterday and discovered that, to my absolute horror, the post office was claiming to have already left two notices! One on July 30 and one on July 31, my birthday. (This is Harry Potter’s birthday too by the way). It was now late in the day on August 1 and you know what that means. FINAL NOTICE!! None of these little yellow devils ever appeared on my Venice doorstep and I feared the worst, that the US Postal Service had already sent my birthday present to myself back to Japan!

I fell to my knees and cursed the Gods and made my boyfriend’s life a living Hell for about fifteen minutes while I moaned and ripped at my hair as he attempted to drive me to the restaurant Malo in Hollywood for my birthday dinner. (Which was very good, by the way. I love their corn on the cob and shrimp Diablo – very hot – I was crying by the end of it and not because fate was tormenting me with postal snafus.)

I ended up calling the post office just in time this morning to pick it up by hand. More about its innards next week.

For my actual birthday I went to see Atlantic Records: The House that Ahmet Built at the Egyptian theater in Hollywood. My birthday is Ahmet Ertegun’s birthday too as it turns out. Harry Potter, Ahmet Ertegun and me. It was an Ertegun love fest, I have to tell you…with tributes given by Keith Emerson (geez, what a bore), 80s Cher-producer Peter Asher (very funny), R&B giant Solomon Burke (claims to have 87 grandkids), as well as songwriters Jerry Lieber and Mike Stoller. The movie was very interesting (narrated by Bette Midler, the one of these things is not like the other in Ahmet’s musical oeuvre) but the movie did not reference Sonny & Cher (except for two photos of them flashed up in reference to Phil Spector). The movie actually didn’t discuss the ATCO label at all but did interview Jerry Wexler at length and talked about his involvement with Atlantic’s soul artists including his disinterest in Ahmet’s more white, rock acts.

I wonder if Sonny’s interest in R&B was the link in the chain between Jerry Wexler’s involvement on the Jackson Highway album. Otherwise, I’m not sure I understand why he bothered (along with Atlantic’s main-players Tom Dowd and Arif Mardin ), forcing Cher to practically drive straight from Chastity’s labor room to the recording studios.

Well…I exaggerate. 

      
 

Chrome Hearts is Dy-no-mite!

Dynamitechercoversmall_2Of all impending Cher stuff, I get most excited about two things: a new record and a new magazine cover spread. The movies are okay…I mean I love the idea that Cher conquered the movie biz (critically and box-offishally), but I don’t sit around watching the movies all the time. New magazines are really fun to get: new Cher data, new Cher predictions, new Cher photos (what’s the image spin, what wacky outfits, what awesome poses, what artful photography?).

Which is why I bit the bullet (rationalized as a birthday present) and bought an outrageously expensive copy of the Japanese magazine Chrome Hearts on eBay. Cherworld pics inspired me to do it. It even has a fold-out poster! Can this be true? It’s like Dynamite all over again! According to the excerpted blurb on the site, Cher might include some country songs on her next album. Sweet! She indicated her set list was uber-difficult this album, which means we might get some artful blood, sweat and tears, as well.

This won’t entirely curb the distress I feel over my government’s slow descent into chaos and crime, but it will help!

      

Believe it or not (a new mashup)

Believe_2 Last week a concerned non-fan friend sent me the news that "Believe" made Rolling Stone Magazine’s list of most annoying songs.

I notice all the songs on this list were massive hits, thus probably most annoying due to being over-played. Some I’ve had the pleasure of never hearing. Some are sexistly annoying. Some are annoying just because people find Celine Dion annoying. And yes, some are probably inherently annoying. I’m going to remain silent on "Believe." It was never one of my favorite songs and it’s probably my least favorite among Cher’s iconic solo quad which includes "Believe," "Gypsies," "Half Breed,"  and "Turn Back Time" – although "Believe" gives "Turn Back Time" a run for the bottom spot in my list. I love "Gypsies, Tramps and Thieves." I really do. But it would have probably have made Rolling Stone’s list in 1976.

Here’s the list:

  1. The Black Eyed Peas – My Humps
  2. Los Del Rio – Macarena
  3. Baha Men – Who Let The Dogs Out
  4. Celine Dion – My Heart Will Go On
  5. Nickelback – Photograph
  6. Lou Bega – Mambo No. 5
  7. James Blunt – You’re Beautiful
  8. The Spice Girls – Wannabe
  9. Sisqo – The Thong Song
  10. Cher – Believe

Cher fan friend JeffRey sent me another mash-up of "Believe," AC/DC-ized. You know I love mash-ups! This helps alleviate the annoyance quite a bit.

     Download AplusD_YouBelieveMeAllNightLong.mp3

 

New Cher CDs

Emicheruk_2 I received my new EMI Cher re-releases last weekend. EMI-UK has produced some new Imperial collections. One is a new compilation called The Best of Cher The Imperial Recordings 1965-1968.

They’ve whittled her Imperial stock down to…huh? 44 tracks? It’s not so much a question of why they included the songs they did, but why they rejected the one or two songs they didn’t include. And yet some of my favorites were still left out.

The CD has nice packaging. I love the colorized photos in the compilation, and the well-chosen black and white photos inside.

EmicherusBut it’s no match for US EMI retrospective that came out years and years ago Legendary Masters: Bang Bang (My Baby Shot Me Down): The Best of Cher which had illuminating session out-takes (“Needles & Pins”) and b-sides (“She’s No Better Than Me”), plus very nerdy liner notes. They also managed to make those tough-love choices, whittling down her Imperial catalog to only 22 tracks.

The other EMI-UK release is a double package of Backstage and Cher’s very first solo compilation, Golden Greats.

I ordered my first LP copy of Backstage from a used record store I found in a record guide when I was 13 years old – I anxiously awaited a live 60s album! Boy was I disappointed. But I got over it and learned to love “Take Me for a Little While,” “The Click Song” and “A Song Called Children.” I had already fallen in love with “Masters of War” from a 1978 Sonny & Cher compilation I had called The Beat Goes On. I remember, age 8, forcing my parents to sit in our living room in our blood-red, American-Furniture-style chairs while I played them this Bob Dylan dirge on our old mammoth phonograph. After it was over, they said "Very nice, honey" and went back to the Den to finish watching Roots.

Backstage ended up becoming one of my favorite Imperial albums next to With Love. Read my Cher Scholar reviews. I’ve been waiting a long time for a good CD re-release after suffering an awful bootleg or two. And that’s the best thing about these releases. A re-mastered CD is a joy to listen to. I’ve even started to appreciate “Carnival” more this week.

Backstage_2 The Backstage CD includes all the original artwork. But the extra wrap of cardboard is over-packaging uselessness, annoying to deal with when getting your CD in and out. This booklet also overuses the Cher on the throne picture, on its cover (see the background fade to the left) and in various spots in the booklet. Although, she does wear a very Paris-Hilton expression in that photo.

The CD also includes the original liner notes to Backstage and Golden Greats. Sonny elicits a couldn’t-care-less statement from Cher. "You’ll either like me or you won’t." So transparent. Strangely, the Golden Greats liner notes seem different than the notes on my US LP. I remember this only because Golden Greats was the theme of my last Cher Zine. Does anyone know if the UK packaging for this compilation was always different or am I imagining things?

The new releases both have pathetic new liner notes that offer nothing new or insightful. Spartan career overviews are useful only for newbies when probably only die-hards and Cher historians will be buying this CD (there are very few real hits on it).

A side note: it really irks me when Cher biographers don’t listen to and speak about all her albums, like Backstage. The lady recorded over 35 original albums. Whether biographers like them or not is irrelevant; pay diligence fer Christ sake.
   

Karaoke Cher, I Got You Babe DVD and LP Covers

Karaoke1_2 I was Cher Scholar at no charge for two of my friends this week. A high school friend of mine who now works in Las Vegas as a singer and dancer was looking for a karaoke CD with "The Way of Love" on it. I’ve only ever been to karaoke as some sort of birthday obligation. So I wasn’t well steeped in Cher karaoke CDs although I knew there must be a plethora out there. This gave me a good opportunity to peruse the amazon.com market.

You Sing The Hits Of Cher

This has nine tracks: 2 from the dance era, 4 from the Geffen era, and 2 from 70s narrative period. There’s also "Shoop Shoop" which always sounded like a lame karaoke song to me anyway.

Hit Songs of Cher [ENHANCED]

Ooh…enhanced. This one has 10 tracks: "Believe" (twice…one vocal and one karaoke version although I don’t know the difference), 4 from the Geffen era, and 4 from the 70s narrative era.

Cher’s Greatest Hits Vol. 1

This one has 16 Tracks: 3 dance era, 8 Geffen era (including "Shoop Shoop"), 3 70s narrative tracks, and the recent "Bewitched Bothered and Bewildered" (although to me that’s quintessentially a Barbra Streisand song) and "Bang Bang" (which is either the 60s or Geffen era version).

Chartbuster Karaoke: Cher [ENHANCED]

What does enhanced mean for pete’s sake? This one has 12 tracks: 6 dance era (including "Runaway" and "Believe" twice…listed as mix, guide tracks or performance track…I’m so confused!) and 6 Geffen era tracks.

Hits Songs of Cher (Audio CD)

This one has no song list. Buy at your own peril.

Chartbuster Karaoke: Cher

This one has 15 tracks: 5 dance era tracks (including "Song for the Lonely" and "Different Kind of Love Song"), 5 Geffen tracks, 3 70s narrative era, and 2 60s era.

This one spelled Gypsies as Gypsys. I hate that. I really do.

Sing Like Cher Karaoke2_2

This one has 10 tracks, all from the Geffen era.

Sing The Hits Of Cher and Donna Summer (Karaoke)

Odd combination…but okay. This one has four obscure tracks from the Believe album ("Dove L’Amore" being the only exception) and four obscure tracks from Donna’s album ("This Time I Know It’s For Real" the exception…it also has Summer’s version of the operatic "Time to Say Goodbye" except the words are "I Will Go With You.")

Pocket Songs Just Tracks Karaoke – HITS OF CHER

No list.

Radio Starz – Cher’s Karaoke Anthology

This one was sent to me by a Cher yahoo-groups member. It’s the only one with "The Way of Love" and seems the best value with 22 tracks as follows.

  1. Believe – Cher
  2. A Cowboy’s Work Is Never Done – Cher
  3. If I Could Turn Back Time – Cher
  4. We All Sleep Alone – Cher
  5. The Way Of Love – Cher
  6. After All -Cher
  7. Strong Enough – Cher
  8. You Better Sit Down Kids – Cher
  9. The Beat Goes On – Cher
  10. Dark Lady – Cher
  11. Baby Don’t Go – Cher
  12. Half Breed – Cher
  13. I Got You Babe – Cher
  14. Gypsies, Tramps & Thieves – Cher
  15. Bang Bang – Cher
  16. I Found Someone – Cher
  17. Just Like Jesse James – Cher
  18. The Shoop Shoop Song (It’s In His Kiss) – Cher
  19. All I Ever Need Is You – Cher
  20. Take Me Home – Cher
  21. Little Man – Cher
  22. All Or Nothing – Cher

This is also the only one with "Cowboys," "The Beat Goes On," "Baby Don’t Go," "I Got You Babe," "All I Ever Need Is You," "Take Me Home" and "Little Man." All but two have the four signature songs: "Believe," "Turn Back Time," "Half Breed" (all but three) and "Gypsies." I didn’t see any CDs dedicated to Sonny & Cher.

I did my primary serach on Amazon but you might Google around for the right CD at the best price.

Last week a friend and I went to see two movies from the 70s at one of Santa Monica’s art house theaters. We saw Diary of a Mad Housewife which was interesting but pointless as the Leonard Maltin book says. I say what a doormat! This was followed by The Last of Sheila, a wonderfully fun who-done-it with a great cast including Dyan Cannon, Raquel Welch, George Mason and written by Anthony Perkins and Steven Sondheim.

Both movies featured Richard Benjamin; it was like a Richard Benjamin festival. Benjamin was great in both of them but I still blame him for Mermaids. After the movie my friend gave me two Cher albums he found at used record stores.

One was Bittersweet White Light. I said I didn’t know what the title meant. We laughed about Cher’s cover photo where she’s piled with turquoise and fur as if to say "I’m rich!" On the back cover she looks way too thin and there’s another infernal essay by Sonny about how Cher makes one feel when she sings. I hate those essays. But I honestly love this album. I know some think it’s god-awful but I really don’t understand the particulars on why. These funky standards are way cool IMHO. More creative than her versions on TV.

The other LP was a Canadian Mono print of In Case You’re In Love. Another odd title. In case you’re in love what? Both my friend and boyfriend were flabbergasted over the outfits on the cover. I love the back photographs in Europe (they look so bored) but the middle photo makes me dizzy. I think they’re trying to hypnotize us.

This week I finally received my Sonny & Cher I Got You Babe DVD. This is a German production that looks like a fancy bootleg. I can’t figure out how this thing was ever made and approved. It’s very mysterious consisting mostly of some of their more mundane TV show live performances; these are not clips I would pick. Oddly the first one ("A Cowboy’s Work Is Never Done") has the album track over-playing the TV show footage. The rest are live for the most part.

The track listing was not on Amazon:

  1. A Cowboy’s Work Is Never Done – From their early 70s show.
  2. The Letter – From their early 70s show.
  3. All I Ever Need Is You – From their early 70s show.
  4. Bad Moon Rising  – From their early 70s show.
  5. Brother Love’s Traveling Salvation Show/Mr. Tambourine Man – From their early 70s show.
  6. Cry Like a Baby – From their early 70s show.
  7. I Dig Rock ‘n’ Roll Music (with Bobby Vinton, Frankie Valli, Jerry Lee Lewis, and Chuck Berry and I just realized Jerry Lee looks like that jazz pianist I used to date) – From their early 70s show.
  8. Bad Bad Leroy Brown (the very kewl cartoon) – From their early 70s show.
  9. Let Me Down Easy – From their early 70s show.
  10. Love Grows Where My Rosemary Grows – I hadn’t seen this one before and it has interesting camera shots from behind left stage (including an great audience shot) and a front tracking shot like they never did. Very disorienting because it’s so unusual. I wish they had done these kinds of shots more often.
  11. Out of Sight/Get Ready – Hadn’t seen this one.
  12. Sonny & Cher Stomp – Hadn’t seen this one either but it’s a great self-deprecating send-up of themselves and their mannerisms complete with dancers.
  13. Silly Love Songs (with Donnie & Marie) – This one is from their later 70s Show.
  14. Without Love – Late 70s Show
  15. You Make Me Feel Like Dancing – Late 70s Show
  16. Little Man – This was an awesome rough video clip from the 60s. Worth the whole DVD.
  17. I Got You Babe – Old video footage we’ve seen before.
  18. What Now My Love – More greatness…seems like old live footage. Loved it!
  19. Let the Beat Go On – This is a really odd outro to the DVD with quivering still captures from the clips above…all backed by an indecipherable song. Those Germans.
  20. Biography – This is useless, impossible to read as it scrolls by too fast.

This DVD wouldn’t play on my TV player; it said the new DVD was dirty. It played fine on my computer, however.

I’m headed to St. Louis this weekend for the funeral of my friend’s father. Very sad. Joe Wiskirchen was a recent visitor to Chez Edgar (he even tried to instill discipline in him as did my mother to no avail) and was a move review contributor to Ape Culture. Needless to say he will be missed.

 

A Woman’s Story

Cherspector
Last week, an I Found Some Blog commenter kindly posted a question. What do I think about the single “A Woman’s Story,” he asks, I’m guessing in light of all my recent Phil Spector bashing.

Well, I like the wall of sound. I really do. I appreciate it. But I also feel Cher is a wall of sound unto herself and two walls of sound can make one feel a tad claustrophobic. That said, this single and I go a long way back…

The first time I heard the opening bars was in background footage of a documentary that had Sonny discussing his feelings about Phil Spector…the same early 80s Spector documentary I mentioned a few blog posts back. Not only was it a Cher song I had never heard before (and I thought I had all the albums by then); but it sounded crazy-cool. Haunted. Unlike anything I had ever heard her do. And she’s recorded in every conceivable style, so that’s sayin’ somethin’.

It was the mid-80s and I was 15 or 16 years old. I had no Cher community. All I had were record guides from Waldenbooks at the mall. I would scribble down record lists on the back of envelopes without paying for the books. This was before the big chain bookstores encouraged you to sit for a spell and read all day.

There were no good Cher discographies or biographies out yet. The J. Randy Taraborrelli book might have been out but I hadn’t read it yet. So I was on the lookout for the song but I didn’t even know the name of it.

Soon after I got my driver’s license (the summer of 1986), I was still terrified to drive on the highways. So one Saturday afternoon I took a very slow, surface-street drive across St. Louis to make it to the south county used-record stores. I found the 45 sitting innocently in a huge 45 bin. I bought it for $1.50. Can you believe it? I paid $75-100 for similar Warner singles years later on ebay. When I got home I was immediately in trouble for making everyone late for an Olan Mills family portrait sitting. But I didn’t care because I loved my trip to get that 45. I was finally breaking out and finding hidden treasure!

The song’s writing credits are Spector-Tempo-Stevens. Which looking back now, the lyrics feel slightly woman-hating, in a sort of “I’m-trying-to-be-sympathetic-but-I’m-showing-my-hidden-prejudices” sort of way. Especially depending upon how you interpret “woman.” Is this woman the universal woman or one particularly unusual woman? In any case, woman equals whore. And if you’re following the Spector trial, he has a tendency to generalize all women as whores. His high school girlfriend claimed he had jealousy issues. Which links quite easily to “if you sleep with anyone other than me you must be a whore.” It’s disturbing how far we can take this train of thought.

But let’s separate these latest unsettling allegations from the song itself, a ballad about a lonely hooker. What an awesome opening: shrill, creepy backups until Cher’s voice comes rolling in.

I would almost think the wall of sound would suits Cher’s voice; it tries to coat her vocals in sound. But in this case, it’s too loud. Cher sounds a bit unenthusiastic, mumbling a few words. Then again, Cher might be performing a very convincing depressed character.

The biggest problem is that the song sounds too dated for the mid 70s. It sounds very late 60s which was such a specific sound remarkably tied to its time. But then even the backup “ahs” in the middle of the song are too clunky for the late 60s. 

I both love and hate this song’s oddness, its tripped out atmosphere; but I’m glad this wasn’t the sound that Stars turned out to be. “From now on I say hell no.”

The B-Side provides us with more Spector: “Baby I love You,” a remake (and some say dis on the Ronnie Spector original). Again, another song on drugs. But I still love parts of it. I love the ethereal texture of the introduction, the heartbeat bass, the vulnerable way Cher sings the verses, not teenage-frantic like the original. A great quiet performance by Cher (lovely falsetto). Kim and Kath would say “It’s nice. It’s unusual.”  I even love the outro with the free-style guitar.

But then by the time the chorus comes around, you feel like you’re listening to molasses. A musical goopy mess. The song feels like a single-engine plane that can’t quite take off. Double Darn It.

Then there was also “A Love Like Yours” by Cher and Harry Nilsson. Same story: dated, maddeningly-slow, messy. I can’t even understand what they’re singing. Plus it seems like a rip off of Dylan’s  “Knocking on Heaven’s Door.” The whole thing is labored, plodding and lifeless; although it almost sounds like Cher is screeching at the end. 

Speaking of Phil working with Cher, we can’t forget her first studio performance, “Ringo I love You,” a bizarre sounding thing, a garage-band guitar, Beatlesque tempo and yeah yeahs.” And still, the song has no omph, it’s so slow. A flat, Frankenstein vocal performance, too.  This was an unfortunate way to introduce Cher to the public. Many thought she was a man singing. But I think she sounds more exotic than masculine.

The best wall of sound Cher song, in my humble opinion, is “Dream Baby.” And this was a Sonny Bono interpretation of the wall. I only have a stereo version on my iPod. Does anybody out there have the mono version? What’s the difference?

Anyway, Sonny captured a Ronettes-like sound except Cher’s makes it a Gothic girl group. Her 60s voice can sound amazingly innocent and experienced at the same time. It’s a great, simple vocal. And Sonny does the right thing by tempering the wall of sound so as not to compete with Cher’s voice. The percussion sounds cleaner and the sax is fun. It’s like a little wall Cher can sit on and kick up her feet.

 

Cher.com Was M.I.A.

Tom_jones18Cher.com was down for a few days and it didn’t seem to cause much of a fruckus on the two yahoo groups I frequent. This struck me as odd because I thought fans used the forums heavily…however, maybe the forums stayed up. I didn’t check. I wasn’t in the mood to get sideswiped by some d.r.a.m.a.

But the site being down struck me as interesting, especially the error message I was getting that the domain name had expired. Bizarre because a search of Whois verified the domain was safe as a peach.

One of my consulting jobs has educated me on domain name issues of the day along with other policies and politics regarding the running of the Internet. While the site was down I hoped the domain name wasn’t dismantled by a scandal occurring right now with Registerfly. The company, a domain name registrar, failed to renew customers’ paid-for domain name renewals and is preventing them from rescuing their domain names to a more stable and customer-service-friendly registrar. If you have a domain name that, at some point, may need rescuing, read this article on the whole story and how to protect your domain name. The situation is a serious one – many business’ web sites have gone off-web as a result, allegedly ruining their businesses and livelihoods.

Yesterday I noticed that Cher.com was back up, but sadly with the same old out-dated news and shtick. So little I missed ye, Cher.com. I know. I know. With fans like me, who needs fanemies?

One of the most interesting, usable artist sites to me has been www.tomjones.com. It always changes, experiments with technology and has just the right combo of distance to friendliness that a fan site requires. Plus, right now it’s full of TJ looking pretty freakin sweaty and hot.

Cher-Impersonator Product

Thai_2I had a really miserable week last week. I ruined not one but two Thai food diners. A poetry project I’ve been working on for over a year (over many years, actually) didn’t work out. I was PMSing something awful and really swamped with work. Then Cher-fan Tyler informed me via comment a few posts back that the new dance album Forever Cher was actually a tribute album by Dark Lady, a.k.a. Jimmy James.

Ugh! Cher tributes are always low rent. Kate Bush or Sheryl Crow never rally to do re-interpretations of “Half Breed” or “We All Sleep Alone.” Although Sonny’s 60s tunes have been covered a respectable amount of times – search iTunes and you may be surprised. But when it’s Cher solo, we get completely unknown hacks. In other words, we’ll never get a Pickin on Cher. I would have been depressed to hell about the whole thing if it weren’t for my many other problems.

But damn it all, I’m a complete-ist and must buy the overpriced CD anyway. And you know what? It doesn’t suck. It’s actually…fun. I’d go as far as to say it’s the best facsimile of modern Cher I’ve yet heard. Jimmy’s voice sounds remarkably like Cher’s. In fact, you can almost forget. Did I just say that? That’s impossible, I know. The litmus test comes during “Walking In Memphis” when Jimmy tries to sing Beale Street. No one can sing “ten feet off of Beale” like Cher.

What’s really interesting is the arrangements which are different enough to work on their own. Some creativity was brought to these impersonations. “Bang Bang” and “Half Breed” start the album nicely. If only the Farewell recreations had been so kitschy-fresh. “Turn Back Time”. . .well, what can you really do with TBT? I tell you it doesn’t suck. In fact, these mixes make the Geffen-era tunes more palatable to me. Jimmy is infused with enough Cher-spirit to do free-form Cher singing, which takes this impersonation to the level of a real tribute. For this, props go to the creative producing and arranging by Keith Haarmeyer.

Here’s my thinking on the differences between impersonations and tributes:

Impersonator: Dresses like the band/singer but sings or lip-syncs exactly like the records or live performances.
Cover band: May or may not dress like the band/singer but plays/sings exactly like the records or live performances.
Tribute: Plays/sings similar to records or live performances but infuses songs with something new, an original spin on arrangements or something of one’s own personality.

The sex switch: Mistress of the Dark is a tribute band in my mind because these gals don’t just dress like Black Sabbath but they re-interpret Black Sabbath songs as a girl band; whereas most male impersonators just dress/act/lip-sync like their celebrity. They suppress themselves beneath the celebrity persona. Dark Lady is an impersonator/cover artist bordering on tribute due to the originality of the arrangements and Jimmy’s phrasing.

Dance remakes by the original artists walk a fine line. You have to infuse the song with some punch without messing up the basic pathos of the piece. Don’t make a sad song too happy, in other words, just because I’m dancin!

I wasn’t sure this fake Cher would be able to hold my attention over two CDs. Unless it’s a funny remix of a golden oldie (somebody please remix “Where Do You Go!”), I’m not a big dance-mix fan. I mean how many ways can you stretch out “The Music’s No Good Without You” or “When The Money’s Gone?” After a while, the stretch marks start to show. And I don’t like the “beat off to eternity” that most dance songs end with. It feels like extra fabric left over.

The first tracks are better than the later ones. “Song for the Lonely” sounds a little awkward but I loved the bridge. The voice-box effect on “Believe” is a little irritating and Jimmy seems to find the Cher falsetto in “One by One” harder to sing. Maddeningly, you still can’t understand what the washed-out sounding back-ups are singing in the intro of that song. Will some backup singer (or computer programmer) please come forward and resolve this decade-old mystery for us?

I haven’t finished the second disc yet, which mainly contains all the same songs on disc one but revamped as “Return to the Five and Dime” remixes by DJ Ross Alexander. Oh and they all run together on disc two which makes for one supercalifragilistic Cher party! Alexander also includes “Love and Understanding” and “The Shoop Shoop Song” on disc two. If he can make these two stinkers sound good, God bless him.

In any case, this disappointing product purchase turned out to be a pleasant surprise. I hope my next attempt at Thai cooking will do the same.
   

« Older posts Newer posts »

© 2024 I Found Some Blog

Theme by Anders NorenUp ↑