a division of the Chersonian Institute

Category: Peripherals (Page 9 of 21)

And Then There Was One (RIP Karen Black)

FirstToday Cher is the sole surviving member of the Disciples of James Dean.

Karen Black passed away August 8 from cancer. As a horror movie fan, I of course loved Karen Black in both Trilogy of Terror and Burnt Offerings with Bette Davis and Oliver Reed.

Sandy Dennis also died of cancer (ovarian) in 1992.

Here are some publicity shots of Robert Altman (who died in 2006 from complication of leukemia), Black, Dennis and Cher from their work in Come Back to the Five and Dime, Jimmy Dean on Broadway in 1982:

 

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Ben Folds, The Conjuring, Cory Monteith and Zine Show

ConjOur landlord called last weekend. He needs to move back into our house. So this means I'll need to spend the next month or so seeking shelter, packing and moving. I'll be MIA for a while.

But before I go I'd like to cover a few odds and ends.

 

Finn Hudson, RIP

I was horribly sad to hear of Glee-star Cory Monteith's death from an overdose at the impossible age of 31. I love that show and couldn't help but feel its positivity and bubble of perfectness extended to its stars' lives. Considering what Cory's co-star and girlfriend Lea Michele must be going through right now, it's hard not to think of the stress and worry Cher probably must have felt back in 1976 and 1977 when she was married to Gregg Allman. Living with an addict, the possible outcomes must haunt you daily. It's probably no minor miracle Gregg Allman is still alive today. Unfortunately, Lea Michele was not spared in this regard.

Scary Movies

In 2011 I used this blog to post an open letter to the horror movie industry. I'm happy to say they fullfilled my request with the movie The Conjuring. This old-fashioned haunted house movie scared the bejesus out of me last week. I loved the performances, the back story, the inter-cutting of scenes…all of it: top notch. Plus a plethora of early 1970s sets and parphernalia! Both scary and fun.

Cher Zine

Just as Cher has been spending time performing in Russia over the last year, Cher Zine also made an appearance there, at the ZineShow in Ukraine.

Cherzine1

I'm sure my celebrity scholarship fit right in with the underground political screeds and punk zines.

Ben Folds Five and The Cher Experience

Finally, my iPod shuffle served up one of my favorite Cher-referencing songs that probably doesn't realize it references Cher, Ben Folds Five's song "Best Imitation of Myself." Ben Folds may not realize this song is about Cher, but it is. I've made one slight alteration in the lyric to solidify the simpatico.

I feel like a quote out of context
withholding the rest
so I can be free what you want to see.

I got the gesture and sounds,
got the timing down.
It's uncanny, yeah you'd think it was me.

Do you think I should take a class
to lose my (Elvis) accent?
Did I make me up
or make this face til it stuck?
I do the best imitation of myself.

The "problem with you" speech
you gave me was fine
like the theories about my little stage.
And I swore I was listening
but I started drifting
around the part about me acting my age.

Now if it's all the same
I've people to entertain.
I juggle one handed
do some magic tricks and
the best imitation of myself.

Maybe I'm thinkin myself in a hole,
wonderin who I am when I outa know.
Straighten up now time to go
fool somebody else,
fool somebody else.

Last night I was east with them,
west with them,
trying to be for you what you want to see.
But I can't help it
With you the good and bad comes through.
Don't want you hanging out with no one but me.

And if it's all the same
it comes from the same place.
If my mind's somewhere else
you won't be able to tell.
I do the best imitation of myself.
Yes, it's uncanny you see.
You'd really think it was me,
the best imitation of myself,
I do the best imitation of myself.

That's all for now. I'll write when I can.

 

Recap of Woman’s World Press Tour


943273_10201522820973247_1967374274_nThe Accolades:

After decades of dissings, then surprised condescension at her success in the 1980s, then the
1990s of affected interest with the turn into occasional accolades and credit,
the excitement of this round’s interviewers is palpable. I’m chalking it up to
the inarguable facts of her career piling up and The Cher Show kids finally finding their asses in interviewing seats.
It’s truly extra-ordinary and Cher is responding with
her grown-up voice and is downright verbose in her responses.

One of my favorite pile-ups of accolades was from SoSoGay,

“Before Beyonce,
before Gaga. Before Rhianna and before Katy. Before Britney, Christina, Cyndi
and Celine. Before Whitney and Mariah, and before Madonna. Before colour
television, before the Vietnam War, before man walked on the moon. Before the
decimalized pound. Before everything, before time immemorial…There was Cher….this shimmering vestibule of unrelenting
fabulousness….her sparkling tsunami.”

Ed Brody, the author, tells me Burlesque was amazing and to get over myself. I laughed at that. I wish I could. But that’s the cross a scholar bears.

Here’s more overview of the love:

  • A Cher fan said
    she was coolest person ever since he can remember (Watch What Happens/Andy Cohen)
  • Andy Cohen said as a kid he watched The Cher Show and “when she came down the
    ramp, life, hope, goose bumps, gave me fairy dust, inspiration” came too. He said Cher
    was putting to bed all the kids in America. (Watch What Happens/Andy Cohen)
  • Anderson Cooper said he grew up adoring Cher—and
    his mom (Gloria Vanderbilt) said Cher was her
    fantasy daughter. Kelly Ripa is also a fan. One caller said he had to get high
    to talk to Cher (Watch What Happens/Andy Cohen)
  • Dan Taylor called her the female artist of rock
    and roll, the iconic lady (WCBS).
  • On Sirius/XM radio’s Studio54 channel, the hosts Marc Benecke and Myra Scheer were very
    excited. (I just got a new car so have free XM for 3 months or something–whohoo!). In
    their intro, they played “The Shoop Shoop Song,” “Believe,” Turn Back Time,” and
    “Woman’s World” clips. On the Town Hall interview with Cher,
    (the inaugural), Myra noted that she was Steve Rubell’s executive assistant at Studio 54 in New York City.
    They called her major star, a guiding star, a role model with 250 world-wide
    awards in music, TV and film, including a Golden Globe, an Oscar, an Emmy, a Grammy,
    and a hit song in every decade “since 1910” Cher joked. At the first break,
    they played “Take Me Home” (and noted the song was on the Studio 54 album). The next
    break “Turn Back Time.” The next break “I Found Someone” (and here a salamander
    crawled up our faux-bedrock wall and stopped to listen). The next break “Believe,” “Strong
    Enough” next and during the final break “Women’s World.” Many of New York’s straight men asked questions
    during this interview and I love how straight men in NYC love her. You don’t see this so much in LA and the Midwest.

Candidness: Cher seemed so much less guarded in her face, body, and with her words.

  • The New
    York Times
    said what they used to say about her in the 1980s, “In this age
    of rigidly controlled star-bots, no topic seemed to be off-limits (except her
    relationship status).”
  • She appeared on The Today Show with Savannah Guthrie, (perky like Katie
    Couric) and was so nice and comfortable in her PJs. After the interview,
    Guthrie gushed about Cher to her co-anchors, calling Cher
    an unassuming charmer. I was impressed how easily Guthrie could kid with her.
  • On Z100, the DJ played “Does Cher Care” asking Cher irreverent questions about Paula Dean (Cher feels she’s not
    misunderstood, just wrong), Sandra Bullock’s new movie trailer: is it
    overexposed, will it be good? Is Cher even interested (Cher said it looks
    cool), about the never-ending cupcake craze (Cher said it sucked to begin with and
    prefers Hostess cupcakes), should Snowden be punished or kicked out of China/Russia?
    (Cher said this was above her pay grade).
  • Andy Cohen launched CherMaggedon with a plethora
    of games, including Truth or Cher—the Truth
    question being who her greatest lovers were (She said they’d all been
    exceptional. Andy said “That’s a list!” and she answered, “Not a long list but a
    good list.” He got her to admit Tom Cruise in the top 5 when prompted). In the
    Dare, Andy Cohen quoted Moonstruck
    and asked Cher to slap him while saying “Snap
    out of it.” In another segment Gypsies Tramps and Tea, Andy Cohen asked for
    Cher’s opinion on: Elvis (didn’t know him), Whitney (didn’t know her), Nick
    Cage (he’s crazy but I love him), Meryl (my idol), Phil Spector (he’s crazy and
    only paid me $25 for a year’s work), Michael Jackson (I have TMI!), Tom Cruise (He wasn’t
    a scientologist then and they were hot and heavy for a minute), ever having a lesbian lover?
    (who hasn’t). She said she stole a horse when I was 13 and took it to Santa Ana. If she could
    meet anyone? She’d ask Jesus “Dude, what’s the deal?” Her favorite decade was the
    80s (so much fun, could go naked swimming). On her bucket list? (I thought she said to build
    Balobgese house but is that right??). Her best movie role was Moonstruck.
    Does she have a boyfriend? (The moment anyone knows, you don’t have one; so she
    keeps that on the low down now—that’s a great answer actually). For the Jackal of the Night: Cher picked Senator Ted Cruise because he’s an a-hole who
    doesn’t like gays or foreigners. According to Andy, the show said “Cher” 29 times – which was a record.
  • During Andy Cohen’s Aftershow, he asked her what
    sent she would use for a scented candle (Uninhibited); she says she watches
    CNN/MSNBC. Anderson Cooper made a surprise appearance and said Cher calls in all the time to help people but low key (that she did so
    with Hurricane Katrina). They asked her about the Supreme Court decision on gay
    marriage (about time, she said) and they tried to play Kiss, Marry, Shag with
    her (with Quaid who she’d say she’d marry and Nicholson & Cage but she
    never finished the list.) They ran a Hair Chertrospective at the end.

Cher was great fun through all these shenanigans.




WomanssingleThe New Album:

  • On Live Chat NY, Cher
    said the video wouldn’t be released until September (which is very strange since
    a video might have helped the single). Cher
    said the newspaper wig was her wigmakers idea and kinda a nightmare. She said
    her favorite songs on the album are “Lie to Me” (a Pink song), “My Love” (a
    future single), Take It Like a Man” (a future single), and Dressed to Kill.”
    She said she recorded “Woman’s World” in an hour (on Z100 she said the song sang itself) and
    she co-wrote the song “Lovers Forever” which is actually old and was written for the movie
    Interview with a Vampire. She said
    the album has dance, rock and ballads and she hopes it will generate three videos.
  • On Z100 Cher said recording is still scary and
    tenuous and she is not Cher fan, that recording studios are not her favorite place to be, that she feels more confident
    on stage (where I shine) because she feels she’s a good entertainer (vs. a singer).
  • To Andy Cohen, Cher
    said Lady Gaga didn’t like their duet but that she felt it was good. Cher said this was her best album and her best songs and she loved that she didn’t have to lower her keys.
  • WCBS noted that this is her 26th
    album. She said here it was very eclectic with dance, ballads, a country song, and
    some funky banjo in one song and a U2-sounding 9/11 song called “Sirens.”
  • On XM she talked about the writing of “Woman’s
    World.” As she said in “Believe”-era interviews, there’s no overt personal connection to the song. She said the writer was a guy and
    his idea was that women are strong and now demand their rights. (In this light,
    I think the setup suffers from slight condescension, which isn’t the writer’s fault, but a generational interpretation, ex: we don’t need men to tell us this.) Myra said the song was
    very “I Will Survive of the 21st Century.” (I thought that label should
    have been applied to the song “Strong Enough” with its 1970s sound). Cher
    said the song was like “Believe” in that she didn’t like the second verse,
    which was too similar to “Believe.” Cher said
    she won’t cry twice, which is why in “Believe” she added the more empowering line: “Maybe
    I’m too good for you.” She wants to show that women are resilient. Myra said although Cher
    didn’t write it, she owned it. Cher’s mom said
    that about her The Voice performance.


GypsiesorigOld Songs:

  • On Live Chat NY, Cher
    said she turned down “Turn Back Time” around 1000 times and then did the song
    in an hour. She said her favorite song of her own is “Song for the Lonely.” The
    interviewer said she loves “Baby Don’t Go”
    and Cher said that was a great song and very  definitive Sonny & Cher.
  • On Z100 the DJ said Cher
    has embraced change through the eras vs. musicians who say “this is the kind of
    music I make” and aren’t flexible. Cher said
    she gets bored and likes to try new ideas. Cher
    said she can’t think of anybody my age who
    is making records to get on the charts or anyone who performs onstage with no clothes.
    (She’s so funny!) They talked about “Believe” and auto tune and the vocoder and pitch machines. I get confused during such tech talk.
  • On WCBS, Cher
    says she almost threw away “Believe” although she thought it was a “beautifully
    constructed idea.” She talked about the first time she heard herself on the
    radio, for her song “Baby Don’t Go.” They were at her mom’s house where their managers
    were living (because they were all poor). They were in the living room listening
    to KFWB and had all been calling on all their phones to the radio station to get it played. Cher said it was an out of body experience with everybody
    screaming when the song came on. They said they all wanted to go to the Cadillac
    dealership with bag full of money and buy a Cadillac.
  • On XM, Cher
    said she hasn’t a clue about her longevity in the business. She agreed with a
    fan that she liked the “Walking in Memphis”
    video and was the first to play Elvis. (Like originally? Like in 1971, which is
    my theory that she’s been doing Elvis since then?)

General Music:

On Live Chat NY, Cher says she Pink, Adele, and Amy
Winehouse; On XM she said she still has her favorite go-to song (but said
it makes no sense) as Procol Harem’s “Whiter Shade of Pale.” SoSoGay reporter
mentioned that her song from Not.Com.merical, “With or Without You” taps into
that Procol Harem sound.


MaskMovies & Broadway:

  • According to Live Chat NY, Cher has no word on the
    status of Drop Out or Bet and Flo, movies once listed on her IMDB page. For her
    next movie, she seeks a non-glamorous role in an independent film. She says she
    will never do Shakespeare.
  • She also says she got her Silkwood offer on a Wednesday matinee of her Broadway show, Come Back to the 5 & Dime, and she liked
    doing a play, found it comforting. (Live
    Chat NY)
    She said Broadway was not easy but you get an immediate reaction. (XM)
  • According to Live Chat NY she’s still writing
    for her Logo show.
  • The DJ of Z100 told Cher
    he used to watch Mask over and over with
    his sister. On Z100 and XM, Cher said she was
    sick during the offer to do Thelma &
    Louise
    but that what belongs to you comes to you. She  regrets not being able to do it but feels it
    was meant to be “Sue’s” part.
  • Andy Cohen during his Aftershow asked Cher if she keeps in touch with the Mermaids daughters, Winona Ryder and Christina Ricci. Cher says they grew up and she hasn’t seen them lately. She
    said “Noni” went through a strange period but seems back on track and she
    remembers sneaking Christina M&Ms during the shooting when directors
    thought Christina was too chubby and banned them from her trailer. Cher
    said she loved the family-feeling of movies and talking to the tech people. She said
    she had a great time on Burlesque.
  • On WCBS, Cher
    retold the story about a crowd laughing at her name during the Silkwood preview (Nichols told her the
    previews were out and she went to a Tom Cruise movie in Westwood to see it with
    her sister and her manager, Billy Sammeth). She said it was organic laughter and therefore
    pretty painful. At the eventual premiere the audience clapped at her name in
    the credits.
  • On XM, Cher
    admitted not knowing how’s she’s persevered in a youth-oriented film industry. Myra calls her fearless. Cher said you evolve. Mark said she has communication
    with audience. Cher said she is likable. She
    said her most memorable moment was winning the Oscar. It was amazing to her since
    it took so long to get an acting job. She said Robert Altman was such a rebel. Mike Nichols told her when he saw the Saturday matinee about the
    character of Dolly that they couldn’t find anyone for the role before they found Cher and so they we were just gonna
    write her out; Mike said, “She’s a lesbian, but really lovely.” A fan asked if
    she would do more musicals? She said she wasn’t planning any but she enjoyed
    singing in a film.
  • One fan on XM commented on her sexy glamor and
    sensitivity in movies from Moonstruck
    to Jimmy Dean. Cher
    joked that she could multitask. She said, I am who I am for better or worse, a
    lot of worse. She said she likes play in her work and that sometimes she stops
    doing it when she feels she has nothing to offer.

Twitter & Star
Fights:

  • On Live Chat NY, Cher
    admitted on Twitter it’s hard to read jokes and emotions, saying, “Words can’t
    see a smile, can’t get emotions.” She said she tweets in the middle of the night
    like a vampire. To Andy Cohen she says she’s good with Madonna.
  • Andy Cohen asked her about Nicki Minaj throwing
    shade on her. She said people come and go. Snap!

Exercise & Free
Time:

  • On The
    Today
    Show Cher says for free time, she sees friends, goes to the Bahamas,
    paddle  boards, goes hiking, or somewhere
    like Nepal.
  • On XM she talked about working out, working her
    “ass off” now because when you’re older it gets harder. But she was always into
    sports and running as kid, climbing trees. She had “so much energy.” Official exercise started for her during The Sonny
    & Cher
    shows where she took a dance class during their lunch breaks.
    She said you have to change it up to trick your body. The same exercise stops
    working. Now she does yoga, pilates, weights and the trampoline to music, bouncing,
    she says, makes her happy.

Outfits:
Inlove

  • In the New
    York Times,
    Cher said her favorite dress
    was the Oscar Snub Dress: “If you could have seen it up close. It was cashmere,
    the beading was beautiful, they made earrings and the headdress was exquisite.
    It was impeccable. It was beautifully done.” (And Cher
    would know a headdress). She also stated “Camp is in the eye of the beholder.”
  • On The
    Today
    Show she said she doesn’t mind people hating what she wears.
  • On Andy Cohen she wore space platforms shoes and
    black and white geometric jacket and pants. Cher
    scholar Robrt Pela noted that this outfit matched the back cover of Sonny & Cher’s In Case You’re In Love album.
    She stated her that her favorite outfits where the Oscar dress, and her first
    Indian “costume,” and the “Turn Back Time” outfit (Which one? The concert hole fit or the
    video V fit?)
  • On XM, a fan asked what her outfit inspirations
    were. She said her first inspiration was Bob Mackie. She loved that her
    friend said her hair on The Voice
    looked like a chicken from the 4H club. She says she has a  good humor about it. But she said the outfit
    and wig didn’t translate on the show (I agree: too many cuts and closeups). Cher said art should provoke conversation, not that she
    can say my hair was art, but she was going for Luxe Punk.

Concerts:
Helen-Mirren

  • On LiveChat NY, Cher talked about
    her first live appearance in bowling alley and Sonny pushing her on stage. She
    said about her Caesars shows:  “They were
    very staid.” (New York Times) and that
    fans couldn’t afford the show so there was an older, low energy audience. She came
    to understand “you don’t get to decide how they’re gonna enjoy it. They get to
    decide.” She said on tour she saves her voice and doesn’t talk, lives like a
    nun.  She said in the 1960s people threw
    rings on stage, in homage to the fact she had rings on every finger (I did not
    know that.). She said “Song for the Lonely” is impossible to sing and she didn’t
    tape Caesars show. (Live Chat NY)
  • The New
    York Times
    was with Cher at the Marquee
    during a very long wig change. Manager Lindsay Scott was asked, “How much of
    his life is spent waiting for Cher to change
    her outfit and get trussed up?” “A good amount.”
  • In the Marquee video itself, Cher
    made a speech about when she was unc2ool and a has-been, “you guys have always
    been there.” Cher watched some drag queens/impersonators
    dance to a mix of her songs and she danced and sang along, smiling.
  • On Z100 she said she might tour next year. The
    DJ asked her about seeing all those cell phones now at shows. She said smart
    phones weren’t around yet during her farewell tour years.
  • During the Macy’s 4th of July
    Spectacular, I loved the long hair and the pants. Is that chain mail back in
    action? Mr. Cher Scholar made many positive remarks, (She looks cool here,
    looks younger, like the big hoops, she looks great). The women in audience
    really seem into it. Cher smiles a lot and
    throws out sultry looks. She did lip sync but in the bootleg pre-tape, you can
    hear her singing. She comments about dressing age-appropriate (not quite yet; age appropriate would be dressing like Helen Mirren above…can you believe they’re less than a year apart in age?). She talks about her choreographer, Doriana
    Sanchez, and about getting free M&Ms vs Dr. Pepper backstage.
  • Cher announced
    she’ll be performing a Today Show
    concert on September 23. The hosts said to “expect a legendary crowd.”
  • Cher said her least
    favorite song to do live is “Jessie James.” She talked about touring with sonny
    in early 70s on the club circuit where they had to cook in our room but used
    Chastity in act; She used to lead the orchestra. (Watch What Happens/Andy Cohen)
  • On XM, Cher
    said hearing her records again, she felt they sound better. For live shows you
    need to speed them up because the audience needs excitement. She said singing
    live is a crap shoot. She said sometimes her musical director  Paul Mirkovich changes up arrangements. A fan asked if there was a drag queen better
    than she was? She picked Elgin Kenna and called him a genius artist.

TV Shows:

  • To Andy Cohen, she talked about Farrah Fawcett’s
    appearance on The Sonny & Cher Comedy
    Hour.
    “She had tits and I didn’t” so Farrah got all the crews attention.
    She said one of her favorite things  with
    Sonny was the Raymond Burr blooper (long form) and on XM she said the blooper
    was “so us.” She also agreed she loved her West Side Story performance. She
    said there were 14 costume changes on her show with Sonny.
  • On WCBS, she said her appearance on The Voice was awful and scary. Before
    the show she told her mom she would either be the greatest reinvention of herself
    or it would be “get thee to a nursing home.”

Family & Friends:
Hersonny

  • Cher said her mom would be a guest judge on RuPaul’s Drag Race and Chaz was great
    performing in “30 Minute Musical” (Live Chat NY), the episode spoofing Independence Day and Chas played the
    president.  (Watch What Happens/Andy Cohen)
  • Cher said Sonny’s
    funeral was very Italian with everybody cooking. “The only person not there was
    Son.” Cher said they didn’t sing to Chaz at
    bedtime, they read her stories. (Watch What
    Happens
    /Andy Cohen)
  • ON WCBS, Cher said her mom’s best advice was to never
    litter and that Cher has never seen Chaz better
    in his life.
  • On XM someone asked for Cher’s
    advice to new artists. Cher said entertainment
    and fame are so different now, everyone has an immediate clothing line (I
    wonder how Sonny would have operated in this era). Cher
    said Sonny instilled in her the idea never to believe in a no. She said she should
    have stopped years ago when all signs pointed to no, but like a bumper car she
    keeps going, it’s in her family DNA. She said far more talented people don’t
    make it. She hears friends saying older people should move over to give the
    kids a shot, but the women in her family are not moving out of the way.
  • On XM they asked her for her best personal and
    professional decade. She said all decades have had their over parts and have
    also spiked up. “They said I reinvented myself but it was untrue…I’m just me.”
    She couldn’t decide on a best decade, saying the 1960s were the beginning, the
    1970s had the TV show, the 1980s had the movies and was the best decade
    personally.
  • On WCBS Cher said she was still working with Children’s
    Craniofacial Association.
  • In The New
    York Times,
    Cher said Robert Camilletti was
    her easiest relationship and of her two husbands, Sonny she was most attached
    too: “It wasn’t like anything before or after. And it wasn’t all roses. It was
    very Russian roulette.”
  • On XM she said her true love was Robert Camilletti and Ronnie Zimmerman was the one who could make her laugh so hard she cried.
  • XM asked her for advice for parents. She said I’m on twitter with your
    kids. She said it’s hard to stop telling your kids what to do but you need to think of them as people and cut
    them some slack and do fun stuff with them. You’re not just there to boss them around. But teenagers
    are crazy. You need to guide them more because you worry about them all the time. Her mom told her never
    lie, litter, or talk back. But she learned to drive when she was 11 and her mother assures her she was
    a mercurial child. “Chaz was an angel all the time. Elijah is like me.”

Her Character:

  • Calls herself mercurial (Sirius/New York Times) and says
    her worst habit is worrying too much (Live Chat NY). If she could go back in
    time as superpower to meet an Egyptian whose name I couldn’t catch or to send the
    paparazzi into space (Live Chat NY). She said her biggest obstacle is her up
    and down moods and she works to stay in the center and not be over emotional
    (WCBS).
  • On XM she was asked if she would change anything
    she’s done. “How long do we have,” she asked and then said the truth would be too
    personal. She believes what belongs to you comes to you.

Plastic Surgery:

In the New York Times,
Cher admits her limited movie offers might be due to her wrinkle-free visage,
that her look might make it “hard to be anyone but Cher.”
She said this idea “didn’t feel very good. But it was true. I get that. I
understand that.” She was also asked about Chad Michaels allegedly having
surgery to look more like her: “If it doesn’t bother him, it doesn’t bother me.
I don’t feel creepy. I don’t.”

A Book:
Ft

To Andy Cohen, Cher admitted she once wrote “a half-assed book.” But before she write the bigger book, people have
to die off. She said she and friend, Paulie, talk about it all the time.

Shy Kid to Superstar:

My iPod shuffle served up the Sonny & Cher b-side “Hello
during Cher’s big June/July press push. I was
taken by how far she’s come in her confidence.

We’ve also come to a point of critical mass in her career, where no one (including Cher herself) can pretend this is her first album, movie or project and dismiss or ignore all the preceeding history. I love it when she talks about experiencing showbiz over so long a period of time and, as you can see, all these interviews reflect the breadth of her work, from live shows to TV shows to music albums to being a fashion icon. It’s all here.

 

Jean Stapleton Dies

Jeancher1Not only did Jean Stapleton appear on The Sonny & Cher Comedy Hour but she sang with Cher when Cher guest-hosted for a week on The Mike Douglas Show in 1979, the same episode Sonny was on. On that very episode Jean said she loved appearing on The Sonny & Cher show because they wrote sketches to let her be who she felt she really was.

However, their duet on the show was not quite so pleasant. Jean did a full Broadway treatment of the song "My Buddy" and Cher did her usual hip Cher version of the song and the two did not mesh. Unfortunately I can't find links or pictures of them together on Mike Douglas.

I did find this clip of Jean Stapleton's work on the early 1970s Sonny & Cher Comedy Hour hamming it up.

I'll miss Jean Stapleton. And sadly, I feel like she's died twice, the first time when they killed off Edith's character on All in the Family.

 

Review of Dear Mom, Love Cher

DmlcThis is the first Cher special that has occurred since I've had my blog (which started in the fall of 2006). And I have to say, my two favorite Cher things in the world are Cher albums and Cher TV specials. I think this comes from starting to be a Cher fan in the early-to-mid 1970s when Cher was all about some flashy-fun TV Specials.

I noticed some old-tyme Cher special feeling while I was watching this one (luckily Mr. Cher Scholar was at work or he might have been disturbed to see it): childlike excitement, a feeling of suspended time, and then a slight sad fretting that the special would be over in one short hour. A Cher special for me is then like Marcel Proust's madeleine cake in In Search of Lost Time, a key to a vivid childhood memory. I watched it three times.

I loved seeing never-before-seen pictures of Cher as a kid and hearing the family delving into their history in Arkansas.

 

 

Bits about the family

Cher calls her history a "strange American story" but it's probably not so strange. Definitely interesting. Definitely American. She kids her mom that they "can only walk the narrow razor wire of white trash so long."

I loved all the stories about Georgia's grandparents, her fierce grandmother who defends her mother with a broken bottle and her mean grandfather who blows himself up while working dynamite to blow up stumps while the railroads in Arkansas were being built. This story is downright poetic with the psychic daughter's graphic dream predicting it. In newspaper reports, Lynda is called a "self-proclaimed psychic." It would be interesting to hear more about her other uncanny predictions or how the family felt about having some psychics in it. Lynda comes across as a very complex figure who is never described mean as such but does her share of mean things.

I wish we had learned more stories about Roy too who spent so much time with Georgia and who, it seemed, Cher knew as a child. He is described also as a complex of mean and funny. When did these family members die? What did they do while they were in California? And what about the story about Roy's attempt to kill Georgia and her brother Mikey. We learned nothing about Mikey.

Cher affirms that her grandmother Lynda's mother was either a quarter or a half Cherokee. Cher claims it was her great-grandmother who taught her grandmother the Rabbit and War Dance. She said although that doesn't make her very Indian, "Half Breed" was a good song to sing.

Bits about Georgia

MombeachGeorgia was born in Kensett, Arkansas, on June 9, 1926. Her father Roy was 21. Her mother Lynda was 13. She started singing at five and became state champion, described as a blues singer, in Arkansas (May 29, 1938). It was Bob Wills who encouraged her father to take her to Hollywood and they hitchhiked. Georgia talks about being perceived as a "dumb Oakie" when she came to LA. She explains why she changed her name from Jackie Jean Crouch (which she liked) to Georgia Pelham (in honor of a dead friend) and where Holt came from (last husband's name). Her Dad worked at the famous Cliffton's Cafeteria. (It's still open! Go eat there…it's so kitchy!).

Georgia talks about the squalid conditions of living in the slums near San Pedro, Main Street and Central Avenue. Georiga talks at length about her conflicting feelings about her early marriage to Cher's biological father, torn between her mother Lynda, John Sarkisian and an abortion. She tells more about the Catholic home in Scranton that wanted to keep Cher (which inspried Cher's critical song "Sisters of Mercy") and Georgia's eventual 6-week "Reno Cure."

Back from early struggles, Georgia won some beauty contests in Reno and LA (Miss Holiday on Wings) and won a Jack Carson scholarship to drama school with the Ben Bard Players. We get to see clips of her bit parts on both I Love Lucy and Ozzie and Harriet. You can see Cher's 1960's smile in some of these clips and head-shots. The family talks about Georgia being friends with Robert Mitchum and Lenny Bruce and a herd of beautiful people. The Asphalt Jungle story is told.

The list of husbands was illuminating but inconsistent:

  1. John Sarkisian (We find out where they meet and a few of their experiences as they relate to Cher, but don't find out anything about his character, his heroin addiction, his prison sentence, later-life conflicts with Cher after she became famous, when he died, etc.)
  2. Chris Alcaide (Also an actor, tall, loved Cher but they were only married "20 minutes" because he was very jealous.)
  3. John Southall (Georganne's father, described as one of the loves of Georgia's life, love at first sight, Cher calls him "dark like me" and appreciates the attention he gave her when Georganne was born on September 7, 1951 and "everyone forgot I was alive"…but he was an alcoholic. Georganne says that when she or Cher refer to their Dad, they mean him.)
  4. Joe Collins (Nothing is said about him…is there jucy dirt behind the omission or was he really that boring?)
  5. Gilbert La Piere (Was a wall street banker and they lived in New York with him, was described as very Father Knows Best and not a good fit with the family. He died last year and because he adopted Cher and Georganne, his obits still describe him as Cher's father. Georganne kept his name.)
  6. Holt (His first name is never given and nothing is said about his character or why Georgia married him.)

We hear much about Georgia's longtime boyfriend, Craig Spencer, who came into the picture while Georgia was running Grannys Cabbage Patch quilt shop in Brentwood in the late 1970s. It was Craig who encouraged her to record an album at a West Lake studio. Craig was 30 and Georgia was 51. Craig and Georgia are shown being interviewed by Oprah early in her career. In old late-1970s clips, Georgia talks about having the same vocal resonance and register as Cher. Craig and Georgia talk about their disappointments that the album was shelved due to contract disputes. Craig laments, "50% of something is better than 50% of nothing." The recordings languished for years in Georgia's Palm Desert garages. Cher says they shouldn't Promo have survived.

Georgia comments a bit on her depression and how she became "a royal pain" after this late career setback but nothing about family depression is elaborated on. Georganne talks about Georgia's unique carriage and demeanor and I think that was spot on. Cher calls her before her time.

Bits about Georganne

We learn all the many shows Georganne appeared in and it's an impressive listing: General Hospital (where she created the mean-girl character of Heather), Ozzie's Girls (with a young Matt Harmon), Welcome Back Kotter, Happy Days, Fantasy Island, TJ Hooker, Police Woman, The Streets of San Francisco. Would love to see her full reel!

ChermugBits about Cher

Cher talks about living her life like a bumper car. Georgia claims Cher is stronger and braver than she is. Cher and Georgia tell the story of Cher's arrest (on January 27, 1959, complete with mugshot) and how the event started at a bowling alley before Cher drove off in the borrowed car to get a sandwich. A picture of the famous LA-eatery Johnnie's Pastrami is shown. By the way, the profile and head-shot of the mugshots do not match.

Scenes from the TV biopic The Beat Goes On are show to illustrate Cher's stories about moving out of the house as a teenager and moving in with Sonny. I've always wondered if Cher approved of that movie based on Sonny's tell-all book. Cher indicated that Georgia threatened to put Sonny in jail. Cher was in her teens and Sonny was nearly 30. I wonder how far Gerogia's threat went and if it was a real concern for Sonny. Interestingly, Cher talks about her anger when she finally ran away and back to Sonny, kicking out her bedroom window screen in what she describes as a dramatic scene.

Georgia eventually got used to the idea of Sonny and talks about how proud she was of Cher when she visited Sonny & Cher the set of Good Times.

The final word on spellings and dates (?)Dmlc2

Sarkisian as in Cherilyn Sarkisian. She was named for Lana Turner's daughter Cheryl combined with Georgia's mother's name Lynda. It's interesting that Georgia picks all her names based on women in her life. Cher was born May 20, 1946.

Even the special could not clear up the cloudiness surrounding spellings of LaPiere. In the beginning of the special, Georganne's name was spelled Lapiere Bartylak (no space, small P) and by the end of the special, husband #5 had his name spelled Gilbert La Piere (space and a big P). Gilbert's obit spells his name LaPiere. In any case, there are no two letter Rs in any of these versions.

Chaz Bono was born Chastity Sun Bono on March 4, 1969.

Elijah Blue Allman was born on July 10, 1976. (Why did he wear sunglasses throughout the special?)

There were things I missed that a one-hour special couldn't hope to cover: a sturdier timeline of when Georgia's family moved from Arkansas to Oklahoma to California. More Arkansas stories, more stories of Cher's grandparens. A more complete list of the husbands with dates and more anecdotes. I know Georgia married John Sarkisian twice but I still don't know which other husband Georgia married twice. She had 8 marriages and 6 husbands.

It's rumored Cher might do a mini-series about the family saga. Mom at least should get a book if nothing else. After all, we never did hear the awful cat story.
 
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More good stuff:

 

Honky Tonk Woman Review

ChergeorgiaI've listened to Honky Tonk Woman, the new album by Cher's mother Georgia Holt, (at left the two of them first photographed together in 1946), three times now. These were lost tapes from recordings made in 1980 with the Elvis Presley band. Cher's current band refurbished the tracks and helped Georgia to release the album last month.

I love the country feel of the cover. I downloaded the album from
iTunes and so haven't seen what any inner CD packaging or recording details there might be.

I'm Just Your Yesterday: I can understand how Georgia would want to interpret this song in a mother-daughter duet. On the TV special, Dear Mom, Love Cher, neither Cher nor Georgia could remember recording the song. So this is Cher singing circa 1980? The Black Rose era? That would be incredible. I thought this was a new recording and I keep listening to it in order to catch clues to properly date it. Cher's vocal style has changed over the decades and I'm stumped as to why I can't sort it out. It doesn't sound like 1980s Cher. I love the harmony between Georgia and Cher and although they sound similar, (especially singing vowels like Ah and Ohs), Georgia's voice is very clean and neat. Cher is notably more earthy.

Honkytonk1I Sure Don't Want to Love You: I'd love to know who the writers were for these songs. A lot of them invoke "Daddy" which carries all those connotations of Fathers, Sugar Daddies and Honky Tonk Daddies. Definite barroom feel to it.

Movin On: Georgia can sure hit all the notes and effortlessly. This isn't gritty country. It's pop country. I've always heard Georgia describe this project as California country is that the same alt country we think of when we say California country these days? I'm not sure what California country was back in 1979.


Honkytonk2Las Vegas Blues
: I didn't love this one. According to the short-lived Wikipedia page about the album, Georgia wrote this song. But it sounds too Vegas-hokey for me. More Daddys in the lyric. And unlike Cher, Georgia's vocals can get overpowered by the band.

I Bought the Love Love That You Gave Me: Great title and although this didn't stick out for me, I appreciate its honky tonk torch-like quality.

I Wonder Where You Are Tonight: This one seemed off the rails for me. A dissy up and down quality yet a little lackluster. Too enunciated and we need more crying in the beer.

Love Me Tender: This is one of my top two favorite tracks on the whole album. Georgia shines doing a simple ballad that seems tailor-made for her. The backup vocals warm up her sound. I strain to hear Cher doing backups but I think she's there. I love that Cher is doing backups for her mom.

You Can't Go Home Again: Sultry and 1970s sounding. Again, I think Georgia scores with quiet, particular ballads.

Homecoming Queen: Interesting in a faded-flower kind of way. And Georgia sort of owns this one with her lady-like demeanor and her hard-times-in-Hollywood persona. Allegedly Georgia wrote this song as well and I like it much better than "Las Vegas Blues."

Cryin' Time: My very favorite track on the whole album. Not just because  Sonny & Cher did the song as a single circa 1966 and it was included as a bonus track on the 1999 re-release of The Wondrous World of Sonny & Cher. Not just because you can really hear Cher doing backups strongly on this track. But because Cher and Georgia really sound great together here, better than the duet even. Also, the song is a more twangy country selection that seems like a happy compromise between Cher and Georgia's voices. I love it!

While listening to the tracks, I thought a lot about mother and daughter vocal differences. About genetics in vocal chords. About learned performance and what it says about the cultural time during which each woman developed her vocal style. Why one succeeded and the other did not. Beyond perseverance, beyond talent. Georgia's voice is pretty. Cher's voice is hip. Georgia can sing in a more "professional" manner but Cher's can emote.

I played the album for Mr. Cher Scholar who was a young 1970s country fan growing up in Kansas and is a current alt-country aficionado. He loves Mike Stinson and we've just discovered Stinson's 1960s alter-ego Sonny Throckmorton. We've been watching all the old RFD country shows like The Porter Waggoner Show, Pop Goes the Country (which I LOVE), and the awful Nashville on the Road. I swear Jeannie Kendall of The Kendalls is doing a Cher impression every time I watch her Pop Goes the Country appearances.

I was having trouble placing Georgia's delivery style. At first he said her songs sounded like Nashville pop of the 1970s but then he decided that the songs had more of a 1940s/50s country sound and that Georgia most reminded him most of Norma Jean, the original girl singer on The Porter Waggoner Show (before Dolly Parton arrived). Singers like Patsy Kline, Kitty Wells and Norma Jean had a very toned-down delivery, almost bland-sounding judging by today's sparkle and belting.

Mr. Cher Scholar and I talked a lot about Cher's "it" factor and what the heck that was. Cher isn't so neat with her notes after all. But fame requires an act of salesmanship (even Sonny would tell you), what many call sincerity or authenticity but what I prefer to call "soul," a kind of cool polish or (in the case of someone squeaky clean like Doris Day or Karen Carpenter), selling yourself as the genuine article (hip or square). Mr. Cher Scholar thinks it's a package of many variables that work together to create charisma.

Cher.com has some great artwork posted about the album. By the way, Cher.com is looking much better! Check out the browser tab title logo! Is this what Cher meant when she mentioned her new blog? It sort of reads like a blog.

And The Huffington Post talks about how the new album has charted. You can buy it on iTunes or CDBaby.

 

The Agony and the Ecstasy of Phil Spector

SpectorIn my stack of to-dos I have a post-it note with the title The Agony and the Ecstasy of Phil Spector and for the life of me I can't remember who recommended this to me. Was it Cher scholar Dishy, JimmyDean or Robrt? Was it someone at work? Anyway, I watched it yesterday and it's a BBC documentary from 2009 which aired between Phil Spector's mistrial and his final conviction for second-degree murder (not premeditated) that same year.

To me the death of Lana Clarkson is a very complicated whodunit, a legit mystery with a dangerously broken man at its center. There seem to be facts supporting his conviction and facts supporting his innocence. I don't feel this documentary clears up the matter at all. The movie only confirms one thing, Phil Spector was looking more and more like Penny Marshall throughout his trial.

The film inter-cuts video footage from his first trial with clips of his greatest musical moments. Commentary about his oeuvre and brilliance is set as text which you try to read while court dialogue plays at the same time. It's very confusing to catch it all. But the commentary on Spector's "little symphonies for kids" is actually very good, the best part of the movie. The interviewer also handles Spector well and gets some semi-sane conversation from him, mixed with a bit of grandiosity (Spector compares himself to Da Vinci, Galileo, Gershwin, Miles Davis and Irving Berlin) and conspiracy theories (he thinks his enemies from the 1960s and 70s are involved in his latest troubles and is needlessly jealous of Bill Cosby's honorary PhD). But it's not so easy to write Spector off as a lunatic because he has completely lucid, smart and valid things to say about his career. Although he's bitter and a mess, he's right on some points.

It was weird to hear him talk about MTV because I thought he was already a shut-in by the time I was watching MTV. In fact, I was surprised to hear he had met a woman at the House of Blues. I'm too reclusive to frequent House of Blues. What the hell was Phil Spector doing there?

There are about 101 shots of Phil Spector looking like a sad sack, put upon by the system. Testimony to the power of film, this almost drew me info full sympathy with him until I reconsidered all the problems with this documentary and Spector's case:

  • The film too obviously sympathized with Spector. It's in no way a balanced look at the situation. The director asked leading questions, in some cases attempting to give sympathetic answers to Spector, like providing him with a good alternative reason for wearing his hair in an afro to court appearances.
  • The court footage is too highly edited to favor Spector. Court testimony supporting his innocence was given more weight and time than evidence against him: Lana Clarkson's bad, black-face audition reels are dwelt upon whereas a string of former girlfriends with their horror stories of him holding a gun to their faces or mouths were all collaged together in a sweep that implied this wasn't important testimony. Clips chosen of the prosecutor and judge made them look flippant and conspiring.
  • Surely Phil Spector wasn't allowed to comment on the details of his trial but this becomes a big problem for the documentary. Spector never addresses any remorse over the fact that a woman died in his entryway. He is also unable to discusses his history of violence (which includes infamous stories of threats with guns in recording studios, in Ronnie Spector's book and from a plethora of old girlfriends testifying). He complains that if a celebrity is well-liked, the media won't talk about their dark pasts and uses William Shatner as an example, implying Shatner got away with something (the drowning of his third wife) because he's popular. Which is all very possible but that argument implies Spector is equating himself with someone (Shatner) who is getting away with some crime. Is this Spector admitting he's committed a crime? The "other celebrities get away with shit" defense if very creepy.
      
  • There is evidence to his credit: his white coat and his body did not have any evidence of blood
    spatter or gun residue which should have been all over him unless he cleaned up quickly. The direction of the head wound could have been self-inflicted and
    Lana Clarkson was in the midst of a life crisis and hinted at being suicidal. On the other hand, after the shot was fired, the chauffeur saw Spector run out of the house, gun in hand, saying to him, "I think I killed somebody." Lana was sitting on a chair in Spector's entryway with her purse strap over her shoulder. So nothing is conclusive. On the outside, it looks like the director, Vikram Jayanti, made a judgement call based on his admiration of Spector's work (which is weaved throughout the film).

In the beginning of the movie, Spector wonders how his life would have been different had his
father not committed suicide when he was 6 years old. I also wonder if Spector would
have become less bitter if he had simply recorded himself instead of producing a string of other
artists he didn't respect. To his credit and as the film shows, many of those artists couldn't
replicate the greatness of his records in their live performances. If Spector had recorded himself
and caught what he felt was the deserved credit and adulation….who knows.

Why did women keep going home with Phil Spector? Why did Phil Spector keep finding himself in dysfunctional relationships with women. Why didn't Phil Spector retire into a nice career as a music critic or as an elder statesman of music?

Be warned, there is some sad footage of Lana Clarkson taken by House of Blues surveillance, gory testimony described and her death scene photos are shown, albeit at a distance from the top of the staircase (a staircase from a grim-looking, dark and dated Phil Spector house, a death scene that looked the the entryway of doom).

It's hard to find a moral in this sad, sad story. I guess maybe the "teaching moment" would be if you have a history of playing with guns and scaring women, make sure no woman ever dies from a gunshot wound to her head in your house…like ever. Because karma will f*#k with you.

The posting I watched yesterday has already been taken down due to copyright issues, but you might find a new posting of it by searching for it on the tubes. Phil Spector has spent his time in prison appealing his conviction. His last appeal was denied in 2011.

 

Album and Children Updates, Old Video and Photo

TwiggyHere is an old photo of Sonny & Cher and Twiggy that popped up on the Internets recently. What clean hair they've all got.

Cher has been tweeting that she has finished her album and this was picked up by many news outlets including The Huffington Post and ABC News Video with the headline, Cher Reaches Out to Young Stars After 12-Year Break.The video remarks that Cher "has made as many comebacks as a Clinton." Ahem…I rather think the Clintons are still in the process of having a Cher-like number of comebacks…if you do that math.

In the same tweet-span, Cher also talked about visiting Chaz in a musical on a break from final album tweaking:

…went to see Chaz in an unbelievable musical! It was so funny and everyone was great! Got home at 12:30…

Chaz is also breaking out in the news cycle this week due to stories about his 60-pound weight loss. The UPI story.

 

CalendaroutfitI have a long list of video links that I've been meaning to talk over. This one I love for many reasons. According to the post where I found this opening clip of The Sonny & Cher Comedy Hour, "I Need You" is from Episode #28 which aired on November 10, 1972. I don't remember having seen it before. But those outfits I remember because I had a calendar when I was a kid and one month was devoted to S&C in these outfits. I kept the calendar page all these years. That's what a Cher hoarder I am. It's nice to see the video that reminds me of my Cher hoarding problem. Secondly, the video is full of classic Sonny & Cherisms: hair flipping, tongue rolling, wardrHandsobe issues, rocking back and forth, singing to each other (I've noticed Dolly and Porter never so much as looked at each other), Sonny with his hands on his hips, Sonny with his paws all over Cher (see right), lots of whoos, Cher mocking Sonny, Sonny & Cher laughing at some inside joke and lots of polyester perfection. For all these reasons, I consider this video High Period Sonny & Cher.

 

VCR Alert: More Promo for Cher’s Mom’s Day Special

Georganne-genhospThis week Cher scholar Dishy sent me links to a recent interview Cher's sister, Georganne LaPiere, gave to Greg in Hollywood. In part one, Georganne talks about life on General Hospital and Greg seems like a legitimate fan of the soap opera.

Part two goes into her reaction to Chaz transgendering, her relationship to Cher (how Cher basically raised her) and all the perks of being Cher's sister, how she got Cher involved in a project with her mom and a hint about what we might be seeing in next month's special.

 

 

Read the interviews here:

Interview Part 1

Interview Part 2

VCR Alert:

Also Cher News is reporting that Cher and her mom, Georgia Holt, will be appearing on NBC's The Tonight Show with Jay Leno on Tuesday April 30.

 

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