a division of the Chersonian Institute

Category: Scholarship In Action (Page 15 of 17)

I’m in Mashup Heaven

Geeze Louise! Pinch me!

  • REM vs. Cher by DJ Schmolli – "Losing My Believe"
       
  • Sex Pistols vs. Cher by Go Home Productions – "No Feelings 4 Cher" Allegedy this mashup "received the "full blessing" of both parties (or, in the former case, Pistols guitarist Steve Jones)." Found on the EP Pistol Whipped with  other Sex Pistols mash-ups (including the  Madonna Pistol Mash "Ray of Gob."
       
  • R.I.P. Mashup: Cher vs. Echo & the Bunnymen doing "I Believe in Killing Time" Message on the site from Mark Vidler: "Am I still allowed to mention this track? Was bloody pleased with this pairing and still listen to this one occasionally. Several months after making it available I was kindly asked by Echo & The Bunnymens people to remove it from the website. I politely obliged.  August 2002" Pansy-assed dolts.
       
  • There are so many mashups in this one…I’m dizzy. Whitney Houston vs. Madonna vs. Cher in a "Believe" "Live a Virgin" "Somebody Who Loves Me" mashup called "Believe Somebody" by DJ Earworm      
     
  • Alice Deejay vs.Cher doing "This is a Song for Those Who Are Better Off Alone" by Savvy DJ.

 

Cher Listed Among the Best Bob Dylan Covers

Bobdylancher Now this is good news indeed! If only I understood how she made the list. Steve Meacham, a writer for the Syndey Morning Herald in Australia, recently posted a list of his favorite Bob Dylan covers. (Thank you Chergoup on Yahoo!, yet again, for the link).

Two things irk me about this article. One, his web links are wrong. He points us to dylancovers.com which is just a landing page with Google ads. The  database of Dylan covers is at http://www.bjorner.com/covers.htm. This site is actually pretty cool. At a glance you can see Dylan’s amazing influential reach. The site also correctly identifies Cher’s whopping ten Dylan covers spanning a mere five years (http://www.bjorner.com/artistc.htm#_Cher) …although technically Cher renamed "Lay Lady Lay" to "Lay Baby Lay," and "Tonight I’ll Be Staying Here with You" (one of my favorites) is listed twice erroneously due to a compilation being taken into account. If we were to count Cher compilations, all the songs would be listed about 100 times. This site has this same problem with other artists, as well.

But back to Meacham’s piece…I doubt he’s heard every single Dylan cover under the sun. Yet he still comes up with a list that is basically the most successful and high-profile of the bunch. He doesn’t come up with much rationale for why he picks the the versions he picks (for instance choosing Neil Young & Crazy Horse’s version of "Blowin in the Wind" over Marlene Dietrich’s version because it’s "the finest cover." Finest at what?) It gets worse when he gets to Cher’s version of "All I Really Want to Do." I’m amazed he picked her version over the one charting simultaneously by The Byrds. Cher’s version beat The Byrds in sales but Dylan himself liked The Byrds’ version. Critically, I’d like to know why Meacham felt Cher’s was better. Is he finally a reviewer who will defend Cher’s music? Yet he provides no real defense! So close but no cigar.

It’s interesting that Dylan made his debut in 1962, just a mere 3 years before Cher. This helps to explain why folk was still so huge in the mid-60s and yet old enough to be taken mainstream by pop acts like Sonny & Cher.

 

Outfit Watch

Redcherph I digested the content in the new Chrome Hearts magazine spread. Here are my thoughts:

The album stuff was news but what really stood out were Cher’s descriptions of her kids. Chastity should be proud (although it’s hard to top The Simpsons prediction of a President Chastity—that was before rehab—but still, not too shabby). Cher’s words for Chastity: pure, values, honest, good, warm, loving, kind to animals, will help you in any situation, high standards. I sure wish my mom had a laundry list of attributes like that for me. And Elijah made it into the Sonny category of Readers Digest’s most interesting people. It was funny when Cher said Elijah is "just starting to be human." Because you know only great things can happen from there.

This "magazine" is really a catalog for Chrome Hearts merchandise and the interview was far from mind-blowing. In fact, its hipness hurts a bit. It was entirely too chatty just to get off the ground. And when they started discussing designers, my eyes rolled back in my head.

However, the photos were swell. Cher is very "on point" in them all:

  • Chromehearts21_3 I’m sort of tired of the Cher Goth font.
  • Cher is wearing lots of cross-purpose baubles, including the re-emergence of the waist bracelet.
  • The cover photos with the mirrors are playful but is that a closet, a store, a dressing room?
  • The back photo strikes me as very 90s (Sandra Bullock in Vanity Fair or something) but also very 70s in an Audrey Hepburn/Mary Tyler Moore way. Cher’s in her prom dress but tempers her inner-valley girl with a leather jacket.
  • I love the European backdrop picture with the saucy tongue (Kath and Kim say “it’s different, it’s unusual”).
  • Cher sports Goth hair – are we doing bangs or no bangs? This reminds me of her awkward yet gritty late 60s hair period when she grew out her bangs.
  • Glad the big earrings are back. No one looks better in big earrings. Cher pulls them off every time.
  • Not used to seeing Cher in so many baggy clothes. Will take getting used to but I’m all for it.
  • The candids are cute and – oh this is who that is! I think this illuminates the interviewer as her friend who everyone thought was her boyfriend for a few seconds a while back.
  • The Chrome Hearts backless t-shirt picture/poster is clean and good but my least favorite. I just saw Born Losers two nights ago for the first time and so I’m freaked out by this biker look right Cherrsad_5 now. Add Cher’s mean stare to it and I feel like I’m in trouble for breaking in on Cher while she’s getting ready to get on a Harley and bust some knees. Also, too much makeup in this one.
  • The closeup photo is gorgeous – love the slash of red (these pictures are luxuriously colorful—appeals to my inner Renoir). Her bracelets are a bit Madonna-meets-mental-institution, but the pose is perfect and the makeup is soft and muted. Love it!!

Let us hark back to another great Cher photo, one I just found on Ward Lamb’s Jackson Highway page (which is always evolving, so check back often). This page is really the Bible on that recording session and its collateral materials, including this advertisement, her hip out, her hair blowing in the wind.

Now this is hipness I just love.

    

Believe it or not (a new mashup)

Believe_2 Last week a concerned non-fan friend sent me the news that "Believe" made Rolling Stone Magazine’s list of most annoying songs.

I notice all the songs on this list were massive hits, thus probably most annoying due to being over-played. Some I’ve had the pleasure of never hearing. Some are sexistly annoying. Some are annoying just because people find Celine Dion annoying. And yes, some are probably inherently annoying. I’m going to remain silent on "Believe." It was never one of my favorite songs and it’s probably my least favorite among Cher’s iconic solo quad which includes "Believe," "Gypsies," "Half Breed,"  and "Turn Back Time" – although "Believe" gives "Turn Back Time" a run for the bottom spot in my list. I love "Gypsies, Tramps and Thieves." I really do. But it would have probably have made Rolling Stone’s list in 1976.

Here’s the list:

  1. The Black Eyed Peas – My Humps
  2. Los Del Rio – Macarena
  3. Baha Men – Who Let The Dogs Out
  4. Celine Dion – My Heart Will Go On
  5. Nickelback – Photograph
  6. Lou Bega – Mambo No. 5
  7. James Blunt – You’re Beautiful
  8. The Spice Girls – Wannabe
  9. Sisqo – The Thong Song
  10. Cher – Believe

Cher fan friend JeffRey sent me another mash-up of "Believe," AC/DC-ized. You know I love mash-ups! This helps alleviate the annoyance quite a bit.

     Download AplusD_YouBelieveMeAllNightLong.mp3

 

Woman at War

Dietrcih I finally bit the bullet and bought the coffee table book: A Woman at War: Marlene Dietrich Remembered as Cher contributed an essay to it. Cher was one of the few celebrities included among children of Dietrich, the son of Joseph von Sternberg, former GIs, producers, directors, biographers, a journalist and a jazz musician. Cher (listed as a singer/actress) is included with Burt Bacharach, Rosemary Clooney and Hildegard Knef.

Overall, the essay was packed with content. I really enjoyed Cher’s self-deprecation and passion about Dietrich. The intro paragraph commented that Dietrich always watched Cher because she was a fan of Bob Mackie’s work and that Dietrich liked Cher’s tenacity and bravado.

Cher discussed her one sighting of Dietrich during a Mackie fitting, which Cher said often entailed standing for hours. Cher also admitted to shaving off her eyebrows like Dietrich during the S&C Comedy Hour. Cher said you can see a whole season of her with penciled-in eyebrows. This is a good Cher test: does anybody know which season this is?

The funny thing is another Cher fan Bruce helped me track down many of the Cher photo credits on this blog and he said you can do Cher-dating based on her eyebrows. It’s all about the eyebrows, he said. I think this definitely deserves further study – resulting in a possible timeline or PowerPoint. I will try to secure some grant monies for this effort.

Cher also admired Dietrich for her ability to "command attention," her ability to do comedy while being sexy, the way she used lighting to create an image of herself, and sustain a singing career without having a strong voice. Cher, a student of all of these attributes, even said “I don’t think much of my own voice.” That kills me everytime she says that!

Cher also discussed women having to be a bitch to survive in show business. She imagines Dietrich could be a bitch from time to time and Cher comments how "people around you often pay for it." You never hear stories about Cher being a Diana-Ross-style beeotch; nevertheless, I still hope Cher’s personal assistant gets a good Christmas bonus.

Cher also said “women like Dietrich, Bette Davis and Katharine Hepburn paved the way for me.” Not only is this true in a ballsy-image kind of way, it also hints to the fact that Cher has an old-Hollywood air about her, probably inspired by these ladies. And I think it’s definitely a facet of her longevity.
   

A Woman’s Story

Cherspector
Last week, an I Found Some Blog commenter kindly posted a question. What do I think about the single “A Woman’s Story,” he asks, I’m guessing in light of all my recent Phil Spector bashing.

Well, I like the wall of sound. I really do. I appreciate it. But I also feel Cher is a wall of sound unto herself and two walls of sound can make one feel a tad claustrophobic. That said, this single and I go a long way back…

The first time I heard the opening bars was in background footage of a documentary that had Sonny discussing his feelings about Phil Spector…the same early 80s Spector documentary I mentioned a few blog posts back. Not only was it a Cher song I had never heard before (and I thought I had all the albums by then); but it sounded crazy-cool. Haunted. Unlike anything I had ever heard her do. And she’s recorded in every conceivable style, so that’s sayin’ somethin’.

It was the mid-80s and I was 15 or 16 years old. I had no Cher community. All I had were record guides from Waldenbooks at the mall. I would scribble down record lists on the back of envelopes without paying for the books. This was before the big chain bookstores encouraged you to sit for a spell and read all day.

There were no good Cher discographies or biographies out yet. The J. Randy Taraborrelli book might have been out but I hadn’t read it yet. So I was on the lookout for the song but I didn’t even know the name of it.

Soon after I got my driver’s license (the summer of 1986), I was still terrified to drive on the highways. So one Saturday afternoon I took a very slow, surface-street drive across St. Louis to make it to the south county used-record stores. I found the 45 sitting innocently in a huge 45 bin. I bought it for $1.50. Can you believe it? I paid $75-100 for similar Warner singles years later on ebay. When I got home I was immediately in trouble for making everyone late for an Olan Mills family portrait sitting. But I didn’t care because I loved my trip to get that 45. I was finally breaking out and finding hidden treasure!

The song’s writing credits are Spector-Tempo-Stevens. Which looking back now, the lyrics feel slightly woman-hating, in a sort of “I’m-trying-to-be-sympathetic-but-I’m-showing-my-hidden-prejudices” sort of way. Especially depending upon how you interpret “woman.” Is this woman the universal woman or one particularly unusual woman? In any case, woman equals whore. And if you’re following the Spector trial, he has a tendency to generalize all women as whores. His high school girlfriend claimed he had jealousy issues. Which links quite easily to “if you sleep with anyone other than me you must be a whore.” It’s disturbing how far we can take this train of thought.

But let’s separate these latest unsettling allegations from the song itself, a ballad about a lonely hooker. What an awesome opening: shrill, creepy backups until Cher’s voice comes rolling in.

I would almost think the wall of sound would suits Cher’s voice; it tries to coat her vocals in sound. But in this case, it’s too loud. Cher sounds a bit unenthusiastic, mumbling a few words. Then again, Cher might be performing a very convincing depressed character.

The biggest problem is that the song sounds too dated for the mid 70s. It sounds very late 60s which was such a specific sound remarkably tied to its time. But then even the backup “ahs” in the middle of the song are too clunky for the late 60s. 

I both love and hate this song’s oddness, its tripped out atmosphere; but I’m glad this wasn’t the sound that Stars turned out to be. “From now on I say hell no.”

The B-Side provides us with more Spector: “Baby I love You,” a remake (and some say dis on the Ronnie Spector original). Again, another song on drugs. But I still love parts of it. I love the ethereal texture of the introduction, the heartbeat bass, the vulnerable way Cher sings the verses, not teenage-frantic like the original. A great quiet performance by Cher (lovely falsetto). Kim and Kath would say “It’s nice. It’s unusual.”  I even love the outro with the free-style guitar.

But then by the time the chorus comes around, you feel like you’re listening to molasses. A musical goopy mess. The song feels like a single-engine plane that can’t quite take off. Double Darn It.

Then there was also “A Love Like Yours” by Cher and Harry Nilsson. Same story: dated, maddeningly-slow, messy. I can’t even understand what they’re singing. Plus it seems like a rip off of Dylan’s  “Knocking on Heaven’s Door.” The whole thing is labored, plodding and lifeless; although it almost sounds like Cher is screeching at the end. 

Speaking of Phil working with Cher, we can’t forget her first studio performance, “Ringo I love You,” a bizarre sounding thing, a garage-band guitar, Beatlesque tempo and yeah yeahs.” And still, the song has no omph, it’s so slow. A flat, Frankenstein vocal performance, too.  This was an unfortunate way to introduce Cher to the public. Many thought she was a man singing. But I think she sounds more exotic than masculine.

The best wall of sound Cher song, in my humble opinion, is “Dream Baby.” And this was a Sonny Bono interpretation of the wall. I only have a stereo version on my iPod. Does anybody out there have the mono version? What’s the difference?

Anyway, Sonny captured a Ronettes-like sound except Cher’s makes it a Gothic girl group. Her 60s voice can sound amazingly innocent and experienced at the same time. It’s a great, simple vocal. And Sonny does the right thing by tempering the wall of sound so as not to compete with Cher’s voice. The percussion sounds cleaner and the sax is fun. It’s like a little wall Cher can sit on and kick up her feet.

 

From One Snow Queen to Another

Chershow2
It’s a busy week this: Just saw David Sedaris read at UCLA’s Royce Hall and the Los Angeles Times Book fest is coming up this weekend. This is my favorite literary event….ever!! I can’t wait. I just wish the poetry panels were more substantial – like the groovy fiction and non-fiction panels are. Instead they put out quaint, watery sessions, like this year: Poetry: Inspiring Lines and Poetry: Chapter & Verse.

Fiction get panels like Los Angeles Fiction: Living In Paradise or Writing Science. How about Science in Poetry or Poetry and Place? Feminism in Poetry would be great seminar.

Anyway…it’s also been a great week for Cher scholarship. I Found Some Blog commenter Rob emailed  an MP3 of an old Elton John song called “Snow Queen” which appears to be a none-too-approving disrespect on Cher circa the mid 70s.

This single apparently was the 1976 UK B-side for "Don’t Go Breaking My Heart" and even Kiki Dee makes an appearance singing backup.  The credits listed Elton John, Dave Johnstone, Kiki Dee, David Nutter for music and Bernie Taupin, per usual, as lyrics. You can find the lyrics here at Elton John Lyrics Site.

The song has a confusing object at first. It begins directed to a “you” person.: “You remind me so much / of her when you’re walkin.” Then in the chorus the song starts jumps to the Snow Queen suddenly, presumably one who reminds the writer of being like the "you" person.

Exactly who reminds Bernie Taupin of Cher, I’d like to know. Is that even possible that someone else could be anything resembling Cher? I don’t think so. Just what are the odds?

Early descriptions include “You’re a cushion uncrumpled / You’re a bed that’s unruffled.” Is this talking about the Snow Queen aka Cher here?  “The finest bone china / bone china around”? Is this a poetic reference to Cher’s great cheek bone structure?

Hey now, the snow queen sounds a bit chilly so far. The lyrics state “she’s got the world on a string / like white wine when it’s chilled.” More chilliness again. And why does white wine have so much power over the world…when it’s chilled?

Carolwood2
“I believe the Snow Queen / lives somewhere in the hills.” Had Cher moved from Carolwood to Malibu then (because that’s a beach) or to the hills of her Egyptian palace by 1976? Didn’t that house take years to  build? But at least that one is in the  Benedict Canyon  Hills.

“The snow queen reigns in warm LA / behind the cold black gates.” So the gates of Carolwood were black. But they weren’t in the hills. See the gates of the Carolwood and Benedict Canyon abodes. (Don’t ask me why I have these picks.)

Egyptdriveway_4
The best lines of the song are "Arms are spread like icicles / upon a frosted cake.” Yet more chilliness. Are they insinuating Cher is a cold beeotch?

“Your talons are tested / they’re polished and they’re shaped.” The lyric sheet replaces the first talons   with talents but I think Elton is singing and referring to her nails or talons. “Your talents are wasted / on men who have no tasted” (Gregg Allman?)

And here is where we get in to real evidence that the song is indeed about Cher. “…passion means more than /a wardrobe of gowns, TV ratings /a fragile waist and a name.” Why a fragile waist; I mean, it’s tiny, but fragile?

Then fade out clinches it when Elton sings "I Got You Babe" three times, "Bang Bang" three times and then “aAnd the beat goes on.” I had to turn my iPod volume up to hear the last bit but it’s there.

Honestly, Cher had a lot going on in 1976…even Elton would agree. I’d be a beeotch too if I was pregnant on national television, the father was a drug-addled Chia Pet, and my TV ratings and records were stalling like an Edsel.

It sounds like someone didn’t get their invitation to a Cher soirée. I don’t know much about Cher’s relationship to Elton John back then. He was a guest on the debut of the Cher Show back in 1975; but I believe I read somewhere that Cher wanted to open for Elton John when she was promoting Black Rose and he refused. Rumor? Fact? I dunno. She showed up at his Audience with Elton John in 1997 acting pretty chummy.

I actually really like this song. There’s an odd moment at the end where the bongos go crazy but I think it’s a lovely contemplative piece and would be really pleasant for a couples skate.

It also reminds me of Barry Manilow’s early 70s song “She’s a Star” from the album Tryin to Get the Feelin Again. The song was supposedly about Bette Midler.

It would be fun to hear Cher cover “Snow Queen.” It could be a  sort of F.U. peace-offering. She could keep most of the lyrics but sing "Goodbye Yellow Brick Road," "Rocket Man" and "Sorry Seems to Be"…at the fade out.

And speaking of talons and the lovely 80s Interview cover picture I talked about last week, my Richard Bernstein photo book came today. Whoo hoo! Bernstein did those Warhol-esque Interview covers for many years. In the book, Bernstein calls himself a “thoroughbred New Yorker and his photo looks like it fell the wall of an  80s hair salon.

Inside there’s a short essay on Cher that attempts to conceptualize her stardom. It says she’s somewhere between the invention of the Barbie Doll and the Valley Girl, “a money-to-burn celebrity,” and “someone every Jewish princess, Dry Wasp bitch, valley girl from Tuxedo, South Carolina and Hi Hat, Kentucky, can relate to.” I don’t quite get that, but okay.

“Today [this is the early 80s, remember] Cher’s famous claws for nails are clipped. So is her windfall of glossy black hair…Her nails were like falcon’s talons, a mighty two inches long and dipped in sanguine crayon. Cher’s eyelashes still flap like porch awnings.”

“She wants to be an ordinary high-serious actress so she’s moved to New York…”

Ah yes…so pedestrian to be an award winning actress when you can be a cultural icon. With that I agree.

Cher Links

Cher_time_cover For some reason I’m obsessed with the old Alan Parson’s Project song "Dammed If I Do." I used to have it on one of my old K-Tel albums as I kid. Now it’s in steady rotation on my iPod. Last weekend my boyfriend was singing "Eye in the Sky" apropos of nothing and I dug out my old Alan Parson’s Greatest Hits long playing vinyl album. (I’ve been playing a lot of my LPs lately to try to weed them out). I played him "Damned if I Do" and he danced around the room making fun of it. His friend has been lending him symphonic performances of bands like Pink Floyd and The Doors. I asked him to get me an orchestral version of Alan Parson’s Project. He said "Alan Parson’s Project is an orchestral version of Alan Parson’s Project."

By the way, Cher should not cover this song. "I can’t seem to seize the light! I’ve done everything but I can’t get it right." You’ve already played it out in your head, haven’t you?

I particularly like the chorus: "Damned if I do, damned if I don’t but I love you." It changes to "Damned if do, damned if I don’t cos I love you" halfway through. Completely changes the meaning changing ‘but’ to ‘cos.’ Proves what one connecting transition word can do to alter the sense of a sentence. Lesson in poetry, right there.

Anyway, I found some interesting Cher-links this week.

My google blog search brought up this odd page: thin celebrity photos posted to inspire extreme dieting. I love the 80s Cher Jack LaLanne photos found here (and the awsome other-version from the Vogue/Dark Lady album cover) however further research showed this forum site was part of a larger "Pro-ana" site which is short for "pro-anorexia.

"Welcome to the Pro-Ana Forum! Pro-ana is a largely Internet-based movement which views the eating disorder anorexia nervosa as a lifestyle choice rather than a medical condition."

There’s a thread on the group called "threats to kill oneself" and "are you lacking in energy."

Sigh. I would be open to this assertion except personal experience tells me this death-defying lifestyle choice makes your family and friends cry.

Lots of kewl skinny Cher pics have been posted and oogled over at Thinspiration.

Here’s a link to the Time Magazine article from March 17, 1975. This is a very important piece. It was a whirlwind of commotion on the Cher timeline. Her solo show was just starting and she was doing interviews to re-introduce herself to a country who wanted her to go back to Sonny so they could watch The Sonny & Cher Show again because that’s the show they LOVED. The dress shown on the cover caused a stir when she showed up wearing it at a The Metropolitan Museum of Art in Manhattan and the press thought it showed more skin than it did.

Then there was the fact that a celebrity was appearing on the cover of time Time Magazine. Unless there’s a scandal occurring, this isn’t even done that often today. Time rarely calls out a celebrity phenomenon. In 1975, it was even more rare and it shows Cher was a legitimate cultural Phenomenon Interviewart_2 with a capital P in 1975. She was…HOT. She was called out as the most photographed woman in the world then (and this is with Jackie O running around), she had two teen-style magazines dedicated to her that year and and two pulp biographies published, one by George Carpozi (Cher) and one by Vicki Pelligrino (Superstar of the 70s….Cher!). She was the IT girl of 1975.

The article in Interview Magazine, December 1998 is not as great as the Warhol issue of Interview from the early 80s (with that wow-wonderful Richard Bernstein cover – I had it framed), but it’s still interesting in that she talks about Sonny, motherhood, biggest fears, and an odd little story about how she willed together the cast of Tea with Mussolini. She also has some interesting comments at the end about the process of being interviewed.

 

Charlie Rose Interview from 1996

CharlieroseFYI: I write for another blog (a blog subsidiary of Ape Culture) where I do things like compose haikus for Sanjaya and critique other matters of American Idol (don’t hate me…it’s my job!). I also make inappropriate personal declarations in a manner I’m not wont to do here.

I watched the Charlie Rose interview from 1996 on Google Video. Overall it was a great interview. What I like about Charlie Rose is that he asks interesting questions; then he probes for clarification when an interviewee is vague. And Cher is often vague, which is, needless to say, her strategic prerogative. But it was refreshing to see a talking head challenge her. Rose does that in gently prodding way. So we get some interesting information regarding Cher’s interior life, her experiences in therapy, her criticisms of herself.

Charlie and Cher talk about the kind of insecure personality show business attracts. Cher also expresses disappointment in herself for not being stronger at times in order to do the right thing more often. This interview shows Cher is more level-headed and sincere about being a decent, stand-up person than many celebrities of her stature. It also hints that she might have a more realistic idea of her accurate self, which must be a challenge after living in the fame bubble so long.

Rose did irritate me with his constant comments about her smarts and stupidity. He spent way too much time telling her how smart she was, she spent way too much time telling us how smart she was, and then toward the end Rose calls her "so stupid" for believing, in a fit of guilt, that being a working mom might have contributed to her daughter being gay. First of all, this is not a correct idea but it’s not stupid. Many mothers feel guilt about being working moms – and many of them feel responsible about all sorts of things about their kids. It’s a normal maternal reaction; admittedly a knee jerk reaction after adjusting to a secret exposed. No big whoop.

But smarts is an issue that keeps coming up with Cher, going way back to her comments about being a naïve young girl and not being able to match socks, being dyslexic and not doing well in school, and to funny naivetés like thinking Mt. Rushmore was a natural phenomenon.

I was shocked at Rose’s usage of the word stupid. Coming from him, it sounded rude, especially after all the unnecessary smart buttering. It made me question his whole attitude.

I don’t really think Cher is stupid. But I’ve never played Trivial Pursuit with her so what do I know? I don’t think Cher has crazy mad verbal skills but I do think she has many smart visual skillz, plenty of street smarts (Sonny often derided her ‘smart mouth’). She has also exhibited many smarts in putting together a professional, talented and loyal entourage of business players. Such a dummy would never last so long in show biz.

The Cher clip only runs for a half an hour. The second half is an interview with Michael Keaton. Thanks to the Follow This You Bitches blog for finding the interview on Google Video.

Btw, the last time I played Trivial Pursuit I only knew one answer and it had to do with Harry Potter. 🙁

   

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