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Category: That’s The Obsession Talking (Page 1 of 5)

Memory and the Space Shuttle Challenger

Space Shuttle Challenger ExplosionThis started out as just one little story but it has tripled into three very tangentially related essays.

Recently I’ve been reading some Proust auxiliary material and another essay sprouted called “Proust and the Fan Squeal” and a third summary to wrap up a project on my inability to become a super-fan of Philip Levine.

I’m at the stage in my life where I’m lamenting with friends over our faulty memories and so sometime last year this story started to coalesce. I decided if there was ever a Space Shuttle Challenger remembrance, I’d complete it. So, like clockwork,  I started seeing Twitter memorials this January for the Space Shuttle Challenger disaster.  Calculating the anniversary (37 years), I’m even sure why we were memorializing this past January, but maybe the tragedy was on the collective mind. Yet another Twitter meme saw someone attempting to define big moments of American generations by national disasters, and for some reason they assigned my generation, Generation X, to Watergate. I’ve been polling my friends about this and none of us can even remember Watergate at all. Most say the Space Shuttle Challenger explosion…maybe, but more likely the assassination attempt on then-President Ronald Reagan.

Knowing my Generation X, I suspect our “moment” is probably more likely to be something irreverent and kitschy, like the first Brady Bunch reunion special.

But anyway, I thought it might be a good time to tell a story which is ostensibly about the day of the space shuttle explosion but also about my memory around that day, and what memory lets you have and not have.

I went to a nationally-recognized public high school. The year I graduated, my school was in, like, one of the top 25 public high schools in America or something like that. I don’t know how I happened to luck into that except when our family moved from Albuquerque to St. Louis, a real estate agent told my Dad he should aim for a house in a “good school district.” This wasn’t something one really thought about in Albuquerque; there weren’t that many great public schools to pick from in that very poor state. And in hindsight this was probably just some kind of institutionally racist suggestion on the agent’s part to encourage my Dad to pick a white neighborhood where the schools districts had more money and therefore could purchase premium teachers.

My Dad picked a neighborhood called Old Farm, (named for the old farm that once sat there), and its high school was in the Parkway School District, (which was big and had a lot of money). But our school, Parkway North, was most decidedly the least wealthiest of the schools in that district. The big houses were in the neighborhoods of Parkway Central and Parkway West.

But we happened to have an unusually good slate of teachers, like inspired teachers. One math teacher my brother and I had came in early every day to help us through Algebra. And our English teachers were superstars: Mr. Whaling had his Shakespeare students dress up once a year to re-enact a play; the grouchy composition teacher, Mr. Moceri, would do a mole impersonation on the last day for his honors students; and the iconic literature teacher, Ms. Eichorn, was the teacher who probably had the biggest influence on me.

Ours was also the kind of high school where over-achieving teachers probably in large percentage applied to NASA’s Teacher in Space Program in 1986, the teacher selected to go up in the Space Shuttle Challenger. You didn’t even have to be a science teacher to get selected. In fact, the winning teacher was a social studies teacher.

Of the 11,000 people who applied, I imagine many of them had to have been our teachers.

I remember the day of the shuttle disaster quite clearly. It was January 28, a Tuesday, and I was walking through the school’s open library which sprawled across the center of the second floor. I was actually headed to Ms. Eichorn’s honors American Literature class. Toward the side of the library was a large TV, (the deep square kind we had at the time), set up on a portable A/V stand. A circle of teachers and kids stood around the TV watching the shuttle launch that morning. I remember thinking, “Science…ugh…dull! Are those people really that interested in this?”

And the takeoff must have happened right then, (although my memory is foggy on that point so maybe it happened right before I came into the library). In any case, there was that unforgettable silly string of smoke on the TV set and it looked very unnatural for a shuttle launch and everyone was confused for a second and wondering what had just happened because nobody could even make sense of it until the TV announcers confirmed the catastrophe and the obvious demise of all the astronauts.

Everyone in the library was upset just immediately then.

christa mcauliffeIt’s a good thing to remember here that seven people died instantly that moment, including the pretty high-school social studies teacher, Christa McAuliffe, who hailed from Concord New Hampshire. She was a teacher who symbolized, (at least for a lot of teachers), a once-in-a-lifetime opportunity to play astronaut for a minute. If memory serves, this was the first time it was even  conceivable to anyone that an average person could go up into space without having to become a professional astronaut, which equated to like professional genius back then.

This particular shuttle was heading up into space to study Haley’s Comet and to deploy a communications satellite, which seems a bit ironic now considering all the satellites that connect us to all our worldwide disasters and live TV events. But due to the cold weather that day, a faulty O-ring seal caused a live, televised explosion.

A stiff, rubber o-ring.

But alas, all this was actually the last thing on my mind that moment. My first thought was, and I remember this quite clearly, “Oh God, I hope this doesn’t preempt John Waite’s guest VJ spot tonight on MTV.”

“I’ve been waiting a long time for this.”

“I mean MTV’s whole station identification is a rocket shooting up into space and a bouncing astronaut so…”

Now…if I can get ahead of this thing for a minute…in my defense I just want to that say, first of all national disasters were constantly preempting previously scheduled television happenings. I remember thinking, “Today Challenger? You do this today?”

But secondly I would like to remind us all that most teenage girls are highly self-absorbed and probably borderline sociopaths, just like all college boys are highly self-absorbed and probably borderline sociopaths because girls are ahead of boys in most things. You know, ends justify the means in attention-getting schemes?

I also knew, instinctively, that this was not an appropriate response to the space shuttle explosion and as such I have kept it completely on-the-quiet until this moment. I just clammed up and marched myself right over to Ms. Eichorn’s class.

At least that’s how I remember it.

When I arrived to the class, I saw Ms. Eichorn was visibly upset with what I would imagine, in retrospect, was most likely  survivor’s guilt. If she had applied to be the selected teacher astronaut, like tens of thousands of other teachers across the country, she might have felt slightly to bitterly disappointed at first that this Christa McAuliffe person was the one chosen and not her. After the explosion, feelings of lucky guilt might have arisen quite understandably.

Ms.Eichorn’s reaction was to immediately tell the class we must write an emergency essay, (and this was a literature survey class, not a composition class), about what we were thinking about when the explosion happened and what it meant for us all as a country.

“No fucking way,” I thought. “Not a chance.”

In hindsight I do get her response, but at the time I remember thinking this was a complete over-reaction.

I’m sure I dashed off something quickly late that night after watching John Waite guest VJ on MTV, recording the show on my VCR and then rewatching it six to ten times. Yes, the show did proceed to air but with the station identifier discretely removed. “Appropriate response MTV,” I thought. “Nothing more required.”

Second disaster quietly averted.

But another disaster was afoot because Ms. Eichorn read our lousy, quickly-drafted, sociopathic teen memorials and Lost. Her. Mind.

We were  subjected to a 50-minute lecture on our heartlessness and bad writings. I thought she should have given us a break. I mean, we were teenagers after all. I was just happy I wasn’t the only malformed one.

In fact, the only kid who did do a good job on the assignment was a kid named Maurice. This wasn’t surprising looking back. He was probably by far the most mature one of all of us. I didn’t know him very well at the time but later that fall we would go to the Homecoming dance together and it would be one of the most fun nights of my life up to that point.

Maurice and MaryTo quickly digress with a recap, Maurice first took me to University City (a city suburb of St. Louis) where there was a Jamaican Restaurant.  My parents would never go farther than a two-mile radius from our house to eat so this was a real treat, destination dining. Then we went to the dance, (which was kind of boring except for the fact that we both looked so good…I mean in a ridiculous, 80s kind of way), and then we changed out of our glamour duds and he took me back to University City to the Varsity Theater to see the midnight showing of The Rocky Horror Picture Show which I had never been to and was so thrilled to be witnessing. And then we went to a grocery store back in our neighborhood and tried Ben & Jerry’s Ice Cream for the first time which I had never even heard of!

A few weeks ago I was looking for something in my garage and I actually came across Maurice’s Challenger essay in a crazy moment of serendipity. It was in a stack of favorite writings of friends from high school and college. It looks like it was published in one of our year-end memory books, the kind where you could leave messages to all your friends. I contacted Maurice through Facebook and asked him if I could excerpt passages from his essay here in my essay. He said okay, why not? His much-more-mature thoughts about the disaster were as follows:

Maurice said he was writing through fear of judgement but he decided he was going to be honest anyway. He listed emotions as he felt them in a particularly sharp self-assessment for a 16 year-old: surprise, interested shock, laughter (his first reaction was laughter at the absurdity of the technical mishap) . He admitted this first response of laughter was “not super socially acceptable.” Then he felt wonder, a horrible curiosity, horror at seeing death made real, a desire to keep watching the televised replays, fascination “at the instantaneous moment of death,” a chill at watching people die, the feeling you were watching your own self die, amazement over “the fact they were doing something that seemed so fun,” a realization that the astronauts might not have ever realized they died, and tears at the end, then a lingering sadness.

Maurice also expressed sympathy for the spectators who had no idea while they would be witnessing  sudden death that instant of takeoff. And in his final paragraph, Maurice zeroed in on the #2 teacher, the runner-up teacher, the one who didn’t get to go up into space and that teacher’s face as it was captured by TV cameras while watching the #1 teacher’s demise.

It makes you think about what good fortune really is, something much more nebulous and ambivalent, like the old Zen story about the farmer with a son who had a broken leg.  Luck and fortune sometimes reveal themselves over time.

Deep thoughts, me.

So I re-read Maurice’s essay and wanted to think I’ve changed between then and now. (See me adulting?) I mean these were all the same thoughts and feelings I had on 9/11. We heard the news “America was being attacked” in New York City. I had just come back from NYC the day before. My friend Julie had set up both an interview for me at McKinsey & Co. and a John Cougar Mellencamp concert for us at Jones Beach. A group of my co-workers and I went a few floors up into another company’s offices, (they had a small tv), and surrounded by strangers we witnessed 9/11 unfold on live TV. I remember someone saying, “One of the towers is gone” and we all thought this must be a trick of a helicopter’s camera angle. It was the same TV confusion.

Anyway, while digging through some photos recently I also came across a photo of Ms. Eichorn’s classroom that semester. My friend Lillian was drawing Notre Dame on Ms. Eichorn’s classroom wall and we took our picture in front of it with me, Lillian, Diana and their friend Kathy.

Mary. Lillian, Diana, Kathy

Then last week I was going through some yearbooks. I had a hard time finding my own class in each one. And I couldn’t recognize most of the names in my own class.

When I was 17, I could identify all 400-plus fellow students of my senior class, save one person who I just never managed to have a class with. I remarked about this feat to my friend LeAnne at our senior overnight party in 1987, saying this would be the last time we would be in a room full of hundreds of people and know all their names.

So this is a significant loss of data here. And it made finding my own Junior picture in 1986 somewhat difficult. But I did find it. It looked like this:

Mary McCray hair

(and that was as high as my hair ever got, by the way). Scanning down the page I was surprised to find snippets and pictures about the Challenger explosion on the very same page. That’s what a big deal it was.

But whew, right? Thankfully nobody could possible imagine what my initial reaction to the explosion had been….except for some godforsaken reason there’s a pull quote next to the explosion photos…

from me.

Obnoxious Pull Quote

God. Dammit!

I have no memory of being asked about the challenger explosion, no memory of saying anything about it, least of all saying anything so remarkably dumb. No memory. This was a shock to see.

And this is just great because now any Junior from 1986 with a last name falling anywhere between Kirsch and McCullen can one day look up their picture in the Parkway North High School yearbook and see this pull quote about the Challenger explosion and think firstly “Who the hell is Mary Ladd?” and then secondly “Man, what a heartless boob she must have been.”

L:-M Yearbook Page

Sigh. Ok. Enough of that.

This is an unrelated-but-sort-of-related story about failing memory. When I was eleven or twelve I saw a man get murdered in a park.

My friend Christy’s dad worked at McDonnell Douglas where many of our dads worked. He brought Christy to his department’s summer company picnic every year and she was allowed to bring three of her little friends. LeAnne and I were always solid invites. And then there was always this revolving fourth girl who was the add-on girl every year, the girl who made LeAnne and I extremely jealous. In fact, my relationship with LeAnn probably solidified over this fourth-girl adversity. We were very possessive of Christy. And we made kind of a sisterhood-peace with each other.

On that year’s picnic, all four of us were standing by the curb waiting for Christy’s dad to get the car and pick us up. A blonde-haired man, maybe in his 20s, started running toward us.

(I’m convinced to this day he ran toward us believing nobody would shoot at him if kids were around him.)

We heard what sounded like firecrackers popping and the man fell literally twelve feet from us. All four of us realized at the same time what was happening and we booked it across the street and over a low grass hill.

Like a movie, Christy’s father drove up right at that moment and we pointed at the man who just got shot. To his credit, her Dad hustled us all into the car as fast as he could and got us out of there.

I was convinced that night a killer was at-large and hunting down four little girl witnesses. He wasn’t. He was arrested, if not at the scene then shortly afterwards. The next day the paper reported the murder was a domestic disturbance involving a family picnicking next to the big company event.

I was in St. Louis last November and I met up with my old friend LeAnne for dinner and we talked about this murder. She kept talking about Melissa being the fourth girl. Who was Melissa? I have no memory of a girl named Melissa or her slot as the fourth girl that year. I’m sorry, Melissa, if you ever read this and think who the hell is Mary Ladd? I can’t remember you either.

And it bothers me I can’t remember her. I mean dips and peaks, right? A murder. I should remember Murder-Day-Melissa quite clearly, shouldn’t I?

Well, I do not.

However, I can still remember every video John Waite played as guest VJ that night after the space shuttle exploded.

Proust and the Fan Squeal

ProustIf I’m cocky about anything in this life, it’s my nerdiness. I can’t really be out-nerded. I don’t have a stamp collection and I don’t spend my time solving math or science puzzles; but I do plenty of other lit-nerd things, like slog through JStor essays and some very dry, academic books. You can’t out-nerd me by dropping titles like Gormenghast or authors like Proust.

Yeah, maybe you’ve read Proust. How cute. I have a Proust shelf. I have two sets of the Moncrieff translation, (the Vintage edition and the Modern Library Paintings in Proustedition), the Quarto Gallimard edition in French, Eric Karpeles’ Paintings in Proust (which I perused concurrently with the novel). I’ve read the first volume, Swann’s Way, three times, (once at Sarah Lawrence College, once in a book club and once reading the full epic with someone who had previously read it in French) and along my journey I have the collected The Paris of Marcel Proust, his biography by George D. Painter, lighter fare like How Proust Can Change Your Life and his Letters to His Neighbor,  the book that traces the origins of all the characters called A Proust Souvenir (in English and French), and two actual human students of Proust!

And let us not forget the two books of poems based on the novel, Proustiennes by Jean Fremon and The Albertine Workout by Anne Carson.

I have also visited the cork-lined bedroom of Proust at the Musee Carnavalet – Histoire de Paris in Paris, at the suggestion of one of those aforementioned Proust students, Ann Cefola, and I purchased the Lydia Davis translation of Swann’s Way so that Cefola and I could compare the paragraphs of the Davis edition with the Moncrieff edition with the original French novel in a month-long email and phone project to see which translations was more faithful to the original vocabulary of Proust.

It was great!

But none of this is to say I’m a Proust Scholar. That shelf is probably a small fraction of the Proust universe. Actually, I would say I am no Proust expert at all. I only understand In Search of Lost Time in fragments, kind of like I understand the poems of Anne Carson.

And, in fact, after five years of high school French classes, I can’t even speak French! So some of the books on this shelf (like the French ones, for example) are my husbands, a former French major. But I’m still buying and reading essays on Proust and he is not. And I think this is because I am what you would call a fan of Proust, and a pretty flamboyant fan at that (judging by the cock-a-hoop paragraphs preceding).

But even so, it took me a very long time to decide to read Proust. It seemed a pretentious thing to do, even for a lit major. Faulkner, Pynchon, okay; but Proust?

And when I did start reading the world’s most famous novel, I realized it was what we used to call, (in less PC times), very, very gay (as in that is so gay!). Which just means the novel has a queer sensibility and this is most likely because Proust himself was a gay man, a fact I didn’t know and if I had known I would have read the books decades earlier. Because I too have a kitschy, campy sensibility that is very closely aligned to queer culture. Is this because I am a life-long Cher fan? Or am I a life-long Cher fan because I instinctively appreciate camp? It’s a mystery.

In any case, when I describe Proust’s In Search of Lost Time as having a gay sensibility, it’s hard to explain to people what I mean. I keep saying Proust has a kind of exuberance you don’t normally see in straight male writers.

It’s not that certain straight men don’t go on and on about a subject like Proust does but that they might do so in ways like pontificate or lecture. You might hear someone talk about a particular thing they are excited about with words like ‘awesome’ or ‘great’ or, if they’re feeling really compelled, ‘so cool.’ But that’s as hyperactive as they may allow themselves to get; the remainder is at an emotional reserve, intellectualizing, doing what fan-scholar Mark Duffett calls distancing.

And I must say here that when I reference straight males, this is not at all exclusive. Some straight women, gay women, gay men and non-gendered people I know have a tendency to restrain a grand enthusiasm just as much as anybody; but usually they do it for the same reason.

I started putting it all together, myself, very recently while I was reading yet more Proustian analytics, the triad of Living and Dying with Marcel Proust by Christopher Prendergast, The New Yorkers’ May 10, 2021 article “Peripheral Proust,” (where Adam Gopnick ponders why “secondary works on Proust continue to appear in manic numbers”), and the textbook Understanding Fandom, An Introduction to the Study of Media Fan Culture by Mark Duffett.

Today, we have such a plethora of things to be fannish about: tv shows, movie auteurs, music artists, authors, whole food genres. Proust didn’t have many of those things. He had sights (architecture and painting), sounds (both ambient and music), and ideas (books, articles, the Dreyfus affair). Oh, and the Guermantes. He had nobility (which was the celebrity obsession of his time).

In Understanding Fandom, Duffett talks about hierarchies of fandom. All of Proust’s pleasures are high brow, for the most part respectable pursuits. The Proust novel is itself a respectable thing to be a fan of. However, Proust had plenty of what we now define as guilty pleasures including the theater, one of those things that has flipped from low to highbrow for us.

Mark Duffett explains one of the basest of fan gestures is considered to be the fan squeal. It immediately signifies lowliness. And the squeal is most often applied to “girls” because they do it with such lack of inhibition. And by definition this marks these girl fans as a lesser kind of fan because they are offering up an emotional versus intellectual response.  And further, any object that elicits the girlish fan squeal will become quantifiably downgraded in the hierarchy of subjects.

You can easily picture this, girls circled together in a bedroom verbally expressing shrieks of delight over handsome pop objects. At its screechy worst, it becomes a public scream, Beatlemania. When boys were Beatle fans, it means one thing. But when the girls arrived, it got screechy.

Steve Miller explains this repeatedly and unapologetically in his book Detroit Rock City. When girls start offsetting the audience ratio at any heavy metal rock show, the band is no longer cool.

Because bitch, please…

You should be a connoisseur not a sentimentalist.

Girls defy this edict, but so do a certain segment of the gay male population, men who also squeal performatively in public. ‘Flaming’ was once the derogatory term used for this type of very effervescent man.

And some gay boys were probably squealing themselves over John, Paul, George and Ringo…behind closed doors. Squealing is actually a highly acceptable practice within most circles of girls and girls hanging out with gay boys. And I believe this is partly why certain types of girls, (equally reactive ones, I would argue), develop such close friendships with them.

I, myself, do the very act of of distancing Duffett describes as a Cher fan. I do this very likely because I had two disparaging, older straight teenage boy music aficionados in my house growing up. Your ideas about music would be discounted otherwise.

Duffett quotes music critic Caroline Sullivan as using the word credibility in her book about the Bay City Rollers. As a fan of boy bands, your ideas lose credibility.

But there’s something absurd about that. And this was part of my original joke, Cher Scholar. But then when I actually began Cher scholarin’ there was respectability inherent in the endeavor. And I appreciated that. It was helpful to me and to the ways we speak about Cher. There’s nothing innately wrong with intellectualizing. But I was probably doing it just as subconsciously as consciously. So I would include myself as one of the straight females who tends to “tone it down,” to downplay my own version of the flaming squeal.

Another thing I notice that I do, and I noticed it while writing this essay and the one on Philip Levine, is that when I talk about poetry, I tone down my academic vocabulary and sentence constructions and when I talk about music I rev it up.

But I actually do love exaggerated enthusiasms and so it annoys me that I self-protect myself in this way. And so I try to offset my reticence with the occasional, politically-willful, calculated squeal. It’s not hard to find the object that will do it. Usually, it’s a Cher doll. In fact, I can remember my first Cher doll squeal all the way back to Christmas 1976. I can get plenty squealy about the dolls.

Because I can.

Dolls!Speaking of dolls, I am revamping the nativity of the Christmas Cher doll tree.

I finally bit the bullet and bought the Val Kilmer action figure from the movie Willow.  Then I found a hip, online paper doll artist from Perth, Australia, for our new nativity member, Alexander Edwards, and we had no Robert Cameletti! How did that happen? And while doing that, I decided to upgrade the paper dolls for Gregg Allman and David Geffen.

Anyway, we can see that there are strict boundaries around fandom all the time. And here we come back to Proust. He can go on for pages and pages of happy exuberance about a madeleine in a cup of tea, the passages of the moon or a flower patch. He uses words like bliss and glorious over things like train timetables, steeples and trees.

And although arguably he doesn’t squeal in volume, I would argue he does squeal in the amount of ink dispensed and the emotional particularity he demands from that ink.

Even if you didn’t know Marcel Proust was a gay man, you might consider the long, meandering Proustian sentence feminine just as you may consider the brief, single-syllabled Hemmingway sentences as masculine.  That’s the dichotomy, although it’s inherently unfair (and inaccurate) to both Proust and Hemmingway. Hemmingway famously had his own feminine side and as for Proust, as feminine as any gay man might seem he is still a man.

The dichotomy is false but easy to digest with our primitive ‘othering’ instincts. And intellectual distancing is an armor, which makes straight men particularly good at it. It’s a masculine effort. Women and gay men tend to have less armor, by design or by choice.

In any case, this is my somewhat distanced yet attemptive emotional fan squeal about Proust’s own fan squeal. And such as it is, I value it more dearly than all the nerdy academia of Proustlandia and you’ll have to pry it out of my cold, dead hands.

More Moonstruck, Bobbleheads, Biden and Interviews

Mooneyes

Another good Moonstruck review appeared in The New Yorker while I was away.

B.D. McClay admits this movie’s “selling points have always been a problem" and then delves into the psychology of our inner wolf-ness. Huh. Something just dawned on me. Anyway, many characters in the movie, McClay notices, are “torn between who [they are] and who [they believe] themselves to be.” Loretta can’t “admit that she is a wolf, too” and “her coverup is a form of agency, ” her “own wish to feel in control, just as nothing is driving her father’s affair but his refusal to admit to his wife that he fears death.” Interesting.

McClay also interestingly notes that Ronny’s exasperation of Loretta in his line “I ain’t no freakin’ monument to justice!’ is ultimately ironic because he has indeed become a monument to his own pain. McClay also feels the idea of family is almost more important in this story than the escapades of the couple, “being a member of a family, you assume a kind of doubleness among people who have known you for a long time, which is part of what makes trying to be somebody else appealing.”

“You could flip over the table and see what happens” McClay says about taking life risks and compares the movie to Shakespeare’s romantic comedies, especially As You Like It. The movie “shares the same spirit. It’s a comedy, but it’s deeply obsessed with death, to the point that it opening a funeral parlor.”

Not many reviews and pieces for Boobleheads came out and they were ultimately unsatisfying anyway. People Magazine interviewed Cher.  She says, “No one has ever asked me to do voice-overs” and called her voice “a strange voice.” She also states, “This is a film for young people. Little kids don’t know who I am.” I wonder if little kids believe Cher is simply just another a character or bobbledom.  “For me, it was a story about being yourself…[a movie] that sends a good message.”

When asked, she admits she does have a bobblehead of herself (I’m assuming custom made) and says she “might be a little bit old [for them].” Well, not me sister. For some reason this movie has made me feel insatiable with the desire to own a Cher bobblehead. There's also a mention in Entertainment Weekly and Exclaim for some reason only reviewed the trailer. Dude, we can all watch the trailer. What purpose do these trailer reviews serve?

CookiecherThere were also some bigger general interviews:

Good Housekeeping

Kayla Keegan notes Cher’s “fearless devotion to being herself” and catalogues all of her public activities of 2020 and summarizes her life a bit. Most interesting was Cher's memory of the first book she actually enjoyed reading (after struggling with dyslexia), a book given to her by Sonny called The Saracen Blade

The Guardian

Simon Hattenstone elicits some good comments in this Guardian interview. He notes on the outfit that made such a splash in London in December, the “two-tone black-and-white beret, matching jacket, skinny jeans, black boots, black mask, and an elephant-shaped knuckle-duster.” They discuss  Trump and Biden, Kaavan the elephant, her Free the Wild and Cher Cares charities, the California fires that burned the side of her house, the price-tag for her Vegas show (an estimated $60 million a year but she defends that this supports 100 staff…Hattenstone also notes her estimated worth of $360 million). Sonny is referenced as her “Svengali and lover” and they talk about her feelings about him after he took all their shared earnings and then some. She talks briefly about Camilletti and Allmas as well.

Hittenstone notes that Cher “has a touch of Mae West about her” and “a surprising stillness.” He calls her a “serious, understated actor” but also notes her recent “gloriously camp cameo” in Mama Mia. (You could say that about all her recent roles.) He says she’s “never quite received the acclaim she deserves” and that “very few women have been so empowering for other women” due to her independence, longevity, chutzpah and level-headedness. He also remarks on her “steadfast” sobriety despite her very public dramas.

He mentions that in his experience other “megastars are evasive, talk in soundbites or reel off anecdotes on autopilot. Cher answers fully, as if considering every question for the first time. She doesn’t pretend to be your friend or feign intimacy.”

Although she refuses to accept his linking her past plastic surgeries to the current trend of teenage girls going under the knife. Hittenstone calls her “freakishly fit” which seems like only something you would only say in 2021.

She mentions in the piece that she’s working on saving a gorilla and another elephant now.

CNN

Oscar Holland at CNN talks to Cher about gay men, her son Chaz, Kaavan and Biden and the recent news that she may be directing a movie soon, tangentially related to The Rocky Horror Picture Show. She’s also working on a new album, which begs the question of where the ABBA2 album got off to. Maybe it succumbed to Covid-19. Hopefully not.

Covid Masks

I'm going on vacation next week but I wanted to post something short before I go. 

Lots of fans have been buying sporty and fun coronavirus masks printed with their favorite artists and sports team logos. We have quite a few Chiefs masks in the house. 

In June, Cher's official site offered Chiquitita masks for her last single…and celebrity obsession demands you have plague mementos so…

Well, in any case, Cher's masks still haven't shipped (neither have the puzzles) and germs and boredom can't wait so luckily I received two belated birthday presents that were Cher masks from Etsy:

20200829_125826No store listing came with the above "Take Me Home" mask.

20200829_125834This Sonny & Cher mask looks like camo my friend Coolia said. I can't quite place where the animation is from? Does anyone recognize it? This mask was make by the vegan, one-of-a kind store Clothes Horse Clothing.  

If you search 'Cher mask' or 'Cher face mask' some interesting things come up.

 

 

Cher Once Did Needlepoint; Now She Valiantly Defends the United States Post Office

Cher Works to Save the Post Office

Excuse my title up there. I really didn't know how to tie all these disparate stories together.

First off, fans have been delighted to see Cher fighting for the U.S. post office in recent protests, phone calls and Twitter pics.

Cherpo3

Cherpo1Cherpo2

 

 

 

 

 

 

 

 

I hope if she starts volunteering for the post office, Bob Mackie designs her some "sensible shoes."

Cher and Needlepoint 

Months ago someone was requested photos of celebrity needlepointers like Dinah Shore and Rosey Grier. I found as many as I could but one photo I remembered proved elusive to locate. Then Cher scholar Drew asked me a question and I went searching for the answer to that but instead found the missing needlepoint pic. Maybe someday I'll locate the answer to Drew's question while I'm looking for something else. 

Anyway, Cher once did lots of needlpoint. She did so much she joked, "Then I took up needlepoint—my God, I needlepointed everything. I could have made a needlepoint stove!"

Cher needlepoints on airplanes:

20200815_10501820200418_173755 20200815_105018

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Cher needlepoints circa 1978/9.

20200418_173755

 

 

 

 

 

 

 

 

I also captured an image of Sonny pretending to needlepoint in episode #49 of The Sonny & Cher Comedy Hour:

Needlept

 

 

 

 

 

 

 

And here are some needlepoints of Cher:

Sandcneedles Sandcneedles

 

 

 

 

 

Time Time

 

 

 

 

The Time Magazine pillow belonged to Bob Mackie and sold for $448 on Julien's Acutions.

You can buy the Moonstruck needlepoint pattern on Etsy with a companion Nicholas Cage!

What is a Silkwood Shower?

For the Chersonian Institute, I was filing old magazines and found something interesting. Remember when Entertainment Weekly did a Bullseye pieceon the last page? Do they still do that? Anyway, one I found had a disparaging arrow regarding a rumor that Bret Michaels and Miley Cyrus’ mom were dating. ET says the rumor has sent them “running for a Silkwood shower.” Ok, that's a big rude. And I wondered if that was like…a saying. Apparently it is. Urban Dictionary has a listing for it with this example:

“I had to take a Silkwood shower when I got home from that party since I smelled like an ash tray cooked on an open flame BBQ grill covered in hot sauce.”

So "snap out of it, Moonstruck eggs and the Jack speech are not the only iconic references from a Cher movie.

Here are some shots of a Silkwood shower. It's a pretty serious and scary thing and Meryl rocks it (as did Sudie Bond earlier in the movie). 

Silkwood2 Silkwood2 Silkwood2

 

 

 

1999showCher Concert Reviews

Concert reviews have changed. I've learned this lesson over the last year from various sources from current reviewers and from the deceased reviewers. Is this overwhelming evidence of capitalism taking over PR? Probably. Which is no such a great thing. Buyer beware, there are no objective reviews in the land of corporate conglomeration. 

So it’s good to look back at a positive review and interview from 1999 (when bad reviews still existed) and this one was by T’cha Dunlevy at the Montreal Gazette is one of those. She was 30 when she reviewed the Believe-era concert and said she

“regularly feels aversion to refuse-to-die ‘60s rock acts. I had no convulsions of revulsion at the Camp Queen’s coup. Maybe it’s her synthetic, timeless beauty or her go-with-the-flow versatility, but Cher has somehow kept her proverbial cool over her three-and-a-half decades in the spotlight…a repetoir of personae, including pop-ditty princess, serious actor, 'I’m-in-love-with-a-man-half-my-age' bachelorette, reactionary mother of a lesbian [remember this was 1999] and, in her 50s. back to the top of the pops without coming off like a circus side-show act.”

“…'How many fingers and toes have you got?’ she asks, queried about whether she’s ever thought of giving up. ‘(It happens) all the time. It’s frustrating. I’m a very mercurial, emotional person, more childish sometimes than grownup. I’m not very calculating. But it’s the only think I know how to do and really love.’”

The end of the interview also notes that both Cyndi Lauper and Wild Orchid were opening for Cher at the time, the same Wild Orchid that produced Stacy Ferguson a.k.a. Fergie Duhamel a.k.a Fergie of the Black Eyed Peas. 

Odds and Ends: Believe Cover, Cher Hair Care, Acting vs. Singing, Fan Stuff

OkaykayaI've been collecting quite a big of odds and ends to report. My last few weeks have been tied up with doctor appointments and electronic poems. So here's some catch-up.

Believe

There was a new "Believe" cover in 2019 from Okay Kaya – and the pattern shows there's always the temptation is to slow that sucker down in the revamp. But it's a nice cover. 

Puzzle!

Meanwhile, Cher has come out with some new "Chicquitita" merch, including a puzzle and a face mask, both a must for Cher merch collectors during Covid.

Puzzle

 

 

 

 

 

 

 

 

I must admit, I sought out a bootleg Cher puzzle before this one came out. I'm not at all a "puzzle person" but I'm fascinated by people who are. And since puzzles are such a rage right now, I decided I should try it again. What else could temp me to do a puzzle, but a Cher picture. I found a picture of Cher that I love (from her trip to Armenia) and it took a very long time to arrive, at which time I found out it was from the Ukraine. (I'm probably on a list now). Other puzzle solvers I know laughed at me because it was only 175 pieces. But it was hellaciously hard because it was a mostly gray and black pieces. I could have sworn there were times putting it together I actually felt dizzy. But I did it and shellacked the finished product as a testimony to my hard labor. The new sanctioned puzzle also looks challenging with all the white pieces! I'll start on it as soon as it arrives.

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GqfanFan Psychology

If you're a fan of Galaxy Quest (that nerdy fan is so charming) you may also appreciate parts of the movie Cruise of the Gods although the fans are way less attractive in this made-for-Brit-TV movie with an unlikable Rob Brydon, a very likable Steve Coogan, and a very young and impressive James Corden. Sadly, I felt I could relate too much to the "scholarly fan" character and the "lovelorn girl fan." I've been very wary of fan cruises (and after covid, hell no) but this movie let me experience the scene vicariously.

Cruisegods

 

 

 

 

 

 

CherhairCher Hair

Filing stuff in the Chersonian Institute I  found this email from Cher scholar Tyler from 1999! That’s back when Cher fans were just finding each other on the Internets. Anyway….it was a conversation between Cher scholars Tyler and Meghan about whether or not Cher dyes her hair black (from the warm Armenian brown original color). He paraphrased an article he had from the 1970s, an interview with early Sonny & Cher Comedy Hour hairstylist Jim Ortel about how handy Cher was with her own hair with top knots and whutnot, and how she knows what styles look good on her juxtaposed with her nose, chin and teeth. She had the ends trimmed every three weeks back then and in between salon visits, she wrapped her hair overnight occasionally in olive oil!

In Cher Zine 3, we talked about beauty fads like this. Over the last few years, the fads were avocado and coconut oil and now I’m seeing Kelp and castor oil everywhere. When they move to little baby seal oil, I’m out.

Anyway, the end of the story is funny, the interviewer asks about the olive oil night wrap, “How does this set with her husband Sonny?” And Ortel says, “He’s Italian. He didn’t notice.”

That’s somewhere between an Italian slur and the fact that during this era Sonny probably wouldn’t have noticed Cher’s hair if it had been on fire. 

Tyler, if you see this, thank you. Were there pictures with the article?

Acting V. Singing

In 1999 Entertainment Weekly posted an online argument between Dave Karger and Jessica Shaw about whether “Cher is better suited for the airwaves or the silver screen.”

Imagine! Here are the pertinent excerpts:

Dave: “Watching her strut around with her unique reckless professionalism confirmed to me that the concert stage is where she belongs.”

Jessica starts by saying “Believe” going to #1 in 23 countries was “no great feat” considering Alyssa Milano and David Hasselhoff received hits in countries like Japan and Germany. (Really?) She says, “Cher’s acting, on the other hand, is purely her own talent and skill.” And she’s looking forward to Cher’s role in Tea with Mussolini playing an eccentric Jewish American.

Dave then says Cher’s Oscar win over Holly Hunter in Broadcast News was a “travesty” [ how about over Meryl Streep in Ironweed and Sally Kirkland in Anna?] and he mentions her real bad films like Faithful. He says more people watched Divas Live 99 than will see Tea with Mussolini.

Jessica then goes off on Cher’s bad concert banter, her collagen and face lifts, her “morphing into another person.” She says high viewership means nothing and trashes the Home Improvement TV show. She ends with, “I have one word for you: Mask.”

Dave: He brings up Cher the actress who gave us hair infomercials.

Jessica: “And your hair has been looking much better since you invested." [snap] 

And the squabbling went downhill after that.

Our Local

PetroglyhsSo part of last year's drama was we had to move suddenly at the end of summer. And we're old and so this was painful but we moved into a much nicer place with room for a Chersonian Institute proper and so all that ended up a good thing. And now we even have our our own mini-pedernal hill similar to Georgia O'Keeffe's because we're situated near the Albuquerque petroglyphs. 

Mural2We've also been exploring our new neighborhood haunts. Once Saturday we poked our head into our nearest pub called Spinns and saw they were playing a Chiefs football game. The screenshot to the left is from that day watching our new celebrity player, Patrick Mahomes.

This was great and as I turned around I saw a big celebrity mural painted on the entire north side of the place. 

And who should I see featured most prominently: Cher herself! She is portrayed as a waitress serving beer circa the turn of the decade. How strange and great! The likeness is pretty good, as Cher art goes.

Mural1

I even questioned at first if this really was Cher considering the waitress aspect,
but the outfit and face do indicate Cher circa the early 80s and who else has that face?

Mural4

The full mural with Marilyn Monroe, Nat King Cole and some other celebs I can't identify.

Mural3Parts of the mural are very New Mexico-ish, like this picture within the mural of a New Mexico-styled graveyard. 

Tweets & Cruises

Chertweet2Cher made the top page of Yahoo! for one of her Trump tweets.

She's also involved in a new lawsuit over her investments.

Cher gave comments on the new trend of Cher hair in In Style:

"It's a good look! I saw Kim [Kardashian West] do it, and thought it was so great," Cher said. "I've worn my hair like that ever since I was a girl. For now, it's back, but then girls will start doing something else when they get bored." 

In Closer Weekly, she talks about relationships with past loves.

CrewzAnd hey! There’s a Cher Crewz in November 2018. You can hang out with other Cher fans and two top notch Cher impersonators, Chad Michaels and Candi Stratton.

Check out the website: https://www.chercrewcruise.com/

And Facebook page: https://www.facebook.com/CherCrewCruise/ 

I can't go but you should!

Cher Food

Daily Mail has for some reason recently decoded Cher’s kitchen pantry based on her Twitter posts.

Good Housekeeping has similarly deconstructed the Cher diet.

And food for thought: Cher weighs in on the Nancy Pelosi debate (The Hill). As I've said before, I love it when Cher makes The Hill.

In tribute of this post, I've accumulated some kitchens from Cher houses and movies, along with the tweets of Cher's kitchen pantry (filled with cats).

Cherpantry Moonstruck2 Moonstruck2  Moonstruck2  Moonstruck2Moonstruck2 Moonstruck2Moonstruck2

Nerdy Cher Stuff: Poetry & Statistics

Javier-collectionPoetry

It’s very exciting for me when my poetry and Cher blogs overlap. That’s the kind of nerd I am. And they have been overlapping lately.

I finished another year of the NaPoWriMo (National Poetry Writing Month) challenge, which involves writing a poem a day for the month of April. No easy feat, especially when you commit to following the prompts, which I did this year.

The prompt of April 26 was to write a poem about how an archaeologist in the future would make sense of our culture. In my poem, archaeologists uncover my garage full of Cher memorabilia. To the left is a picture of Cher scholar Javier Ozuna's very fine Cher collection. Mine is not nearly this extensive but imagine archeologists coming upon this scene and trying to write up a thesis on it.

It’s rare that I do a Cher poem. I don't know why. I think I’ve only done two really crappy ones and those were over 20 years ago. I called this poem “The Relics of Very Tiny Religions.” 

I'm back to enjoying the Cher/Sonny & Cher shows on GetTV. There have also been quite a few skits that are new to me. Either previous TVLand of VH1 episodes skipped them or on was a fully new episodes for me.  This segment floored me. It's a bad recording from a bad recording but it’s Cher reciting the poem “If” by Rudyard Kipling.  Cher references the cartoonist Sergio Aragonés, who you might recognize from 1970s MAD magazines and books. Cher, like everybody else, can’t help but recite in “the poem voice,” a kind of plodding tone everybody uses when reading poems for some reason. There are some prophetic moments of the cartoon and poem, including…

Narcissm If

 

 

 

 

…the bits about narcissism and political corruption.

There’s more Cher/poetry commentary to come because I’m really into protest poetry right now  and reading the mother anthology of protest poetry, “Against Forgetting, 20th Century Poetry of Witness,” the first section of which is poets of the Armenian genocide.

ReadersguideStatistics

At work I often do usage research on Google Analytics and keyword research on Google Trends. When I start to learn any new research tool, I always test it out by plugging 'Cher' into the system to see how it works. I've done this my whole life, since learning how to use the green periodical lookup books at the school library when I was a tween.They were very boring books but led to all the articles of Cher in People Magazine and Ladies Home Journal that I could check out in the library which was a great incentive to plunging into the nerd universe.

Anyway, plugging Cher into Google Trends led me to discover two great new-to-me Cher sites:

Paul_Revere_And_The_Raiders_-_Indian_Reservation And I've had Google Analytics on my blogs for over a year now. The most popular page result is a blog post I did in 2008 about the fact that Cher did not ever release a recording or perform live the song people search for as “Cherokee People” or “Cherokee Nation.” The song is actually a Paul Revere & the Raiders song called "Indian Nation." I tallied up the results from an entire year and 649 people made that search and visited my blog to be disabused of that erroneous belief. A huge amount of people associate Cher with that song.

Last month my search queries also showed a very funny result for “cher all i wanna do is make love to you lyrics” confusing bombastic Heart with bombastic Cher. Due to this I looked up that song. On Wikipedia it says:

Heart-80sAnn Wilson commented on the band's dislike for the song, stating, "Actually we had sworn off it because it kind of stood for everything we wanted to get away from. It was a song by "Mutt" Lange, who we liked, and it was originally written for Don Henley, but there was a lot of pressure on us to do the song at the time." Ann Wilson has made a number of comments on her dislike for the song, calling the song's message "hideous" in an interview with Dan Rather. In that same interview, Ann mentions that she's surprised at how many of their fans, especially in Australia and New Zealand, want to hear the song to this day when Heart plays live (Heart does not perform it live anymore despite the requests).”

Watch the video.

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