a division of the Chersonian Institute

Category: History (Page 8 of 14)

Review of The Lowdown CD

LdFor those of you who bought the Lowdown biography CD from 2011, you know by now that half of the product is something you already have, the Maximum Cher biography CD from 1999. What a rip off!

Anyway, I listened to Maximum Cher again while on my trip to Pennsylvania. There are very few Cher audio clips on it (despite the CDs bold promises) and it's mostly a UK-biography told by a female narrator who pronounces her surname funny. The narrator also mistakenly refers to mother Georgia as Georgeanna. The audio biography does tell the stories of Cher’s mother’s almost-abortion, Cher loss of virginity to an Italian neighbor named Jeff and the story shows us a streetwise kid with bad teeth, nose, posture, and complexion and how she created an unapproachable teen persona to hide herself. According to bio, Cher was 7 when she moved to LA. Harold Battiste originally hired Sonny (because he liked his enthusiasm) to do record promotion.

McThe CD does elaborate on the early awkwardness of being unaccomplished performers and how Hollywood looked down on them, seeing Cher as aloof and abrasive and Sonny as a comical and a nasal hippie. The CD details the Princess Margaret Charity Ball fiasco, where Sonny & Cher had to play to the Hollywood elite instead of the teenagers they were used to entertaining and how they experienced sound problems and Cher was amplified too loudly and eventually was cut off. Then Sonny's stand-up routine was seen as bad and offensive. Eventually they were heckled by a drunk and the Hollywood stars laughed at them. It seems traumatic but the narrator remarks how Cher would go on to outshine all of them.

The bio also talks about their The Man from UNCLE appearance, how the script was written for them and how Sonny took a few blows in the fake-fight scene. The bo claims there were 200 guests at Cher's wedding to Gregg Allman. Is that true?

Apparently the Brits loved Mermaids and the “The Shoop Shoop Song” spent five weeks at number one. The album Love Hurts also spent six weeks at number one. The narrator calls the movie Faithful an “excellent film.” Other errors on the CD include the mention that Cher performed the song “Bang Bang” in the movie Good Times, the claim that the Cher show saw its debut mid-1975. The CD makes no mention of Cher's very public affair with Gene Simmons (although it lists her many other lovers, big and small) or anything about her band Black Rose but states that “a friend Jean Simmons offered HER home in NY” to Cher before she found her own apartment. The CD also claims Cher recorded “Many Rivers to Cross” with Beevis & Butthead. The CD calls Cher a “living legend in a two-faced, backstabbing LA” and also “The Queen of Pop.”

Cher The Interview is the second CD in the set and it is a repackaging of various TV interviews going back to the mid-1980s.

  1. No Regrets! is the Cynthia McFadden primetime interview Cher did in 2002 where she talks about always worrying about money, Sonny being scientologist, the interview where she said, “I was as smart as I was gonna get at 40.” She talks about her depression, and how you “make a hand with cards you’re dealt.” She also voices her support of Hillary Clinton in the election, how she knows Hillary and how Jimmy Carter was done-in by his inexperience and she feared the same would happen with Barak Obama.
  2. So Long, Farewell is an Australian Farewell-era interview where they ask her if this is really her last tour and she says, “It’s got to be. It won’t get any better.”
  3. What a Life is the uncomfortable Living Proof-era phone interview with the nervous guy. You feel sorry for him with all his “ums” and his nervous laugher. They talk about what it feels like to be an underdog and how she’s not trying to save NYC with her song “Song for the Lonely.” Cher insists she gives the most about who she is in interviews (I agree with this). She draws attention to the fact that most of her movie roles are not glamorous. They talk about the NYC dance-clubs she used to frequent and the DJs she liked. She said she would go to Studio 54 a couple of nights a week and that she also loved the club Heartbreak in NY. The interviewer asks if “The Music’s No Good Without You” is a reference to Sonny. No. He asks her “What’s a “cell” for you” and she says “hiding yourself.” She calls the tabloids soulless, Godless trash and tells him that pain isn’t worst thing that can happen to you.
  4. The Fame Game is the Matt Lauer interview from The Today Show around the time of Living Proof. She calls “Song for the Lonely” anthemic and she appreciates its grandeur in strength. She talks about coming up in show business, how in 1964 she and Sonny started out rough-edged. They had no stylists or dance instructors. They sewed their own clothes and were definitely “not polished, not perfect but real.” She says today’s atmosphere allows for no work in progress. She says she would trade for Bruce Sprinsteen’s voice in a minute. She says this is her great last tour, that it’s a really good one, and she “not sure how much longer I can cheat death.”
  5. Elephants Are Very Human is the interview Cher did at the premiere for the movie Elephants & Man, a Litany of Tragedy and she talks about riding the elephant Margie around for 3 weeks in Good Times and how Margie was her best friend in that “terrible movie.” She talks about the elephant Billy and how he needs a family and how the LA Zoo still uses cattle prods and bull hooks.
  6. A Life on Film is some pre-Academy Award show interview around the time of Silkwood. Cher says she spent eight years trying to get into acting work, alternated between giving up and making a living. She talks about being the worst auditioner in the world and that Sandy Dennis said her Jimmy Dean audition was the worst she had ever seen but that she was fascinated by what Cher was doing. They joke about how she says Dolly Pellicker in the movie and how they did the car scene (coming to work with Karen and Drew) a million times. Cher said there was lot of Cher in Dolly but Dolly was not her and that changed her walk for the role, make herself more slumped over with downcast eyes and that she was embarrassed by the cup-with-pinky-at-high-tea airplane scene. She said she was intimidated to look “like a truck driver” with no makeup and she found it interesting that Meryl Streep is accepted for her work alone without any curiosity about her personal life or how she looks or what her image is. We find out Cher was the running favorite that year (1983) in the supporting actress category. Linda Hunt ended up winning for The Year of Living Dangerously.
  7. This is a Cher World  This is the Rosie O’Donnell interview around the time of It’s a Man’s World (1996). This is a very important Cher interview because it was a very clear truce after years of publicly dissing Sonny and it occurred two years prior to his death. When people surmise that Cher was an opportunist at Sonny’s funeral and that she had spoken nothing but negative slurs about him prior to his death, I always point to this interview. Rosie leads Cher to say something negative and she stays positive. They talk about how Cher is recognized everywhere (except maybe Japan), their thoughts on David Letterman, how Sonny & cher cheated to make “I Got You Babe” the pick of the week in 1965. Rosie plays with Sanctuary items, and Rosie asks her about when she used to needlepoint before she left Sonny, when she was losing her mind. She says she doesn’t talk to Sonny much and Rosie takes umbrage with Sonny and how Chastity is also angry with him over politics. But Cher sets the record straight regarding their ongoing and permanent connection with each other, how she will always be S&C, and about her fondness for Sonny. Rosie says Sonny wouldn’t be anywhere with out Cher and Cher insists she wouldn’t be here without him either. This is the interview where Rosie hilariously tells Sonny to "sit and spin."
  8. My Dear Daughter is a British interview on the Parkinson Show that included comments by actor Stephen Fry who was sitting next to Cher. She talks about life after Sonny and how she had no experience making decisions and taking care of money, how she was fine with him being the boss until Chastity was born. She said they were full partners on the TV show and that the show came easy to her. She said she couldn’t live like a child with him but that his death was devastating. She thought they’d always be able to argue. They talk about Chastity’s coming out and how she questioned her motherhood afterwards and feared the press would hound Chaz. She said she discovered what her convictions were and about the book Family Outings where she comes across as “the bad one.” She said she wished she had had a different reaction, but that’s the reaction she lives with.
  9. Sonny’s Funeral Speech  This is her speech in full and I always feel uncomfortable listening to it or watching it, as if I don’t really belong in that private space. Hearing it every once in a long while I notice different elements of it. Cher talks about working on it for 48 hours. She talks about Sonny’s enthusiasm and how it swept everyone up and everyone “just wanted to be there.” She talks about how he was Sonny long before S&C and how he loved his friends and cooking (“not eating, tasting”). The speech is well written and an honest and fitting tribute.
  10. I’m Not a Sell Out This is the old Phil Donahue interview of 1985 where she talks about conserving energy, exercising on the S&C show. She talks here about Sonny being not as good a friend to her as she is to him, but that she will always be there for him; they’re just not good day-to-day friends because he treats like she’s 16 years old and “you can’t disagree with him.” She talks about being more than one person and that selling out to her is being one flat identity. I can’t help but think about Dolly Parton when she says this. I love Dolly but she's so oppresively a caricature of a real person.

    

The C-Word, Best Foot Forward, Cher History and Thanksgiving

CherfeetI just spent an hour working on this post and my Firefox crashed. For the love of God! But my arms are shot and so it’s mostly lost forever. Here is a slim overview of what I said.

Cher scholar Robrt sent me a message reminding me about a good photo of Cher’s feet from the 1970s. I loved this photo as a child: the hair, the tan, the feet, the hand posture, the look, the accent over the E.

Cher scholar Michael sent me an email discussing the negative implications of Cher using the C word. I never got around to covering this last week. I was so wrapped up in talking about the ironic response. I do support people “taking back” negative word meanings. Gay and queer are a good examples of reclaimed words. Third wave feminists believe they can reclaim the words bitch, slut and whore, disemboweling them of their power to offend. However, not everyone agrees words can be reclaimed of their power to hurt. And when groups do try to reclaim words, this can cause confusion between culture groups. For instance, when gay men say something is “so gay” or when black men use the N word, many people can't understand the nuances of one group owning rights to certain words. However, I do believe language is always in process and undergoing change. I do think Cher meant to use the word pejoratively thought (much like Alec Baldwin last week when he used the f**g*t word). She meant the word to be insulting. In this case, we have to ask ourselves, why is this meaning assumed to be negative? Why is a woman’s va-JJ such a bad thing it can so easily be hurled as an insult by men and women?

I’m reading a book now by Kim Addonizio where she discusses writing about sex and the glam-box (my new term). She says the c-word comes from the Middle English word cunte. Middle English. Huh.

 Another friend also sent me word of Cher’s comments about Thanksgiving:

"Thanksgiving is a day to see family, eat food together and watch a movie…Not 2 celebrate the beginning of a GREAT Crime… We gave them Blankets laced w/ Smallpox,” Cher concluded.

This is interesting to me in light of my raised consciousness while working at the Institute of American Indian Arts last year. Some hot button issues in that community, (issues mainstream American is completely oblivious about), would be Thanksgiving and wearing their ceremonial clothing as costumery. I don’t know how Indian activists feel about Cher’s representations as Indian over her career; but I do think that since she has that history of costumery, because she claims Indian heritage, this is a positive statement from her about American Indian consciousness and makes available a high level of public awareness.

Lady-Gaga-The-Muppets-Holiday-Spectacular-will-air-on-November-28-for-ThanksgivingSo after I questioned Lady Gaga’s ability to do variety TV last week, she goes and does a Thanksgiving special with the Muppets. I had no idea and didn’t see it. Was she any good? The ratings were bad according to reports. I wonder if American might be suffering brand confusion with Gaga (similar to what American experienced with Cher between her Vegas shows, Sonny & Cher on TV and the Allman & Woman and Black Rose products and tours). Gaga did topless photos in V Magazine. She releases a meta-single called “Applause” and then does work with the Muppets. Is she an adult or all-American act?

Am loving the new Cher bio. Am very impressed with the copious amounts of research and interviews Howard has done. Am learning a lot and finally, another Cher historian who cares about surname spelling!

For next week: Cher on Vivement Dimanche — see the clip on Cher News

   

Cher Interviews for New Cher Album

CbsI have to say, except for that time I threw a hissy-fit when I was about 15 years old and my Dad couldn't hook up my VCR to Cher's Mask-era interview on Phil Donahue fast enough, (after which my Dad refused to try anymore and I missed the interview entirely until I saw it later in my late 20s), this has been a very frustrating Cher press junket season for me. First of all, I gave up cable months ago. I'm still not sure I'm going back to it. Then I broke my TV antennae moving it last month. Then I find out I can't receive CBS in Albuquerque. Is this an issue with the broken antennae, I do not know.

Well, at least I'll be able to watch The Today Show concert tomorrow. Not so fast, Cher freak! I need to take my husband to the airport exactly during air time tomorrow morning. What the!! So I'm totally dependent, like a Cher fan on a deserted island (with wireless, however), to watching these interviews and promotions online.I spent all day today (on and off) stalking the Internet for a clip of this morning's CBS interview.

The This Morning CBS Interview

This clip has sound issues but it covers the interview. This is the interview that caused Cher so much Miley Cirus grief this week. This preview in particular. First Cher is asked about her secret to being provocative. The host surmises it's her sense of humor but I think it's her genuine commitment to being herself, in other words–her authenticity in the act. "I just do what I want," she says. She never made a cynical play for attention. Also, she understands the art of the tease. If you show it all, game over.

As each generation tries to "up the ante" on provocation, the area for the tease shrinks and the game becomes harder to play. "I just do what I want," Cher said. But then they go on to critique Miley Cirus' Video Music Awards performance.

The press (and some of my friends) loved Cher's candor about it. Cher News tracked the story well:

I always enjoy Cher's candor but I can see why she expressed regrett for her statement, being almost led into a bitch fight by CBS. Maybe innocently enough, but it's all so unproductive. It's just one appearance by Miley Cirus and she didn't commit a felony, as Cher said. Except maybe a fashion felony. But those laws are so subjective.

On the bright side, the CBS interview gave Cher plenty of respect, saying she's earned every honor show biz has to offer. They showed the Cher Show skit with Cher, Bette Midler, Elton John and Flip Wilson in an entertainer's old folks home and later Elton telling Cher she'll be going strong in 50 years. Cher again talks about hating the aging process. How can the world stop worshipping youth, if Cher won't stop worshiping youth? CBS agrees that even the word icon doesn't cover Cher anymore. They quote a line stating she's the "Sherman tank of divas." When asked if she wants to be in the Rock and Roll Hall of Fame she says she doesn't need a hall to rock. In truth, Cher has defined fame and has broken many records in service of the industry of rock music. But a clique's a clique. Rock stars are so hypocritically insiders just posing as outsiders.

Cher jokes that she uses witchcraft to stay young. We get to see a young picture of Sonny shirtless. After watching so many episodes of The Sonny & Cher Show, I have developed a taste for seeing Sonny shirtless. Cher talks about how she came to fashion, how women would tune into the TV show to see what she was wearing. She started to care about it then, too, and it got "interwoven" (no pun intended) into her personality. I love how she talks about clothes being neither an aid nor barricade (in the theory of ex-boyfriend Josh Donen) to her true self. "Clothes are nothing" she says. 

I'm also so glad she's telling interviewers to piss off about her love life. That's so right. The last line of the interview is funny…Cher asking about herself, "Isn't she over?"

Note: the online posted Extended Transcript seems to go on much longer than the 13 minute interview. I haven't read it yet but it printed out to 18 pages!!

Cher at Grauman's Chinese Theater to see The Wizard of Oz
Cheroz2

This week, Cher made an appearance in Los Angeles. You can see clips of Cher at Grauman's in the CBS interview. Cher News also has photos.

Recap of interview in Gay & Night

Last week I linked to the interview in the Netherlands magazine Gay & Night. She talks about her record label, about the themes of this album and not intending it to be about women's empowerment, about how painful leaked songs can be and why "The Greatest Thing" came not to be. She says "Dressed to Kill" is "a drag queen dream come true. She talks about hesitations over touring again, about the only outfit she regrets having worn. (Think Take Me Home era roller skating party). She admits she's had "a couple" of loves of her life: "I've had three."

Oh boy, another Cher fan guessing game. I vote for either Robert, Gregg & Sonny or Robert, Gregg & Current Mystery Bf.

She talks about why she dated younger men and about what her tattoos mean to her now, how passe they have become (Miss Kansas at Miss America last week was half-tattooed). She also says she hasn't yet purchased a plot at Pere Lachaise cemetery in Paris but that she still hopes to eternally rest there.

She talks about Chaz and her gay fans and she talks about her mother's circle of friends and her mother's lack of prejudice. Cher says her first best friend was Jewish. I would LOVE to hear more Cher-as-a-kid stories.

Cher talks about the structure of the possible Broadway show based on her life (which is very interesting and I hope that comes to be).

Recap of Interview in Canoe

Last week, I also linked to the interview in Canoe. She talks about paving the way for Katy Perry, Madonna, Lady Gaga and how rough it was for early Sonny & Cher with their then-unusual outfits. They talk about Cher's ability to hit high notes, the quality of her voice (Cher says she was pretty bad in the beginning), being able to watch her movies or look at photos of herself and how she loves Tony Bennett and Betty White.


ChershadesCher Interview in USA Today

Cher also appeared in USA Today. They called her a "stage warhorse" and "fashion daredevil." They talk about her voice, touring, Tina Turner touring. She "sips Dr. Pepper" during the interview and her cat, Mr. Big, attends. The article jokes about her age and "crossing the Medicare threshold."They talk about her album cover and how she was trying to to be camp, like a Playboy cover. Which just proves how much you can't do camp on purpose. She says people took it so seriously. She talks about being a fan of Bruno Mars and the civic duty of the stars to "give back." She talks about Buddhism and the 1980s being so fun. She says the low point for her being after her divorce from Sonny and all the financial trouble she was in. She says something interesting as she's talking about being in that financial hole in the mid-1970s, "A lot of people were gigantic, and then they were gone."

This is what constantly amazes me watching the Sonny & Cher shows…all those celebrities who were on top, more on top than Cher was, celebrities who Sonny & Cher had to pay deference to as guests on their variety show: Chad Everett, Lorne Greene, Sandy Duncan, Bobby Sherman (just the stars I watched last night alone) and they're all gone. Think of this, Sonny & Cher were equals with Peter Noone and Herman's Hermit's in the 1960s. Less than 10 years later, they had Peter Noone on one of their "Years" specials as a nostalgia act. All the hot 1970s stars then disappeared by the 1980s. The 1980s stars were gone by the 1990s, and so forth. There's a 1950s skit in the first "Years" episode of The Sonny & Cher Comedy Hour where Cher sings an satirical 1950s-style song called "Superstar" in a space outfit and then goes on a tirade telling everybody how "big" she's gonna get, bigger than all the guests on the episode, Frankie Valli, Dick Clark. The whole skit is eerie.

In USA Today, Cher talks about how much she didn't like her early voice, "My voice was so strange and different." She talks about Pink and writing "Lovers Forever" for Interview with a Vampire with her friend Shirley Eikhard and how her songwriting tends to be dark and personal.

My favorite quote: "Even Cher underestimates the power of Cher."

The Guardian Interview

Last week, Cher also appeared in The Guardian. She talks about where she learned all her British swear words, about Sonny and Mark Taylor being her favorite producers. Really? Sonny? After having to do all those takes?

She talks about how odd Phil Spector was and working on background vocals for a John Lennon album with Phil and Harry Nilsson. Which song(s) was this for???

She talks about song leaks and Hillary Clinton and showing her navel on TV.

The Sunday Morning Herald Interview

Cher was in Australia's Sunday Morning Herald this week as well. She talks about how "women should hang together" and stop "bitch fighting" which is why I think she regretted her Miley comments. The interviewer calls Cher, "two parts rock chick, one part opinionated lady, with side orders of mother and superstar…She's detailed like a prestige car."

She talks about not remembering how many albums she's made and forgetting she recorded certain songs, how for her Sonny was "total hero worship." The magazine claims Cher says their marriage was a happy one. Earlier this year, Cher described it as Russian Roulette. But she says they never discussed politics. She talked about how she struggled to get into movies and how Francis Ford Coppola made her cry (after telling her she should be in movies) and how brave Robert Altman and Mike Nichols were to finally cast her. She talked about making the documentary about her mom and the title of her new album….

…which I hope to get soon. I've been holding off listening to it until I get the physical thing in my hot little hands.

 

50 Years of Cher and Mick Jagger, Cher on SNL

MickWhile I was on my writing weekend in AZ last month, a friend of mine
had the Mikal Gilmore interview with the Rolling Stones from Rolling Stone Magazine
(a magazine whose interviews are way shorter and less interesting these days). I woke up
before everyone else one morning and read it. Two parts reminded me of Cher’s comments of late:

Energy Levels

I’ve been arguing with a friend and Cher appreciator about Cher’s energy level in live performances. I’ve been arguing how unfair it is for him to
compare Cher to her younger self. He then brought up Mick Jagger as an example of an energetic performing septuagenarian.
I responded, Mick Jagger doesn’t have any feet problems and hasn’t been through
menopause or Chronic Fatigue. I wasn't getting anywhere. Thankfully Mick Jagger himself came to my rescue
in this article (he also mimics Cher pleasure
over what key they’re still singing in):

“When I’m on stage,” he says, “I’m not just singing. I want
to do a performance, as well, so that’s waving my arms around and running
around, and I’m dancing. That takes 50 percent of your breath power, so my
challenge is how to balance that with my vocals. You don’t want to be out of
breath when you do the ballads. That’s a  kind of balancing act. I have things that I
can do at home for keeping my voice together. I do karaoke singing, and I write
songs a lot, and I do demos and sing them. I’m very lucky in a lot of ways,
because—I do all the Rolling Stones songs in all the same keys as they always
were in, so my higher end is still there, maybe better than it was, because I
don’t smoke anymore, and I don’t drink as much and whatever.”
(May 23, 2013
issue, p50)

Longevity

Mick Jagger was also being asked to explain his success and
longevity. He has a similar response to Cher's:

“….there has been some toll—though not equally
distributed—in the life of the Rolling Stones. But not enough to deter them, or
any audience, in the past 50 years. What is it that sustains that appeal?
Answers Jagger, “I could say just these things I usually do, but the answer is
that you don’t really know. Why do the Rolling Stones endure?  I always say, because they’re successful.
Because people still like them. However much we might like to do it for
ourselves, if nobody wants to see you, then we probably wouldn’t do it. But you
ask me what we mean to ongoing and changing audiences, I don’t know what we
Chermickmean. I haven’t got a clue. I do think our sort of longevity adds an extra sort
of layer to the appeal. Adding a patina to the piece of old furniture. Because
you’ve been around for 50 years, it does add this kind of …this luminosity, if
you want. But in some ways, it’s kind of a disadvantage, because then you’re
tempted to rely on it, you know?”
(May 23, 2013 issue, p 53)

Incidentally, my dream of seeing Cher
on the cover of Rolling Stone Magazine is moot. The articles are now truncated to
keep up with the bathroom audience; but I still have my Saturday Night Live
dream.  I just saw a rerun of Bruno Mars
on SNL from last year. He was freaking amazing in so many ways. Cher
could so do “a Justin Timberlake” on that show too and be both host and musical guest. She could
show them she’s been there, done that and can do it all again in a week. Show
the over-excitable divas what’s what.

 

I Think a Song from Cherished Changed My Life

Cherished1Cherished was the last album Cher did with producer Snuff Garrett in 1977. She was also working with Gregg Allman on a duet album that year and this was the kind of confused personna mash-up that probably occured years later when Cher tried to work on her Vegas shows and her new band Black Rose at the same time. One album personna was gritty, another one was pop.

But if you were 7 or 8 years old when you laid your little hands on this album, you may have loved it as much as I did. I bought my copy, along with Bittersweet White Light and Cher's Greatest Hits (MCA), from a three-dollar bin at our local department store, Styx, Bear & Fuller. I listened to its dramatic story-songs in a constant looping rotation. My best friend at the time would come over and we'd re-enact them all out in our living room where the furniture-sized record player lived. We played the pregnant girlfriend of the pirate, the failed actress, and the groupie.

Flash forward 35 years and the Peter Allen song, "She Loves To Hear the Music" came up on my iPod shuffle. I had a weird epiphany about the song.

I've always felt there are different kinds of celebrity obsession. I'm the kind of Cher fan who collects the stuff. I'm a fan of the product. I never really looked to Cher to model my life after, admire as a hero, or fall in love with. But as a teen I had my share of those kinds of celebrity obsessions. I fixated on a given rock star here and there. With my friends, we'd plot backstage meetings and fantasize about hookups. But I could never carry it through (as if I could carry it through). But even if we ever came close to dumb-lucking ourselves into a situation, something always held me back. Some fact of pride actually. And listening to this Cher song again after all these years, it occurred to me that internalizing this song's story did in fact influence my behavior during these times.

Let's review the lyrics:
Cherishedalt

She's just a secretary
at a small recording firm
and when it comes to music
there ain't nothing she can't learn.

Everything she lives and breathes
Is written on an album sleeve.
She can tell you who's hot,
who will make it and who will not.

She loves to hear the music.
She's got every lyric down.
She loves to hear them say
she's got the greatest ears in town.

Hangs around the studios,
ain't a rock star she don't know.
Sometimes they take her home
but she always wakes up alone.

Men that want to marry her
never satisfy.
In the rhythms that she hears

are all that keeps her high.

So they turn around and go
and leave her by her radio.
She didn't love 'em anyway,
not like she loves the men who play.

She loves to hear the music.
She's got every lyric down.
She loves to hear them say
she's got the greatest ears in town.

She's there at every studio,
the first to come, the last to go.
Sometimes they take her home
but she always wakes up alone.

Years will not be kind to her.
Her world is for the young.
Bands that played so tightly and knit
will soon become unstrung.

She'll be just another face,
out of time and out of place.
When the songs revive again,
she'll come to life and tell them when:

She loves to hear the music.
She's got every lyric down.
She loves to hear them say
she had the greatest ears in town.

She could of been somebody's wife.
Music men destroyed her life.
Each night she took one home
but she always woke up alone.

What a crazy lady, I thought when I was eight years old. I knew then this girl was ultimately a loser, in many ways. And she scared me. Who could throw themselves at a rock star if that legacy was looming over you? Not me.

I was conflicted about this for many years. I remember the day I decided to give up lusting after rock stars. I was in my shower feeling more tired than sad. I said to myself, today is the end of it. I started really looking at the men I was dating as real (and interesting) people after that. I met a string of quite amazing and facinating people before finding Mr. Cher Scholar.

I've seen, since then, how "bands that played so tightly knit" have in fact "become unstrung." Rock stars have come and gone with such unbelievable regularity that it makes the Cher phenomenon seem a bit bizarre.

Peter Allen was a great storyteller and the sentence structure of his lyrics: very bright. But I like Cher's version of this song better. Her voice brings the kind of authority the story needs.

Is it at all ironic that one of my childhood celebrity obsessions subconsciously cured me of my later heartthrob celebrity obsessions?

 

Cher History on Video: CNN, Doll Commercial, Mama

ChercnnSo while we're cooling our heels waiting for the new Cher single to be released this month, I came across some good video of Cher on the UTubes.

 

 

 

Cher on CNN

I caught up with a whole array of Cherness on CNN:

– Cher on Larry King (1999) circa "Believe," Tea with Mussolini and discussing Sonny's funeral (part 1 and part 2)

Footage I hadn't seen about Cher's single with Eros Ramazzotti (2001); how they came to make the record together

Cher calls CNN to talk about Hurricaine Katrina, feeling the same helplessness we all did but with some extra money to help out (2005).

Cher calls CNN to talk about the death of Michael Jackson (summer 2009) and her experiences working with him; how hard it was to learn the Jackson Five dance for her Cher TV show, how Michael loved her beaded socks.

Cher continues to talk that night about Farah Fawcett (summer 2009). "This chick was holding on to thin air and still had a great attitude."

Dolls

Doll– Cher Scholar JefRey sent around this clip: a French commercial for the Mego Cher doll. Mr. Cher Scholar thinks the commercial is from Quebec. He said the accent sounded unusual to him and we figure the Cher shows would be more meaningful to Canadians than to the French. Mr. Cher Scholar translates the commercial jingle as follows:

"That's Cher! [John laughed at the beginning because in French 'Cher' means both 'dear and, in 'slang, expensive… so it sounds like the little girl is exclaiming "That's expensive!"] The doll with long hair; the doll with elegant clothes, that doll that you can braid, wardrobe for all occasions. Thirty-two ensembles sold sseparately. Cher is sold with everything on the screen. Cool! [John was confused by the accent over the very last word which he guessed it meant divine or wonderful or cool.]

FactoryCher peforms (circa 1966) "Mama" with all those creepy dolls at what looks like a staged doll factory. Far from being creeped out, Cher looks pretty blaze about it all.

 

 

 

Cher Concert Openings

Caesars

Although Cher did video for her 1978-9 Take Me Home shows, the big opening video I remember is from Heart of Stone tour. It's fuzzy but you get a sense in the jump in polish from concert videos made from 1989 to 2008. This opening is just a collage of clips as opposed to a remix of music and clips. The first video opening at Caesars Colosseum.

What's great about these openings (whatever version they take) is not just how well they familiarize nonfans with Cher's 4-decade oeuvre, but how much excitement they build up before Cher makes her entrances.I love how the second one is a lovely mashup of "Believe," "I Got You Babe," "Dark Lady," Gypsies Tramps and Thieves," "Song for the Lonely" and "The Beat Goes On."

European Interviews

German– Wetten Dass (German) interview from 1995, part 1 and part 2 and part 3 (she sings a O Holy Night in German!!).

– Wetten Dass from 1999.

Sanremo (Italian) interview with audience from 1999.

 

 

Review of Dear Mom, Love Cher

DmlcThis is the first Cher special that has occurred since I've had my blog (which started in the fall of 2006). And I have to say, my two favorite Cher things in the world are Cher albums and Cher TV specials. I think this comes from starting to be a Cher fan in the early-to-mid 1970s when Cher was all about some flashy-fun TV Specials.

I noticed some old-tyme Cher special feeling while I was watching this one (luckily Mr. Cher Scholar was at work or he might have been disturbed to see it): childlike excitement, a feeling of suspended time, and then a slight sad fretting that the special would be over in one short hour. A Cher special for me is then like Marcel Proust's madeleine cake in In Search of Lost Time, a key to a vivid childhood memory. I watched it three times.

I loved seeing never-before-seen pictures of Cher as a kid and hearing the family delving into their history in Arkansas.

 

 

Bits about the family

Cher calls her history a "strange American story" but it's probably not so strange. Definitely interesting. Definitely American. She kids her mom that they "can only walk the narrow razor wire of white trash so long."

I loved all the stories about Georgia's grandparents, her fierce grandmother who defends her mother with a broken bottle and her mean grandfather who blows himself up while working dynamite to blow up stumps while the railroads in Arkansas were being built. This story is downright poetic with the psychic daughter's graphic dream predicting it. In newspaper reports, Lynda is called a "self-proclaimed psychic." It would be interesting to hear more about her other uncanny predictions or how the family felt about having some psychics in it. Lynda comes across as a very complex figure who is never described mean as such but does her share of mean things.

I wish we had learned more stories about Roy too who spent so much time with Georgia and who, it seemed, Cher knew as a child. He is described also as a complex of mean and funny. When did these family members die? What did they do while they were in California? And what about the story about Roy's attempt to kill Georgia and her brother Mikey. We learned nothing about Mikey.

Cher affirms that her grandmother Lynda's mother was either a quarter or a half Cherokee. Cher claims it was her great-grandmother who taught her grandmother the Rabbit and War Dance. She said although that doesn't make her very Indian, "Half Breed" was a good song to sing.

Bits about Georgia

MombeachGeorgia was born in Kensett, Arkansas, on June 9, 1926. Her father Roy was 21. Her mother Lynda was 13. She started singing at five and became state champion, described as a blues singer, in Arkansas (May 29, 1938). It was Bob Wills who encouraged her father to take her to Hollywood and they hitchhiked. Georgia talks about being perceived as a "dumb Oakie" when she came to LA. She explains why she changed her name from Jackie Jean Crouch (which she liked) to Georgia Pelham (in honor of a dead friend) and where Holt came from (last husband's name). Her Dad worked at the famous Cliffton's Cafeteria. (It's still open! Go eat there…it's so kitchy!).

Georgia talks about the squalid conditions of living in the slums near San Pedro, Main Street and Central Avenue. Georiga talks at length about her conflicting feelings about her early marriage to Cher's biological father, torn between her mother Lynda, John Sarkisian and an abortion. She tells more about the Catholic home in Scranton that wanted to keep Cher (which inspried Cher's critical song "Sisters of Mercy") and Georgia's eventual 6-week "Reno Cure."

Back from early struggles, Georgia won some beauty contests in Reno and LA (Miss Holiday on Wings) and won a Jack Carson scholarship to drama school with the Ben Bard Players. We get to see clips of her bit parts on both I Love Lucy and Ozzie and Harriet. You can see Cher's 1960's smile in some of these clips and head-shots. The family talks about Georgia being friends with Robert Mitchum and Lenny Bruce and a herd of beautiful people. The Asphalt Jungle story is told.

The list of husbands was illuminating but inconsistent:

  1. John Sarkisian (We find out where they meet and a few of their experiences as they relate to Cher, but don't find out anything about his character, his heroin addiction, his prison sentence, later-life conflicts with Cher after she became famous, when he died, etc.)
  2. Chris Alcaide (Also an actor, tall, loved Cher but they were only married "20 minutes" because he was very jealous.)
  3. John Southall (Georganne's father, described as one of the loves of Georgia's life, love at first sight, Cher calls him "dark like me" and appreciates the attention he gave her when Georganne was born on September 7, 1951 and "everyone forgot I was alive"…but he was an alcoholic. Georganne says that when she or Cher refer to their Dad, they mean him.)
  4. Joe Collins (Nothing is said about him…is there jucy dirt behind the omission or was he really that boring?)
  5. Gilbert La Piere (Was a wall street banker and they lived in New York with him, was described as very Father Knows Best and not a good fit with the family. He died last year and because he adopted Cher and Georganne, his obits still describe him as Cher's father. Georganne kept his name.)
  6. Holt (His first name is never given and nothing is said about his character or why Georgia married him.)

We hear much about Georgia's longtime boyfriend, Craig Spencer, who came into the picture while Georgia was running Grannys Cabbage Patch quilt shop in Brentwood in the late 1970s. It was Craig who encouraged her to record an album at a West Lake studio. Craig was 30 and Georgia was 51. Craig and Georgia are shown being interviewed by Oprah early in her career. In old late-1970s clips, Georgia talks about having the same vocal resonance and register as Cher. Craig and Georgia talk about their disappointments that the album was shelved due to contract disputes. Craig laments, "50% of something is better than 50% of nothing." The recordings languished for years in Georgia's Palm Desert garages. Cher says they shouldn't Promo have survived.

Georgia comments a bit on her depression and how she became "a royal pain" after this late career setback but nothing about family depression is elaborated on. Georganne talks about Georgia's unique carriage and demeanor and I think that was spot on. Cher calls her before her time.

Bits about Georganne

We learn all the many shows Georganne appeared in and it's an impressive listing: General Hospital (where she created the mean-girl character of Heather), Ozzie's Girls (with a young Matt Harmon), Welcome Back Kotter, Happy Days, Fantasy Island, TJ Hooker, Police Woman, The Streets of San Francisco. Would love to see her full reel!

ChermugBits about Cher

Cher talks about living her life like a bumper car. Georgia claims Cher is stronger and braver than she is. Cher and Georgia tell the story of Cher's arrest (on January 27, 1959, complete with mugshot) and how the event started at a bowling alley before Cher drove off in the borrowed car to get a sandwich. A picture of the famous LA-eatery Johnnie's Pastrami is shown. By the way, the profile and head-shot of the mugshots do not match.

Scenes from the TV biopic The Beat Goes On are show to illustrate Cher's stories about moving out of the house as a teenager and moving in with Sonny. I've always wondered if Cher approved of that movie based on Sonny's tell-all book. Cher indicated that Georgia threatened to put Sonny in jail. Cher was in her teens and Sonny was nearly 30. I wonder how far Gerogia's threat went and if it was a real concern for Sonny. Interestingly, Cher talks about her anger when she finally ran away and back to Sonny, kicking out her bedroom window screen in what she describes as a dramatic scene.

Georgia eventually got used to the idea of Sonny and talks about how proud she was of Cher when she visited Sonny & Cher the set of Good Times.

The final word on spellings and dates (?)Dmlc2

Sarkisian as in Cherilyn Sarkisian. She was named for Lana Turner's daughter Cheryl combined with Georgia's mother's name Lynda. It's interesting that Georgia picks all her names based on women in her life. Cher was born May 20, 1946.

Even the special could not clear up the cloudiness surrounding spellings of LaPiere. In the beginning of the special, Georganne's name was spelled Lapiere Bartylak (no space, small P) and by the end of the special, husband #5 had his name spelled Gilbert La Piere (space and a big P). Gilbert's obit spells his name LaPiere. In any case, there are no two letter Rs in any of these versions.

Chaz Bono was born Chastity Sun Bono on March 4, 1969.

Elijah Blue Allman was born on July 10, 1976. (Why did he wear sunglasses throughout the special?)

There were things I missed that a one-hour special couldn't hope to cover: a sturdier timeline of when Georgia's family moved from Arkansas to Oklahoma to California. More Arkansas stories, more stories of Cher's grandparens. A more complete list of the husbands with dates and more anecdotes. I know Georgia married John Sarkisian twice but I still don't know which other husband Georgia married twice. She had 8 marriages and 6 husbands.

It's rumored Cher might do a mini-series about the family saga. Mom at least should get a book if nothing else. After all, we never did hear the awful cat story.
 
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More good stuff:

 

The Agony and the Ecstasy of Phil Spector

SpectorIn my stack of to-dos I have a post-it note with the title The Agony and the Ecstasy of Phil Spector and for the life of me I can't remember who recommended this to me. Was it Cher scholar Dishy, JimmyDean or Robrt? Was it someone at work? Anyway, I watched it yesterday and it's a BBC documentary from 2009 which aired between Phil Spector's mistrial and his final conviction for second-degree murder (not premeditated) that same year.

To me the death of Lana Clarkson is a very complicated whodunit, a legit mystery with a dangerously broken man at its center. There seem to be facts supporting his conviction and facts supporting his innocence. I don't feel this documentary clears up the matter at all. The movie only confirms one thing, Phil Spector was looking more and more like Penny Marshall throughout his trial.

The film inter-cuts video footage from his first trial with clips of his greatest musical moments. Commentary about his oeuvre and brilliance is set as text which you try to read while court dialogue plays at the same time. It's very confusing to catch it all. But the commentary on Spector's "little symphonies for kids" is actually very good, the best part of the movie. The interviewer also handles Spector well and gets some semi-sane conversation from him, mixed with a bit of grandiosity (Spector compares himself to Da Vinci, Galileo, Gershwin, Miles Davis and Irving Berlin) and conspiracy theories (he thinks his enemies from the 1960s and 70s are involved in his latest troubles and is needlessly jealous of Bill Cosby's honorary PhD). But it's not so easy to write Spector off as a lunatic because he has completely lucid, smart and valid things to say about his career. Although he's bitter and a mess, he's right on some points.

It was weird to hear him talk about MTV because I thought he was already a shut-in by the time I was watching MTV. In fact, I was surprised to hear he had met a woman at the House of Blues. I'm too reclusive to frequent House of Blues. What the hell was Phil Spector doing there?

There are about 101 shots of Phil Spector looking like a sad sack, put upon by the system. Testimony to the power of film, this almost drew me info full sympathy with him until I reconsidered all the problems with this documentary and Spector's case:

  • The film too obviously sympathized with Spector. It's in no way a balanced look at the situation. The director asked leading questions, in some cases attempting to give sympathetic answers to Spector, like providing him with a good alternative reason for wearing his hair in an afro to court appearances.
  • The court footage is too highly edited to favor Spector. Court testimony supporting his innocence was given more weight and time than evidence against him: Lana Clarkson's bad, black-face audition reels are dwelt upon whereas a string of former girlfriends with their horror stories of him holding a gun to their faces or mouths were all collaged together in a sweep that implied this wasn't important testimony. Clips chosen of the prosecutor and judge made them look flippant and conspiring.
  • Surely Phil Spector wasn't allowed to comment on the details of his trial but this becomes a big problem for the documentary. Spector never addresses any remorse over the fact that a woman died in his entryway. He is also unable to discusses his history of violence (which includes infamous stories of threats with guns in recording studios, in Ronnie Spector's book and from a plethora of old girlfriends testifying). He complains that if a celebrity is well-liked, the media won't talk about their dark pasts and uses William Shatner as an example, implying Shatner got away with something (the drowning of his third wife) because he's popular. Which is all very possible but that argument implies Spector is equating himself with someone (Shatner) who is getting away with some crime. Is this Spector admitting he's committed a crime? The "other celebrities get away with shit" defense if very creepy.
      
  • There is evidence to his credit: his white coat and his body did not have any evidence of blood
    spatter or gun residue which should have been all over him unless he cleaned up quickly. The direction of the head wound could have been self-inflicted and
    Lana Clarkson was in the midst of a life crisis and hinted at being suicidal. On the other hand, after the shot was fired, the chauffeur saw Spector run out of the house, gun in hand, saying to him, "I think I killed somebody." Lana was sitting on a chair in Spector's entryway with her purse strap over her shoulder. So nothing is conclusive. On the outside, it looks like the director, Vikram Jayanti, made a judgement call based on his admiration of Spector's work (which is weaved throughout the film).

In the beginning of the movie, Spector wonders how his life would have been different had his
father not committed suicide when he was 6 years old. I also wonder if Spector would
have become less bitter if he had simply recorded himself instead of producing a string of other
artists he didn't respect. To his credit and as the film shows, many of those artists couldn't
replicate the greatness of his records in their live performances. If Spector had recorded himself
and caught what he felt was the deserved credit and adulation….who knows.

Why did women keep going home with Phil Spector? Why did Phil Spector keep finding himself in dysfunctional relationships with women. Why didn't Phil Spector retire into a nice career as a music critic or as an elder statesman of music?

Be warned, there is some sad footage of Lana Clarkson taken by House of Blues surveillance, gory testimony described and her death scene photos are shown, albeit at a distance from the top of the staircase (a staircase from a grim-looking, dark and dated Phil Spector house, a death scene that looked the the entryway of doom).

It's hard to find a moral in this sad, sad story. I guess maybe the "teaching moment" would be if you have a history of playing with guns and scaring women, make sure no woman ever dies from a gunshot wound to her head in your house…like ever. Because karma will f*#k with you.

The posting I watched yesterday has already been taken down due to copyright issues, but you might find a new posting of it by searching for it on the tubes. Phil Spector has spent his time in prison appealing his conviction. His last appeal was denied in 2011.

 

Album and Children Updates, Old Video and Photo

TwiggyHere is an old photo of Sonny & Cher and Twiggy that popped up on the Internets recently. What clean hair they've all got.

Cher has been tweeting that she has finished her album and this was picked up by many news outlets including The Huffington Post and ABC News Video with the headline, Cher Reaches Out to Young Stars After 12-Year Break.The video remarks that Cher "has made as many comebacks as a Clinton." Ahem…I rather think the Clintons are still in the process of having a Cher-like number of comebacks…if you do that math.

In the same tweet-span, Cher also talked about visiting Chaz in a musical on a break from final album tweaking:

…went to see Chaz in an unbelievable musical! It was so funny and everyone was great! Got home at 12:30…

Chaz is also breaking out in the news cycle this week due to stories about his 60-pound weight loss. The UPI story.

 

CalendaroutfitI have a long list of video links that I've been meaning to talk over. This one I love for many reasons. According to the post where I found this opening clip of The Sonny & Cher Comedy Hour, "I Need You" is from Episode #28 which aired on November 10, 1972. I don't remember having seen it before. But those outfits I remember because I had a calendar when I was a kid and one month was devoted to S&C in these outfits. I kept the calendar page all these years. That's what a Cher hoarder I am. It's nice to see the video that reminds me of my Cher hoarding problem. Secondly, the video is full of classic Sonny & Cherisms: hair flipping, tongue rolling, wardrHandsobe issues, rocking back and forth, singing to each other (I've noticed Dolly and Porter never so much as looked at each other), Sonny with his hands on his hips, Sonny with his paws all over Cher (see right), lots of whoos, Cher mocking Sonny, Sonny & Cher laughing at some inside joke and lots of polyester perfection. For all these reasons, I consider this video High Period Sonny & Cher.

 

Cher Doing Promo Work for TCM and Mother’s Day Special

ChermomDetails are coming together on Cher's Mother's Day tribute to Georgia Holt. It will be titled "Dear Mom, Love Cher" and will air on Lifetime, May 6 at 10 p.m. PT/ET. Press information states,

Dear Mom, Love Cher provides a rare peek into Cher’s family
history and features interviews with not only with Holt and Cher, but
also Cher’s sister Georganne LaPiere Bartylak, and Holt’s grandchildren
Chaz Bono and Elijah Blue Allman, promises Lifetime.

The documentary begins with Holt’s beginnings in rural Arkansas and
runs through her six tumultuous marriages while pursuing a career among
Hollywood’s elite as a singer and actress.

Dear Mom, Love Cher includes a never-before-heard duet
performance with Holt and Cher, along with the long-lost recordings Holt
taped more than three decades ago that Cher has re-mastered for
commercial release later this year.

“This project started as a gift for my mom’s 86th birthday,” says
Cher, 66, in the release, adding: “Like most things in my family, it was
initiated by my sister Georganne, who asked me if I could update mom’s
album. So I went BIG (I’m known in the family for doing that),” said
Cher. “My sister and I are proud of our mom and we want to share her
with the world. My mom is EXACTLY like ‘Rocky.’ She NEVER gives up!
Well…if we must nit-pick, they aren’t totally alike. Rocky is a
fictitious boxer and mom’s a singer. He’s younger and a man. Other than
that they are the same person! FIGHTERS.”

This should be a great special. To publicize her latest projects, Cher has been doing some interviews including,

  • Cher and her mom posed for Entertainment Weekly online.
      
  • A phone interview with Patricia Sheridan from the Post Gazette. Listen to it here or read the pared down transcript here. What's interesting to me about this interview is the comment, "I could answer every question that you would ask and you still wouldn't know me. I would still have my privacy. I wouldn't lie to you….I have such a private core." And I just blogged about that recently. I so should get an A in Cher class! I also enjoyed hearing Cher talk about how she would sing with her mother and her grandfather and uncle would play guitar. All those childhood details are so interesting. I didn't even know how well she knew her grandfather.
      
  • Cher did an interview with Michael Logan for TV Guide about her co-host gig on TCM with Robert Osborne. This is an interesting discussion where Cher talks about why she finds older films more progressive than current films. And she calls Robert Osborne Robby. Of course. And she talks about whatever happened to her dream of remaking The Enchanted Cottage.
       
  • Cher also spoke about having done an interview for People Magazine. Be on the lookout.

 

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