a division of the Chersonian Institute

Category: Music (Page 22 of 34)

Reviews of New Single

SingleI still have high hopes for the new Cher album, which is now rumoured to drop in late March. We shall see. I guess this might also mean the new Cher biography, Strong Enough (not being strong enough itself to avoid being strung along all year by recurringly-delayed album release dates), will be published next year as well.

And…I'm also hopeful the album is being described by Cher as "eclectic."

Reviews of the first single aren't terrible. They just aren't great.

Cher scholar Dishy forwarded to me the Entertainment Weekly review:

“Cher’s voice still has enough seismic boom to knock out a power grid, but the new dance-the-heartache-away jam from Our Lady of Perpetual Comeback suffers from a tinny club beat and lame lyrics about ‘dancing so low in the dark on the club floor’—both of which already sound more dated than anything in her 1998 Auto-Tune anthem ‘Believe.’” C+

At least EW likes her voice these days.

My friend Christopher (if not a Cher fan, someone I would describe as "Cher positive") had this to say:

I've listened to it three times now.  It's okay–not terrible, but it's a little bit repetitive, and there's nothing new or exciting about the music–it sounds like mid 90s house music, especially the thump-thump at the beginning. 

It's too bad that she isn't leading the album's release with a song that has a more pop feel to it.  There's no way this track–which is very club-oriented–will crossover to the Top 40.  Though I can totally see a club full of shirtless gay guys jumping up and down and belting out the lyrics.  By the way, the lyrics are very generic.  And how many more "I'm strong enough to rise above" songs do we need from her?
 
I think what I like best about it is the gusto of her singing.  She sounds committed.
 

Diva Incarnate

Cher scholar Dishy recently alerted me to the site Diva Incarnate which has some very well-written reviews of Cher performances on older albums AND some rare little publicity shots. I love the way the writer categorizes her oeuvre: "a mix of poppers o'clock dance tracks, soft-core cougar rock and sleepy torch ballads."

For the page on Bonnie Jo Mason (1964):
Bonniejo

"Forty-five years later the track still sounds fresh and remarkably intense…deliberately borrowing ideas from The Beatles' 'She Loves You.'"

 

 

 

 

 

 

 

 

For the pagStars2e on Stars (1975):

  • The site calls the album a "torch song bender" and a masterpiece, one very special album and "her real Oscar winning performance, a souring artistic triumph of alarming beauty, disarming characterization and profound dignity…Cher puts one on a gripping journey…the album displays a poignant maturity she is rarely given credit for. This album is her real autograph."
  • "Bell Bottom Blues" is "a gorgeous battle against downtrodden, drunken piano-laden sadness. Cher sings with rare grit and passion that someone like Pink would saw her dick off for…[it's sung] like a shooting star with an exhaust pipe."
  • "Love Enough" is "a thing of whimsical beauty…so swoonsome and cradles your heart with horrific tenderness."
  • "These Days" [has] "a wilting orchestra that folds over like lace curtains inside her gypsy caravan…Cher's voice glides like flowing ribbon."
  • "Just This One Time" has "a choir that threatens to steal Cher's thunder before the dark lady brings out her rare and privileged falsetto. Cher's mountain climb of a vocal is jaw-dropping."
  • "Stars" is "a gorgeous finale, sung with private grace…desolated loneliness."

For the I'd Rather Believe in You (1976) paIdrather5ge:

  • "Cher's voice is a throaty elixir of hot lead and ash."
  • "The title track is the album's real winner: sad and joyful in equal measure, the gorgeous piano rouses Cher's authentic 'yeah oh yeah.'"
  • "A fine record but not an exceptional one…the vivid emotion conveyed on Stars is sorely longed for."
  • "Cher is a cement-cracking architect of her own material, despite hardly ever writing any of it; she wastes no time with uncertainty, and her 'deadpan' portrayal is what makes her so real." [Check out Cher Zine 2 for complete explication of Cher's deadpan strategy from variety TV to film to music.]

The page of mid-1970s Phil Spector singles:
Hair

  • "A Woman's Story" is "a slow burning candle, a languid brewing stew, and the results are dense and hotter than a Turkish bath….the seething and cutaneously operatic backing vocals blister with burning inferno whilst Cher flatly grimaces 'hell no.'"
  • "Baby I Love You" is "crestfallen and dewy, oozing into hibernating meditation. Cher draws out new-found tenderness to the lyric, usually full of so much joy."
  • "A Love Like Ours" has "over-yelping and [is] slightly out of key as she belts 'knock knock knocking every day.'"
  • "These lingering recordings…pack more heat than all of her oil-gargling cougar schlock-rock from the mid-80s to early 90s."

For the Black Rose (1980) Page:
Br6

  • This album served "as basic training and skid-marks the debut of the leotard."
  • On "Never Should've Started" her "chainsaw vocals rip the material to shreds…with a witch-crackling hostility… and ballsy performance."
  • "Julie" is "heavy chugging."
  • "88 Degrees" is "more 'tart with a heart' rhetoric but they are tying themselves in knots with this train wreck."
  • In "You Know It" it is "always great to hear Cher sing alongside a man, usually emasculating them."
  • After "Fast Company" "someone give her a made-up phone number already! Doo-wop backing vocals hurry her out the door. Lord knows who with."

For the I Paralyze (1982) pagParalyze7e:

  • "Cher Paralyzes Her Chart Positions"
  • "It
    was the first of 4 schlock rock affairs and by far the best…her next
    three albums would rely heavily on their boxer-in-the-ring style
    singles."
  • "It has been argued that her voice was simply too big for the lead single, the 60s girlband pastiche "Rudy."
  • On "Games" she "sings so deep it's hard not to wonder if she's deep-throating the microphone."
  • "I Paralyze" is "pure Elvis…so visceral it's a wonder her vocal chords aren't sharp enough to shred timber."
  • "When Cher quips 'you're as real as a dollar bill' her innate pronunciation manages to make the couplet rhyme."
  • "Book
    of Love" is "worth a million bad album tracks for the throwaway lyric
    'hey-ho' inadvertently being one of the familiar quirks used to
    impersonate her.

For Believe (1999):
Believe

  • "The exotica heavy-breathing of "The Power"…its bridge is gorgeous, one of parental disdain and caution."
  • "The female Elvis sound sensual on the sturdy hell-no anthem "Strong Enough" but this is throwaway stuff."
  • "The sumptuous fast-lane craziness [and] mesmerizing poetry of "Taxi Taxi" and the sensual aroma of "Love is in the Groove" [has] pulsating elegance….[both] are floating and sublime and I just love their dreamy lyrics."
  • "The euro-pop of "All or Nothing" is incredibly cheesy (and wonderfully so) but she injects so much euphoria into it, as do those tremoring guitars."
  • "Takin Back My Heart" is "weak (Diane Warren has a lot to answer for)."

For Living Proof (2001):

  • "The Music's No Good Without You" is "a monotune affair
    Whitehairwith expressive verses and an emotional soliloquy she wrote herself. I wasn't completely sold. That is, until I saw her music video, which was a tribute to Gandalf from The Lord of the Rings and I felt better."
  • "The unyielding pathos of "You Take it All"…is mesmerizing and emotional to say the least (the middle eight is heroic)."
  • "When the Money's Gone" is "basllsy kitchen-sink Hi-NRG….[and] just daft fun."
  • "Real Love" sounds "like a robot with bulimia."
  • "This will hopefully be the last dance album from Cher of this kind; the album proves there was little for her left to do in this genre…What the album does have is coherent and plaintive elegance."

I loved reading these takes on some of Cher's great albums and definitely think 'tart with a heart' is a very common Cher meme we could really explore further.

 

Woman’s World Single Released

WomansworldI spent Thanksgiving weekend in New York City, seeing The Book of Mormon on Broadway (totally awesome!) and viewing Katharine Hepburn's costumes in a show at the New York Public Library for Performing Arts (also awesome), visiting my friends (more on meeting Cher-scholar Dishy once I download my photos this weekend), Sarah Lawrence College, the city itself and enjoying some good good food (bagels, pizza, knish, Chinese food for Thanksgiving in Chinatown).

I'm sitting in the lobby of MOMA on Friday, waiting for Mr. Cher Scholar to find a bathroom, when I see this Billboard.com headline on my iPhone: Cher's 'Woman's World': New Single Gets Early Release. It seems the constant leaks of the song somewhat encouraged a hasty release. But dammit! This was not a good time to mosey on over to YouTube to hear the official song. That would have to wait until Friday night back at our hotel, the brownstone Chelsea Lodge.

This was my first Cher release on an iPhone. That was exciting but sadly, neither me nor Mr. Cher Scholar were blown away. In fact, he called it "boring." Ack! I was more troubled by the inane lyrics. Dishy and I commiserated over this the next day. He gave me a printout of the lyrics. At my most generous I want to say the song is a double-play of words (the word "woman" being a nod to both feminists and gay men). Women don't need no stinkin' men. We're strong, love hurts, etc. etc. A pretty empty girl/gay mantra at the end of the day. After all the smart, poetic imagery found in material on Believe and Living Proof and the unreleased song "Human" from Stuck on You, this fails to get under my skin the way Janelle Monae has been doing. It's also too close to covered ground.

That said, I didn't like "The Music's No Good Without You." I didn't much like "Just Like Jesse James" or "Half Breed." Hell, I didn't love "Believe." And clearly the masses disagree with me. My favorite songs to date are decidedly non-hits. So Cher has nothing to worry about. This may be another cash cow.

So far, the song has been getting positive feedback out there:

  • Atlanta Constitution Journal Blog called it a "a festive call for unity and female empowerment."
  • Idolator calls it a "balls-to-the-wall dance jam."
  • Only a writer for NewNowNext asks the question: "Cher’s New Single: Is It Good?" And in the end, he's ambivalent:

So at this point, I don’t know if her singles can feel like events
anymore. Cher releasing an good new song is like Meryl Streep delivering
another great performance: It’s what you expect. You’re happy about it,
but it’s what you expect. It would only be news if Meryl Streep sucked
or the Cher song was really bad.

But hey… consistency isn’t a bad thing. It’s pretty amazing,
actually. With the possible exceptions of Paul McCartney and Barbra
Streisand, Cher is the only pop star of the 1960s who is still releasing
new music that people care about. And of those three, she’s the only
one who can reasonably expect her new songs to reach across multiple
generations. If we take her excellence as a given, then that’s just
proof that she rules.

The song was set to appear on iTunes this past Monday or Tuesday, but as of today, Saturday, it has yet to appear. You can, however, search "Woman's World Cher" on iTunes and find a free podcast copy of the "Let's Stop Misogyny Bootleg Club Mix."

 

Four Videos for November

PsaIf you are intent on voting a Romney ticket, you probably won't enjoy these first three videos. Here we are the weekend before somewhat of an historic election in the United States. And although Cher has not been guesting on talk shows such as she did in elections past, she's been busy tweeting. And now she and Kathy Griffith have posted an election PSA spot on the YouTubes. Message aside (you had me at hellooo), I think Kathy and Cher could take this act on the road, or at least to a new TV variety series.

 

LesmisMy cousin also sent me this good election PSA (billed as a paradoy of Les Miserables but it's not very ha-ha-funny as you find most parodies) but it's pretty inspiring nonetheless.

 

 

YoudontOne of my favorite election PSAs this year is from Leslie Gore done to her song "You Don't Own Me."

It's full of lady-power and confidence! Riot Grrls come to roost.

 

 

 

LpUnrelated to the election (is that possible?), my dad is now into an artist named LP and he sent me her video link from a recent performance on David Letterman.

She's awesome! I plan to dig more into this!

 

 

Leaks, X-Factor, Val Kilmer and Cher’s Sex Cult

ValkilmerUgh. So I said I wouldn't talk anymore about this phantom album of Cher's…but then things blew up last week when a version of a song called "Woman's World" was leaked.

It was 15 seconds of speedy dance Cher-shouting. It was all over for a day or so and has since evaporated.

Cher expressed displeasure.

Queerty.com pooh-pooed that saying Cher had no reason to be upset:

"Unfinished or not, this shit sounds amazing. There’s no better way to
start your day/week/the rest of your life than a good ole-fashioned diva
comeback single."
http://www.queerty.com/cher-leak-womans-world-20121022/

Meanwhile, there's a rumor Cher has been signed to appear on the season finale of X-Factor on December 9. 

ChairAnd Cher tweeted a picture of herself and one-time boyfriend, Val Kilmer (above), after seeing him do his one-man show about Mark Twain called "Citizen Twain" at the Shakespeare Center of Los Angeles. Apparently he had to cancel his second of two shows due to a knee injury. Why didn't he just do Val Kilmer doing Hal Holbrook doing Mark Twain and perform from a chair.

By the way, Mark Twain is my patron saint. I did a photo shoot earlier this year (for an upcoming book) that was an homage to one of Twain's famous photographs:

CultLast but not least, one of the goofiest of Cher tabloid covers appeared this week, Cher Sex Cult Scandal! Torture, Brainwashing, Abuse…Stupid.

On the bright side, the tabloids are still hot for Cher.

Not-so-Sweet Cher Finds

CouchIntroducing Bianca Jean. We just picked her up at the animal shelter last weekend. Which is why I've been offline for so many days. She's a complete sweet-pea but the addition threw our lives out of kilter in a big way. I'm just now getting back into any kind of routine.

I'm working on a book as well and in the final throes of challenges. In a weekend of depression over it all I impulsively bought two Cher items.

CollectionOne is the CD Sonny & Cher the collection, the newest Cher compilation from Rhino. The CD copy seems to have been written by a Brit who uses words like CV for resume. Maybe it was my foul mood but I was really annoyed with this thing. First of all, the liner notes written by Michael Heatley misspell her last names as Sarkasian Lapier. He also perpetuates the rickety stereotypes of Sonny as a "swarthy Italian with a nose for talent" and Cher as "half Cherokee Indian." Then he repeats the legally false claim that they were married in Mexico in 1964. After these PR retreads, I completely ignored the chart number claims not wanting to fill my head with erroneous and possibly incorrect facts.

I did like his describing of their sound as "sunshine pop" and labeling Cher as a "bestockinged siren." He also quotes Cher as saying her best quality is that "I just don't stop." There's something simple and profound in that idea.

What is to say about the compilation itself. It's simply a mish-mash shuffle of their duet Atco albums. Nothing special a'tall. And the text on the back cover is worthy of a snicker:

There is much to enjoy in this comprehensive collection of 40 sunshine pop classics from a couple who, as they looked down from their stools on Top of the Pops, had the world firmly at their feet.

Looked down from their stools. Tee hee. Indeed, something about this does smell of shit.

CosmosThen I went and bought the 2010 book Conquer the Cosmos–Use Astrology to Attract a Man, Money, and Happiness You Deserve by Bridgett Walther just because Cher wrote the foreword to it. Barely. The foreward is no more than three short paragraphs and a sentence and the idea seems ridiculous that Cher actually wrote any of it.

In the text Cher, who says she is a Taurus with Cancer rising by the way, insists she was always surrounded by astrology grouping up because she was "surrounded by my parents' friends" and they were always discussing astrology. Now, I'm far from a Cher intimate, but I don't think I've ever heard Cher say "my parents." She would talk about them individually but not likely as a unit as they were never together in her memory. Also, she never spent any time with her father's friends, if she knew them at all. She has said she only got to know her father after she became famous, when it was practically impossible to really get close to him.

I do however believe that she would call Bridgett "at the crack of dawn" to get the astrological lowdown on one of her life crises.

I read the introduction and all about the signs pertaining to me. The book is written for women, and I get the idea her ideal audience is Los Angeles women for the unusual amount of of plastic surgery mentions in the Leo section. I did find out that due to being born in the second week of Leo, I'm probably more of a Sagittarius. After reading up on a Sagittarius for the first time in my life, this made  sense to me. I've never felt like a legitimate Leo and always chalked this up to my parents probably lying about my birth date and actually finding me in a basket floating down the river.

 

Sonny & Cher Redo “Baby Don’t Go” in 1977

This week, BabydontgoCher scholar Robrt Pela sent me a video clip of a Sonny & Cher Show segment neither of us had seen before, although the video stamp shows the episode appeared on TV Land at some point.

Woe is me. When Sonny & Cher were last seen on TV Land, I couldn't talk any of my available dastardly TV-providers in Yonkers, New York, to provide such a far-out channel in their line ups. I was reduced to begging my one friend with TV Land for tapes and buying a few more episodes from entrepreneurs with video-dubbing capabilities. I still haven't seen every show.

This segment is historically interesting. Sonny & Cher mimic their own former 1960s selves to introduce their first minor (LA) hit "Baby Don't Go." It's discombobulating to see them in their old duds but with a mustache and glamorous makeup. Cher slips ever so easily into her teenage body posturings, much more convincingly than Sonny does.

They talk about how their managers had to hock office technology to pay for the recording. More interesting yet, Harold Battiste appears on the show as a special guest to verify the story and to play clavietta on the song, as he originally did back in 1965. Battiste worked heavily with Sonny & Cher as musical arranger and musical director on many projects, probably influencing their "sound" to no small extent.

The segment is charming, funny and downright adorable. At one point Sonny tells about having to ask Battiste to play for free, saying "Harold is a sucker for sweet talk" and Cher rolls her eyes and says, "Aren't we all?" All which illustrates the behind-the-scenes persuasiveness of Sonny working to overcome personal and professional hurdles to "make things happen" with his infamous "sweet talk."

Sonny also retells the famous story about why the intended act of "Cher" became "Sonny & Cher."

Because Cher sounds so differently in 1977 than she did in 1965, this rendition becomes essentially a cover of itself.

What's Harold Battiste up to now?

 

Cher Album News (Timberland, Pink, Gaga, Aguilera)

PinkWent to Kansas to visit in-laws last week and while I was gone tweets and news bulletins went a-flyin about Cher's new album. Cher also tweeted some sweet new pics. An overview:

— There's a Lady Gaga duet we already knew about called "The Greatest Thing"

— There are two songs written by Pink, who says of contributing songs that it was "such an honor…I'm such a fan." One of the titles is supposedly "I Walk Alone." I'm such a fan of Pink being a fan of Cher!

— There may also be a duet with Christina Aguilera. This is far from confirmed and would be ironic considering they made a musical together but have never sang together. I know. Makes no sense to me either.

— Producer Timberland is also involved in one song at least. Studiooutfit

— Cher is very happy with the results so far, often tweeting her excitement on various songs. "It's funny, I'm always drawn to same kind of song – overcoming pain, being strong enough and believing in love!"…"I worked hard last night! I go in and sing for ninety minutes to two hours straight! I don't like sitting down until the song is finished! Usually I can ace one song in one session! 'You Haven't Seen The Last Of Me' took two hours; 'If I Could Turn Back Time' took ninety minutes! I'm fast!" …"Many artists take a lot of time but more time wouldn't make my vocals better. I don't mean to sound pompous, it's the only way I know! 'Believe' was the worst time in studio – that's why we used pitch machine! It just wasn't working".

— A single is now slated for October not September and an album around Christmas. This will be here before you know it!

Cher also posted current photos, including the pink one at the top and the leopard-print jammies she said she wore to the studio.

Studio2 As Cher Scholar, I am absolutely salivating over modern pictures of Cher recording in the studio! Is this even a studio? To be a fly on that wall, a bug on that crazy carpet. Below you can see the producers at the board.

Cher News also gives an overview of reports that Cher is working with RedOne (producer of "The Greatest Thing"), J-Roc, Kuk Harrell, and Jason Derülo. And then there's Diane Warren. More obvious rhymes and vague sentiments to be expected there. It would be sweet to have this album be peppered with so many young divas and producers.  

 

CherstudioguysTo read more:

Cher News has extensive blow by blow reports:

Instudio

Music & Art That Inspires Us

PalomaThis week Cher expressed praise for the material Pink submitted for Cher's new album:

"Had meeting 2nite w/Record Co. They Love (the) Song I've done! Got 2 New (songs)! Pink Wrote them! Co(mpany)  wants it out end (of) yr. pic'd single… Alecia (Pink) wrote 2 Great Songs!… Pink is Definitely My Girl! She's Talent! Luv it."

Read more

Since I am broke, I am waiting like a pauper for my birthday to get the new Paloma Faith album, which is available as an import only now. I love her song "Agony" and the song and video for "Picking Up the Pieces."  

Hopefully I'll be in the flush with cash again soon. I just started a new job at the Institute for American Indian Arts. I'm pinching myself to be in this creative space. Check out their museum, ground zero for contemporary Native American and Alaskan art: http://www.iaia.edu/museum/.

SavageMeanwhile, Cher Scholar Dishy has been turning me on to some awesome stuff. Through him I watched the Siouxie and the Banshees video collection. Although I only really loved "Kiss Them for Me" as a song, all the videos blew my mind; the special effects still hold up. I also watched his copy of the videos for The Eurythmics' album Savage which I can't recommend highly enough. Now I finally get the "I Need A Man" video. You get to see this amazing characterization of the blonde chick as she evolves through the videos. I see elements of Kiki DuRane in the whole trajectory. Interesting to me that Annie Lennox was working on similar feminist characterizations as Madonna but not getting the credit for it, because hers was more to the jugular and it made everyone uncomfortable.

Watch the sequence:

  • Beethoven (I Love to Listen To)…This video introduces us to housewife versus the little brat the unruly woman is created from. After watching it, Mr. Cher Scholar told me about how they used to discourage women from listen to Beethoven because his music excited them.
  • I Need a Man – Unruly woman gets unhooked!
  • Heaven – Unruly woman does LA.
  • Wide Eyed Girl – If you wait to the end of this very-80s video, you see what might be the unruly blonde as worn-out mother.
  • Savage – Unruly woman runs out of steam…beautifully.
  • You Have Placed a Chill in My Heart – Unruly woman and house-frau battle for Annie Lennox's soul.

LdrDishy also alerted me to the new album by Americana-lyricist Lana del Rey, Born to Die. Have yet to spend real quality time with it but I love the atmosphere and the smart lyrics so far.

If you love pop-culture references, you might like the videos too:

  • National Anthem (Is that Marilyn Monroe meets President Obama a.k.a. A$AP Rocky? That's awesome enough but it gets better!)
  • Video Games
  • Born to Die
  • Blue Jeans (Because everybody has to do a black and white video…this one has great water shots, like the video for "Just a Dream," the masterpiece from my STL-homie Nelly.)

 

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