a division of the Chersonian Institute

Category: Television (Page 7 of 23)

Cher Mags, Shows, Movies, Music, TV, Fashion, Merch

Linda_CherWhat a Cher year it’s been, starting all the way back in January with “Prayers for this World.”  It’s a bit overwhelming and I can’t believe I haven’t blogged since Halloween! My own Fall has been crazy with three sets of house guests and the production of a new political poster for the my art action group ArtBrawl (we decided on a name last summer). We also recently launched a Facebook page that has been tracking our goings-on. Two weeks ago we started screen printing.

For Cher this seems like a critical mass era where she’s producing a plethora of new things, all while older work is getting re-evaluated constantly (her fashion, songs and movies).

Tributes

Bob’s Burgers did a tribute to Cher on their Halloween episode. Technically Linda is dressed as a “Cher-iff,” a sheriff dressed like Cher (or Cher with a badge).

Linda explains her costume as having “handcuffs, a badge and a body that just refused to age!” She also wears a diminutive cowboy hat. “OH, I LOVE her!” she says and then says to Bob, “Snap out of it! From the movie!”

Linda stays in her Cherfit for the whole episode. The outfit is basically the Turn Back Time V-fit with extra Linda coverage, darker stockings and the leather jacket and Cher’s own latter-day boots. I appreciate that the cartoonists put Cher in the original Turn Back Time V-fit and not the concert version hole-fit that everyone now associates with the song.

Some clips:

Linda explaining the costume
The family trick-or-treating

While searching for show clips I also came across this story about Ellen wearing the hole-fit version a few years ago. They’re very different outfits and now when Bob Mackie talks about designing the Turn Back Time outfit I have no idea which outfit he’s talking about.

VideotbtCher-ellen

 

 

 

 

 

 Magazines

CloserCloser magazine came out with a Cher tribute issue in November which is pretty good. Some new pictures and stories inside. There have also been some new online articles about Cher like these on motherhood and retirement.

Cher scholar Tyler also located this Travel Girl article on Cher: http://travelgirlinc.com/cher-glamorous-gorgeous-still-going-strong/

Charity & Social Causes (Twitter)

Cher has been busy with social and charity causes. She’s working with Ben Stiller and others to get supplies to Puerto Rico:

Cher also took part in an auction for veterans on Veteran’s Day.

And (thanks to Tyler again) here’s a found clip of Cher’s interview at the One Young World Conference where she launches Free the Wild and talks about how she’s been working with Bob Geldof’s manager to launch the animal rescue charity. She talks about her fake fur and a few rescued elephants.  She also says the song “Walls” was from “Believe” producer Mark Taylor.

In the Twittersphere, Papermag has also offered “A close reading of Cher and Rihanna’s Twitter Exchange

Cher Shows

Las Vegas: There’s Las Vegas and then there’s the original Las Vegas. I went to them both in the last few months. The older one is actually in New Mexico, an old west town rougher than Tombstone. Mr. Cher Scholar got his masters in archaeology there a few years back (which is why we live in New Mexico now). We took Mr. Cher Scholar’s brother to The Plaza Hotel there to do some ghost hunting. Mr. Cher Scholar’s brother even has ghost hunting gear. There also happened to be a Halloween party there that night.

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A few weeks later we went to the other Las Vegas where I finally saw the November 11th Classic Cher show. Our seats were not as close as the cancelled show seats we had in spring, but they ended up being better seats than I thought. Cher opened her monologue with “You’ve probably planned a long time for this.” Tell me about it! I was shell shocked the whole weekend worried about a cancellation. Sigh. Sometimes I think I just want it too much. Cher talked about mid-era Sonny & Cher days working show rooms and living in Motel 6 like motels with Cher attempting to cook their diners in the rooms.

It was a great show. I particularly liked the new graphics for “Walking in Memphis” and “The Shoop Shoop Song.”

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I really loved the faux Cher Vegas sign. So retro and fun!

News about the show:

  • Cher also recently released tickets for 2018 spring dates.
  • An interview with Cher’s lady bass player Eva Gardner, daughter of Kim Gardner (thanks Tyler for this too!). Gardner says she doesn’t usually experience sexism from her peers, but an older generation of men who are not used to seeing women playing and would rather talk about her legs than her craft.

Broadway Show

There’s a page for the Chicago shows of The Cher Show. It would be nice to see a bit more of the performers involved and a better logo. An article from Junkee on the show which captures a lot of her tweets related to it.

Cher Music

Ooga Boo” is now for sale and when you buy through smile.amazon.com, money goes to charity.

Cher did an interview for the BBC ostensibly about her new song “Walls” but the interview is kind of fluffy and truncated before we get to discussing the song.

Music History

Cher scholar Robrt found this 2016 commercial that uses Cher’s 1967 song “It All Adds Up Now.”

Cher scholar Tyler found this clip of Cher lip synching her way through “I Found Someone in chain-mail-fit”

Cher Movies

It was announced that Cher will play the part of Meryl Streep’s mom (in flashback) in the sequel to the movie version of Mama Mia.

OrgasmicMovie History

A great article about Witches of Eastwick seen from 30 later.

Television History

CbMy favorite Cher wig is the multi-bun. It’s best seen on The Carol Burnett Show. Here’s a clip of the sketch.

I heard news that the Get TV Cher shows were coming back. But there’s no sign that they will air any new episodes. Last night they played the same Christmas show they aired last year.  This run of shows has been mildly disappointing.

But we can console ourselves with this: Cher scholar Tyler located an opening segment of Laugh In with Sonny & Cher. See Sonny in his groovy scarf. And wow! Some Cher eyelashes there! Cher also gets on a bike. Here’s another Laugh In segment with Cher and Tim Conway.

And the full episode of Sonny & Cher on The Glen Campbell Show.

And another tribute to Sonny & Cher on David Letterman 30 years ago!

Fashion Influence, Peripherals and Stuff

Ode to an Idol: https://www.image.ie/fashion/in-ode-of-an-idol-the-iconic-and-timeless-wardrobe-of-cher-88368

The New York Times ran a story about a republican mayoral candidate who happens to be a big Cher fan.

Cher is planning to release more Christmas merch on her site soon. See the products on her Twitter. It looks like the themes will be Chercophanie and Black Rose. You can still buy scarves, too!

Cher in Television History

SonnychercarolNostalgia TV

So much good TV history stuff this summer, but I’m a bit frustrated with the ever-repeating reruns of reruns that is Sonny & Cher on GetTV. For all of you who didn’t kill yourselves to get this channel, you can rest happily. As a consolation, GetTV has provided a quiz on their website: Are you more Sonny or Cher? I scored as Cher: a free spirited, outspoken, wise cracker.

Over at the other beloved re-run channel MeTV there is a story about Classic TV Stars Who Are Still Touring and 10 Iconic Facts about Cher.

Carol Burnett Show

Cher scholar Tyler discovered this delectable early Carol Burnett Show episode with Sonny & Cher from the mid 60s. The full episode includes everything (the solo of "You’d Better Sit Down Kids" and the duet "Living For You," plus the big finale number) but Cher’s solo is missing audio.

 For that solo, you have to visit this other link. Carol Burnett introduces Sonny & Cher as part of a “wild, way out movement [hardly]. They country jam this groove-fest.

Cher comes across as a shy, morose teenager in these numbers and at one point actually creeps off the set. Sonny tries to be so groovy, but WTF is he wearing on his leg? Cher’s correct, though, he has very nice hands.

The big number (at mark 45:10) is really something to see. Cher in very shy and unsure as Carol Burnett and Nanette Fabray exhibit the kind of duo chemistry that makes Cher look like a big third wheel. It’s exactly the same shut-out that occurred in 1975 between Cher and Tina Turner, when Kate Smith looked like the third wheel in the big Beatles tribute.

Magic on The Cher Show

Another great find (thanks to Tyler) was this Cher Show appearance by magician Mark Wilson. Cher plays his assistant. It’s pretty cheesy by today’s standards, there’s a big overhead of assistance, lame jokes and is that Gloria Steinem in the un-enthused crowd?

GroovypadLove American Style

Truer than the red, white and blu-oo-oo! The full episode of Sonny and Cher’s appearance on Love American Style from January 1971.

It’s called “Love and the Sack.” I loved this show as a kid. This time I noticed how goofy and Mary-Tyler-Moore the set looks: a wicker chair, peace sign art, 1960s plants, and the ubiquitous guitar in the corner.

Cher (as April) is waiting for a surprise marriage proposal from her boyfriend Henry. A sack arrives with Sonny in it, postage due. Sonny says, “I mailed myself to you” as if that’s not a creepy-stalker thing to say. Stranger danger!

Sonny, who’s name we never learn, tries to convince Cher/April that life with Henry would be a mundane affair of track housing, missionary sex and too many babies. Meanwhile he has a motorcycle, a loft in the village with a bathtub sofa, (I looked that up and found nothing but a slew of bathtubs converted into sofas), and promises her a Turkish-bath honeymoon (I looked that up too).

So Henry shows up and Cher says “get back in the sack!” See, in the 60s, sack was a double-entendre. Anyway, Henry comes in and offers to take Cher out for Cock-a-doodle Chicken. (This show is so randy!) And bingo, all of Sonny’s predictions come true. Henry IS a stiff who wants her to be a baby factory. Henry calls Sonny a bag of soft potatoes and calls Cher/April a kook and a weirdo for having a man in a sack in her living room. Sonny tells Henry to offer Cher/April “Italian sausage.” I kid you not.

I honestly feel this skit shows a solid preview of Cher’s future acting chops.

Glen Campbell and Jerry Lewis

We lost both Glen Campbell and Jerry Lewis this summer. Cher worked with Glen Campbell back with the Wrecking Crew in the 1960s. He also appeared on Cher Shows; Cher appeared on Glen's shows, both with and without Sonny. Cher was also a guest on Jerry Lewis’ TV show and he appeared on hers, with and without Sonny. These are my favorite clips:

Cher and Glen do one of their last medleys (of many) together.

Jerry Lewis on Cher’s show.

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Turn Back Time

Cher made the Rolling Stone list of sexiest videos of all time.

Tbt

Cher Commercial with Future; Fundraising with Oprah, Baby Don’t Go

ChergapWow. Before I could finish blogging this week, Cher turned up in more stuff.

The Cher Gap Commercial

The Gap has just released an off-the-cuff commercial with Cher and Future singing “Everyday People.” It's great. And painfully short.

– From Ad Week

"A new 30-second ad, debuting today, will air on high-profile TV programming like NFL games, prime time and late night, marking the first time in several years that Gap has advertised on television in the fall back-to-school period."

– From People

"What do you get when you put one of the most iconic female performers of all time on set with the chart-topping rapper of the moment? A duet you never knew you needed. Unlikely duo Cher and Future team up for Gap‘s latest installment of its “Meet Me in the Gap” fall campaign to make some music together — and of course they look really good in their Gap gear while doing it."

– From Logo

"Is Cher’s ad better than Madonna and Missy Elliott’s iconic 2003 Gap commercial? We’ll let you be the judge…"

See the full commercial: https://www.youtube.com/watch?v=v_bbo1hUJeY

And Sonny & Cher singing the song on The Sonny & Cher Comedy Hour back in the early 70s.

Baby Don't Go

BdgI also forgot to mention this earlier but the Welsh band Colorama just did a very lovely cover of Baby Don’t Go (and it’s good to see something other than "Believe" and "Bang Bang" getting some attention).

 

  

 

Handinhand2Fundraising for Hurricane Harvey Victims

Cher also appeared on TV to do fundraising for Hand in Hand and giving a speech with Oprah. Read CNN's story.

Some links: 

  Cher-oprahHandinhand

New Cher Projects, 2017

ChazSo my summer break was longer than usual. My parents came to stay with us for 5 weeks while waiting to move into a new house in Ohio. I’ve also been taking stock of my writing projects and realized I’m way behind in my self-imposed schedules. I don’t know how this will effect the blog.

But despite the big break, I’ve still accumulated so much good stuff to share. I’ve been working on some new scholarly projects that I’m excited about and will unveil a few (on Cher Scholar and Big Bang Poetry) over the next few weeks.

But as happens every summer, lots of Cher stuff has gone down.

American Horror Story

Chaz Bono has returned to the American Horror Story franchise this year as a one-armed Trump supporter and there are rumors that Cher will be making an appearance this season as well. The rumormongers:

http://elitedaily.com/entertainment/cher-ahs-cult/2059844/
http://www.konbini.com/us/entertainment/cher-american-horror-story-cult-cameo/
https://www.queerty.com/cher-appearing-new-season-american-horror-story-evidence-speaks-20170831

The hate-crime, fascist stuff, not the clown, has scared me right off watching the new show on anything slower than 15x. When entertainment is that close to reality…I’m just a jellyfish I guess. However, I'm going to see Stephen King’s IT movie this Thursday and I’m sure that will be much more pleasant.

You can collect Chaz’s appearance on AHS #6 Roanoke which goes on sale for DVD and Blu-ray October 3.

ClassicClassic Cher

Cher started up her stage shows again. Here are the latest reviews on that:

Her show’s guitarist, Joel Hoekstra, is interviewed here: http://www.sarasotapost.com/great-reading/1362-turn-back-time-with-classic-cher

The Broadway Show

Cher’s new Broadway show had its open call in July and over 500 people showed up:

They predict a Spring 2018 opening: http://www.goldderby.com/article/2017/cher-broadway-musical-tony-awards-news/

Boovs2Two New Songs

Cher made an appearance on a children’s show called Home: Adventures of Tip and Oh and recorded two new songs.

Reviews speak for themselves:

Netflix Got Cher to Record a New Song for a Cartoon Because Netflix Can Do Anything Now

“Cher seems to be particularly picky about what she's recorded in the last decade. There was an album in 2013 (Closer To The Truth), a contribution to the soundtrack of her 2010 film Burlesque ("You Haven't Seen The Last of Me," by the acclaimed Diane Warren), a contribution to the documentary Cries From Syria, a duet with her mother, and a couple of unreleased collaboration (with Lady Gaga and Wu-Tang Clan). She has not been particularly prolific, and this might be considered her first dance floor jam in at least four years.”

Cher's New Trap Track

“To be a fly on the wall where this bonkers song was pitched to Cher… We’re still not sure how this track came to fruition, but we’re not complaining either: somehow the 71-year-old sells this campy trap song.” 

Yes, I had to look it up. Trap is “southern hip hop with ominous lyrics, double or triple time divided hi-hats, heavy kick drums and a Roland TR-808 synthesizer or layered synthesizers.”

Cher’s bizarre new song is the catchiest thing you’ll hear all day

“We love Cher. Not only for her amazing back catalogue, her brave fashion choices or constant trolling of Donald Trump on Twitter, but also because she still has the ability to surprise us with her music” and “gloriously psychedelic video.”

Cher Dropped A Demented Bop Called “Ooga Boo”

“It transcends traditional kiddie fare, however, with the demented electronic production, heavy lashings of auto tune and an annoyingly catchy chorus. It’s the not the comeback we wanted, but it’s probably the comeback we deserve.”

EarstockingsThe Animation Podcast review was hilarious.  (Thanks to cher scholar Tyler for the find).

Animation aficionado ElectricDragon505 had his mind blown by the cartoon, not because of the story or Cher’s appearance on it, but because of of her character’s design. He says it reminds him of a “drill sergeant in Full Metal Jacket” or a mutated marshmallow. “What the fridge am I even looking at!” he cries. He likes the Boov characters and their bright, cold colors with flashes of hot yellows, oranges and reds but says the makeup is “even too much for a drag show.” Too much are the comically huge eyelashes and fishnet leggings because the fishnet leggings are even on Chercophanie's ears. (I would agree with that; WTF.) But ElectricDragon505 will even give the designers a pass on all that. What he absolutely can’t abide is a Boov wearing three bras because this forces questions about Boov anatomy that he just can’t face.

This all seemed like a great deal of news for an appearance on a Netflix children’s show, so I did a search for her last un-released but kinda-released song from January and oddly there were zero news stories or reviews about “Prayers for this World” on two pages of Google results except this short blurb:

“First new material since 2013 From a documentary that debuted recently, she is singing with the Los Angeles Children's choir. Absolutely amazing!”

My parents gifted us with Netflix. So I watched the Chercophanie episode last week.

The show is about an interracial or inter-galaxy friendship between a spunky preteen black girl (Tip) and an alien Boov (Oh). The episode is called “Chercophanie/Oh Man & the Sea” and it contains two 15 minute stories. I spent time bemoaning the short attention span of “young people today” as I was watching it and then realized I spent my own childhood binge watching 8-minute Loony Tunes cartoons.

Tip is playing pretend rock star and her friend Oh is playing pretend obsessed fan. By the way, we never played pretend star/fan back in the 70s. We played teacher, waitress, working single-mother, sordid soap-opera Fisher House community, salacious sex-life Barbie, TV news broadcaster, outdoor Missouri shipwreck, and novelist.

DG1ewsoU0AAGmzYBut anyway, Tip is full of artistic torment for fame and glory. Unfortunately, she feels a lack of desire to actually practice singing or guitar playing. But she wants legions of fans, like, yesterday! And she tries to make a big splash as a street singer. The humans hate her performances but the alien Boovs love it. By the way, all Boovs look like octopuses.

Tip loves to talk about “star power” and she calls her fans Tipsters. Cher descends into the scene as “a true star who knows how to make an entrance.” In fact, the show gives Cher’s Boov character plenty of funny entrances. She’s “a cultural enigma” they say but she’s never given the chance to tell Tip and Oh what her true passion is. Spoiler alert: it involves whale-shaped Ooga Boos…which finally explains Cher’s new song then.

StarpowerBut sadly, the public doesn’t care about Chercophanie’s passion and only wants to hear her “rockin voice.” There’s a very funny bit where Chercophanie cries and her massive mascara runs down her face. A makeup Boov rushes in to fix it.  

Chercophanie calls Tip “Twinkle Pie” and takes Tip and Oh to her studio to hear her latest track, “Ooga Boo,” and my parents left the closed-captioning on Netflix so I was able to decipher that confusing lyric: “Moi a tu.”

Tip is over-confident and when she finally hears herself play the guitar, she’s mortified, even after Chercophanie tries some funny production magic. A few times I laughed out loud at this stuff: Boovs crowd surfing, Boovchella. During performances, Tip likes to yell out “how many of you out there have faces?”

CherwhaleChercophanie tells her not to be worried about the reviews, just be you…because following your heart is “where you find true art.”

Fans of Tip, of course, hate the result of that sort of advise and abandon her new direction. One fan calls out, very disgruntled, “my expectations have been defied!”

Cher fans, you’ve been there.

Cher Slays the BBMAs

BillboardmagIt took me a moment to gather my thoughts this week and this is going to be a long post. Very exciting stuff going on and some of it very important to Cher scholarship.

The 71st Birthday Tributes

Remember last year on Cher’s 70th birthday when we had a plethora of celebratory articles? This year there were far fewer but then people were already talking about Cher’s Billboard award instead. Still there were some:

10 Facts You Didn’t Know About Cher – They even take issue with the fact that she’s not in the Hall of Fame yet.

Cher's Most Iconic & Controversial Fashion Moments of All Time (E! Online)

Our Favorite Quotes (Biography)

Cher: A life in photos

A Star Is Born: Cher turns 71 today (LA Times!)

Midriffs, Wigs, Sparkles & Boots: Cher’s Glam Concert Style Over the Years (Footwear News) – Footwear News??

Cher: See Her Top 10 Most Outrageous Outfits Ever

#BornThisDay: Cher (World of Wonder)  (thanks to Tyler)

Cher at 71: Her most incredible outfits in pictures (thanks to Tyler)

Bonus! Tour Cher's California Homes (Architectural Digest)

Kim Kardashian even had her own subset of birthday tweets and articles resulting from those tweets:

Billboard Sweetness

So, in support of Cher’s Icon award, Billboard Magazine did a series of tributes to her (see more in my opinion post, Cher’s Musical Oeuvre).

The interview: Cher Sounds Off on Trump's 'Cheating' & Why She's 'Not a Fan' of Her Six Decades of Hits

The article tallies up more famous Cher fans, (so now we have Pink, Christina Aguilera, Lady Gaga, Gwen Stefani, and the already-mentioned Tracy Chapman and Chrissie Hynde). Pink calls Cher a smart “sharpshooting rock star.” The article covers facets of her reputation: her blunt opinions, clothes, her swearing, her “fearlessness.” It culls out her award winnings and record breaking chart appearances. This is an old school article that actually sends a reporter to visit Cher in her Cher lair. (Remember those interviews?) The article touches on her androgyny and how she solidified an image on her television shows as “a woman who claimed privileges usually reserved for men, including honesty, independence and confident sexuality.” That’s even understated IMHO. The article also talks about The Sonny & Cher Comedy Hour’s technical innovations with chroma key. Author Rob Tannenbaum calls her current live show set a Parisian flophouse (nails it there) and says the show is “dizzying, festive and cheeky.” He calls her image during Geffen era the MILK of hair metal (funny and not totally off the mark).

This seems like a typo though: “There was one problem: no evident lack of talent.” Why would no lack of talent be a problem? There’s also at least one factual error,  stating that since Believe Cher has only released one album on a major label. She’s released two (Living Proof and Closer to the Truth on the same label).

The article states Cher has 3.3 million twitter followers and that Buzzfeed calls her “the world’s most beloved Twitter user.” (Sweet.)

Chad Michaels on Cher's Musical Legacy & What It's Like Impersonating the Pop Icon to Her Face

Michaels credits Cher with pioneering the music video on her 70s TV shows and talks about age-bracketing his shows for content. He calls Cher not only the Goddess of Pop but the Queen of Rock and Roll (yeah, let’s get that one going). He admits “it must be strange for any celebrity to come face to face with an impersonator” and he talks about working on stage parodies of Witches of Eastwick.

RaptureWhy Cher Is More Musically Radical Than You Think

This is an awesome piece by Joe Lynch who  talks about the sexism inherent in rock criticism. He gives only a partial list of Cher’s accolades, (awards, sales, endurance, record breaks), and says “Cher’s impact as a musical force is unfairly disregarded or minimized.” He says music history is “refracted through a male, rock-privileging lens. But it’s also a casualty of music fans’ obsession with authenticity.” I would argue that even under the authenticity rubric, (which is ludicrous in what is essentially a posing industry), the standards are not evenly applied depending upon the rock clique you belong to.

Lynch argues that it’s not even fair to judge artists who don’t have full control over their material because even auteur-film-directors don’t have full control of theirs. I think we can look even closer than film: did The Ronnettes fully control their material? Did any Phil Spector artists have full control? Because many of them are in the Hall of Fame. Lynch gives Cher credit for auto-tune and she should get credit for fighting for it if not coming up with the idea for it on her song “Believe,” (even though I think that is a problematic accolade in rock music, again around issues of authenticity).

We can all agree, like Lynch says, that Cher didn’t pioneer genres or “take lyrics to new poetic heights” but she did “forge an iconoclastic path for vocal and visual androgyny in pop culture that’s frequently overlooked.” (I would argue she also did that with glam rock).

And for the storyteller songs most derided in Cher’s catalog Lynch says, “It’s absurd to argue those songs could have been as effective in the hands of another singer—sure they’re good story-songs, but Cher’s delivery is what makes these admittedly dated pop songs resonate…” Lynch says Cher “teed things up for people like Bowie and Patti Smith, and the world would certainly be different if she hadn’t stayed so irrevocably Cher from the start.”

A Look Back on Her Film & TV Career

GwenHow Cher Transformed Fashion And Became One Of The Most Influential Style Icons In Red Carpet History

This article notes Cher’s influence on Katy Perry, Beyonce, Lady Gaga, and Rihanna, saying she has “left a trail of glittering breadcrumbs across the mood boards of designers and musicians.” Author Brooke Mazurek calls her “the original red carpet renegade and provides quotes from Michale Kors, Vogue Editor Andre Leon Talley and the Fashion Institute of Technology’s curator Kevin Jones. Mazurek also draws a line back to Marlene Dietrich and Josephine Baker and has Bob Mackie crediting Cher with bringing ethnicity to 1970s TV. (That is also a big thesis of the book Off-White Hollywood by Diane Negra).

Cher's 'Gypsys, Tramps & Thieves': Why It's One of the 20th Century's Greatest Songs

This is a great piece by Rob Tannenbaum who wrote the lead story. Cher is dismissive about the song and the length of the recording session but Tannenbaum calls the song “one of the most majestic pop hits ever made…a tale recounted at breakneck speed, of sexual hypocrisy…female and class consciousness…voyeuristic like a pulp novel…redeemed by a brash confidence Cher gives the narrator.”

Tannenbaum goes on to explicate the complicated story line, the implications of which most people blithely ignore as they sing along. This is real professional scholarship here! This could be a undergrad lit paper! Tannenbaum even deconstructs the song musically:

“The song feels urgent partially because of the breakneck pace: the band plays at 171 beats per minute. (For comparison, the Ramones’ “Beat On the Brat” is 157 BPM, and Led Zeppelin’s “Rock and Roll” is 164.) When she reaches the chorus, Cher suddenly sings way in front of the beat, an expression of anxiety. The lavish arrangement feels vaguely “ethnic” or “exotic,” thanks to mandolin and calliope, and also threatening, due to the irregular meters and some shreds of dissonance. It has the grandeur of a Phil Spector production, but with B-movie horror mixed in to it.”

He points out that Cher is never sexually “apologetic or sorrowful…but savoring freedom and rebellion… delivers the line [“Papa would have shot him if he knew what he’d done”] with chilling delight…[making] it one of the most lurid and sexy lines in pop music, merely through implication.”

The song, written by Bob Stone, has “plot, detail and emotional complexity, and Cher belts it with a punkish defiance. As a song about prejudice, poverty, and the consequences of pregnancy for working-class women, 'Gypsys' has aged beautifully.” Yes, indeed.

Cher's 10 Best Trump Tweets

I love Billboard Magazine’s implicit affection for Cher’s anti-Trump tweets here. It’s their own condemnation of Trump and such a reflection of the mainstream, they let it go without any qualification or judgement. The article credits Cher as an advocate of LGBT and women’s rights, her political activism. Lauren Tom calls her a “a pioneer of female autonomy during a male-driven era.”

Older related links

Bob Mackie's Archives Unveiled: Iconic Designer for Cher & Diana Ross Gives Billboard a Peek Behind the Curtains (Oct 2016)

See Bob Mackie's Sketches for Classic Madonna, Cher & Tina Turner Gowns

Press Before the Show

SpeechThe internet was also full of stories rehashing the Billboard interview and reacting to Cher’s admission, (not nearly a new one), that she hates her own music. Every time she says that, people respond in such surprise.

After the BBMAs Coverage

My two cents: award shows seem now to be just excuses for launching elaborate musical performances from big arenas. I'm bored with it already, especially the Byzantine performances of Nicki Minaj (and ten variations of her throughout the night). I did enjoy the Chainsmokers (although it sounds like nobody else did), Julia (I like that funny "Issues" song), and Lorde's very inventive performance pretending to be at a karaoke club. I thought Celine was understated but great per usual (that crazy dress!). She had a lovely chandelier to sing under.

Gwen Stefani introduced Cher who then sang "Believe" and then we watched a career reel while Cher changed into the hole-fit and sang "Turn Back Time" and then accepted her award. I liked her speech which threw some props to Phil Spector, the Wrecking Crew, her mom, Sonny, David Geffen, Diane Warren and luck. Watch Celine Dion sing along to Cher.

GIF of Cher saying she can do a five minute plank.

Spend an afternoon with Cher GIFs!

Cher History: Marriages, Music, Hair, Movies and TV

ChergreggGossip

Cher's marriage to Gregg Allman was revisited by Inquisitir: “inside their whirlwind marriage.”

 

 

Music

And on the site AV Club, death-fuled songs from the 70s place "Dark Lady" in the same league with Barry Manilow's "Copacabana" and “I Don’t Like Monday’s” by The Boomtown Rats.

Death-songs

Speaking of their "Copacabana" video, watch some bad, unenthusiastic lip-synching and awkward dancing from a dapper and youthful Barry Manilow in that video. He even does a Cher-like costume change!

I love that guy. “Don’t fall in love. Don’t fall in love.”

They also list "Indian Reservation" by Paul Revere and the Raiders (see the stats article).

CherhairFashion

Is Cher hair still a trend? The article references Kim Kardashian but she just cut her hair.

Thanks to Cher scholar Tyler for this article on the Five decades of Cher outfits from CBS News.

 

 

 

 

 

R.I.P.

Sonny & Cher Comedy Hour producer Chris Bearde has died. Mr. Cher Scholar always snickers these days when the credits roll and his name appears as chrisbearde.

Cher-chris

Cher’s late-1970s manager, (before 80s-era Bill Sammeth), Sandy Gallin, (whom for years I thought was a woman) has also died.  (Thanks Cher scholar Michael for that link.) Another story from the gruesomely named Deadline.com.

Cher-sandy

This TV site mistakenly attributes Cher’s tweet about Bearde to be about Gallin.

But on the brighter side, Cher says her mom is doing better.

Cher80sMovies

I've been finding a lot of interviews on YouTube that were obscure since the 1980s. I will try to blog about them as I can. This is one of the best, a great German interview for Witches of Eastwick and Cher's Geffen Records era debut.  In it, Cher says she and Sonny were the first hippies in the world.

 

GlencTelevision

Cher scholar Tyler found this amazing bit of scholarship on YouTube, a fascinating medley between Sonny, Cher and Glen Campbell, a medley proving that when art is concerned, conservatives and liberals can get along.

 
You can also watch the full 1976 episode of Sonny & Cher on Donny & Marie

Dandm

Cher TV Shows

Marilyn-billyWe went away for Martin Luther King Day weekend and much drama ensued. First, we braved a Midwestern ice storm. Then, while we were gone, our landlord accidentally set off our house alarm and the police showed up. We came back Monday exhausted, (after a Chief’s playoffs defeat), to find one of my favorite Sonny & Cher show episodes airing, the one with Marilyn McCoo and Billy Davis Jr. which I love because they sing one of my childhood jams, "You Don't Have to Be a Star," and it’s one of the few episodes I remember seeing when it originally aired. It also has an amazingly Rhett-scarlettprogressive satire of Gone with the Wind where McCoo and Davis Jr. play Rhett and Scarlett. 

But it wasn’t taping!! Oh, the horror. I have actually had obsessed fan dreams about this exact thing: I find Sonny & Cher shows in the TV Guide but I can’t tape them, or  I find rare record albums in store bins but I can’t get them to the checkout counter. What would Freud say? I don’t have a clue but I was definitely experiencing missing a Cher show anxiety. Then I realized GetTV was not categorizing each Cher series correctly and that’s why the McCoo/Davis Jr. show wasn’t taping. Lucky for me and my obsession, GetTV has been airing reruns of the reruns and I caught the show a few weeks later.

So I’ve become a bit ambivalent about GetTV recently. First there have been the aforementioned DVR issues. There are three separate shows to track, understandably unavoidable, but when I set up a Comedy Hour series recording, DISH can’t recognize all the future airings of Comedy Hours. And furthermore, and this is a persnickety, obsessed, scholarly issue, GetTV mis-titles some Comedy Hours as the later day S&C Shows and vice versa. Criminy!

And then there are times of plenty and times of scarcity, like mid-January when GetTV aired as many as three new shows a Monday night. Then a month later you get no new shows and lots of reruns of reruns. They are keeping us on our toes, DVR-wise.

In any case, there have been way too many shows in the new year for me to even research online. So that whole idea of keeping up in the blog isn’t going to work, even with sketches of recaps. But I do want to address these shows in a blow-by-blow way and have decided that when GetTV has finished it’s run of them, I’ll start from the beginning and do recaps of every skit, song (with links if possible), and information on which channel aired what skits. And I'll include some scholarship that proceeds with the evolution of the show.

In the meantime, to tide you over, here are a slew of show promos:

And here's a Sonny Comedy Review promo: https://www.youtube.com/watch?v=5q2ihScKfbc

And here's a thing called a Bumper. What is this thing called a Bumper?
https://www.youtube.com/watch?v=m5ak-yYrVCQ
Note where the bumper says: “the Indian always wins.”

  

Final Christmas Post!

Two captures from the Sonny & Cher and Cher Christmas shows aired this year on GetTV.

IMG_1947
I can't believe these things don't already exist on the Internet. I fantasize that someone even owns this record album prop.

And I dearly love this bit from Redd Foxx. Merry Christmas to all the Bigots!

 

 

 

Know Your Cher Christmas Shows

Cher was involved in a lot of Christmas caroling throughout the 1970s and it's taken me a while to get the shows straight. The Sonny & Cher Comedy Hour Christmas Collection DVD, as it turns out, does not show the pure, original episodes as it turns out.

The 12/20/1972 Show

SoldierThis is the show with Cher (and Sonny) singing "It Came Upon a Midnight Clear" with the "One Tin Soldier" cartoon. This itself is a poignant song to revisit considering the rise of white nationalism and bigotry happening right now.

 

 

 

The 12/19/1973 Show

OholyThis was a full-blown Christmas show completely outside of their normal set, most notable for Cher's infamous rendition of "O Holy Night."

Xmas1But there are also other notable moments, like William Conrad reading a long, boring Christmas poem with Sonny & Cher in rapt attention, Sonny & Cher sitting on Santa's lap, and an incredibly odd Indian-Italian mashup with Cher dressed as a plains Indian skipping around with a talking bear looking for snow. The song is tragically ear-wormy but the set design is amazing. I don't remember ever seeing this on the DVD version of the show.

 

The 12/21/1975 Cher Show

CherxmasWow! The Cher show last night was lovely and amazing and so very timely.

Mr. Cher Scholar groaned when he heard The Hudson Brother and The Lennon Sisters were the guests. Never a value add there. But we both thoroughly enjoyed every scene Redd Foxx was in, including two really, really amazing pieces: Redd Foxx reading Christmas Wishes for Bigots, (God, I wish this was on YouTube–I will try to transpose it for us), and Redd Foxx as Elmer the Elf showing us all Santa's VIP gifts for the big celebrities of 1975. It was very funny.

Cher sings "White Christmas/We Need A Little Christmas" and the musical numbers make great effort to be multi-cultural, including:

  • "Some Children See Him" which Cher sings beautifully, all while surrounded with a plethora of poinsettias.
  • The full-cast big band medley at the end is very festive, lovely and international.

Cher also dons a Santa wig and beard for Chastity and Chastity also does some real tap dancing.  Oh, and we see Laverne's bedroom.

Great, great show.

 

The 12/5/1976 Show

Later-dayI haven't seen this show in a while but it's the only Christmas show after Sonny & Cher reunite.

– Opening duet: Sonny & Cher sing their uptempo "Jingle Bells"

All-cast medley with Chastity, Elijah, Bernadette Peters and Captain Kangaroo

Laverne with Alvie

 

Merry Christmas, y'all!

Xmasball

Get TV Comedy Hour Fall 2016 Shows

I don't have time to cover all the show in depth anymore but I can try to link to some of the online musical numbers with a few comments.

1/3/1972 Show

ButternutOpening duet: "Sooner or Later"  is a song from The Grass Roots.

 

 

 

 

Badwig BlurryCher's solo: "Come Rain or Shine" was recorded by everybody, including famously by Billie Holiday.  Mr. Cher Scholar and I joked her wig looks like 1960s rich housewife hair or an unkempt Marlo Thomas. It's a really bad wig and the early solo spots are so shadowy.

Concert segment: "Mr. Tamborine Man/Joy to the World" (with Dinah Shore). One of Cher's many Bob Dylan covers, a hit by The Byrds and Three Dog Night. Sonny & Cher did this song twice on their shows. This is the not-so-hot version. See Cher's lovely 70s fringe knot swinging around.

The show's close.

 

2/6/1974 Show

Concert segment: "HiHeel Sneakers/Barefootin" ("Sneakers" is a Tommy Tucker song and "Barefootin" is a Robert Parker song. Sonny wears a hilarious Miami-themed cabano boy shirt (I call this a Barry Manilow shirt). Cher sports an afro ponytail. Good mike tossing by Cher.

Hiheel Barrycopa

 

 

 

 

Cher Solo: "Working Together" with Cher in that macramé head thing Groovy organ. 

 

9/15/1972 Show

GreenOpening Duet: "Let Me Down Easy"  in white outfits with blue and green stripes. Don’t know who originally recorded this song but Dusty Springfield did a slow groovy cover in 1972 on the Dusty in London album. Cher also recorded it for her 1972 Foxy Lady album.

All the Michael Jackson and The Jackson Five material from the show, including "what are you gonna be when you grow up," "Looking Through My Window" and "Ben."  Interesting look at the pre-teen Michael Jackson.

Vamp Segment

Bono-awardIt annoyed me that the episode right before the U.S. election was the Ronald Reagan episode. Good bit of S&C self-deprecation here though and one of the best looks at the oddity that is the Bono Award.

 

 

 

Fuscia Cher Solo: "Say it Isn’t So" in that famous fuchsia dress. Heavy Vaseline job here and we see Cher's belly button.

 

 

 

 

 

Years 1 – 9/26/1973 Show

FavpicThis was the show immediately after the election. Although it's one of the unsatisfying "Years" episodes, it has some sketches to note:

 

The Vamp Through Time

I've never watched these shows in sequential order, which would be good to do so I could see how segments and trends on the show evolve. For instance, it's interesting to note how the Vamp dress evolved over the course of The Sonny & Cher Comedy Hour.

Simple Shiny Crosshatch

 

 

 

 

 

  1. The simple blood red dress with long, curled hair,
  2. The shiny hot red dress with the curly wig and pinned heart,
  3. The later-day cross-hatch textured dress.
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