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Petition to Congregate in Unified Fandemonium

Petition It almost looked like Cher had another Palm Springs house for sale this week according to the Daily Telegraph. But turns out this is the same house as she was selling last January. These Cher houses all look the same.

Has the house not sold yet? Maybe this isn’t a good time to be selling. Tuesday, Associate Press reported that southern California home sales have plummeted; but it turns they’re just talking about po’ folk homes.

“While sales of high-end homes have remained stable, many entry-level homes have been languishing unsold as would-be buyers try to time the market in hopes of seeing even lower prices.”

Cher doubled the size of the $650,000 house and put a $2.4 million price tag on it. This new story also claims Cher has put up her Malibu house on the market for $25 million. But what about the Buddha-build? Is this typical bad reporting or typical Cher indecision? We may never know.

Speaking of Cher not doing stuff we thought she would, Vegas is eternally unconfirmed. That’s not news. But this nutty Cher petition is.

Reference the article “Petitioners Want Caesars to Court Cher” Reports of this petition have been going around for a few weeks. I can’t decide if this is an annoying or inspiring development. Somehow I doubt Caesars has much power in the situation. My guess is they’re waiting on Cher for a yea or nea. Cher will either do it (less likely) or not (more likely) or not agree to do anything until we all lose interest. I doubt she can be petitioned into anything by her fans.

But this article has some highlights. They call Tamara Hampton’s celebrity obsession an unconventional hobby of iconic immersion. I’ll say. Hampton, a real estate broker and music promoter, says “Cher is the most captivating, explosive, modern icon the world has ever seen”!

I love the hyperbole! How would you define explosive?

Hampton claims the petition has global support – but only 1,000 people had signed yet…that’s from over 194 countries worldwide, which breaks down to average of 5.15 people per country.

“She’s the people’s choice!”

The article mentions an uproar that occurred in Cher’s fan base when it was announced that Bette was going to be given top billing. 

What base? What uproar? Nobody…ever…calls….me!

Apparently, fans are demanding preferential treatment and top billing. But how can someone uncommitted to a job be given any billing, I wonder. It all makes no sense to me but what do I know?

If you want to sign the petition (get inspired by our founding petition above), visit http://petitiononline.com/cher2008/petition.html.

Moveon.org can’t even get me to sign anything. Well Jesus, I can’t sign everything. I’m worried about my brand.
   

Women with Hips

Cherchromeheartsmagazine1 This snarky pop blog has a Cher sort with some nifty pics. They call her a diva-saur. That honestly made me laugh out loud. Remember the confusion between Lee Tergesen and that other long-haired dude with a cap she was huggin way back? Re-read up on the scoop here. It reminds me of when Cher once said she likes guys with a “street look.” I call it more of a “just out of prison” look. And what is that outfit she’s wearing toward the bottom with the plaid skirt and mini-skirt? It’s a cross between ho and hoe-down.

I found that site while searching online for more information about the Japanese magazine Chrome Hearts which Cher is now on the cover of. Copies going for 40 bucks on eBay. I just blew my wad on Cher dolls so I’ll have to pass on this goodie.

I actually love this cover with Cher looking disheveled (not a common occurrence), giving the shirtless guy an alluring gaze. Does that work for us? Is this a play on Cher with the younger feller? Are we disturbed? And is this a double-standard disturbance? These are all questions I’m vague about so I have decided to quiz my bf tonight on what makes an mature woman sexy. And is this different from what makes an mature guy sexy. My knee jerk theory about why girls like older guys is that we are often under the mistaken impression men have finished sowing their wild oats by then, that they’re somehow wiser for the wear and not so erratic-like in the love department.

For women to be perceived as sexy, I have a feeling it’s a constant game of surrender and control. Typically with gals in the surrender role. But age demands a change. I’m just not sure how or why. I just know it’s all very complicated and sexist.

By the way, Cherword.com did some fine reporting, as always, getting the scoop on this and other late-breaking, rare and trendy Cher news. I’m always impressed how on-top of it they always are in matters of Cherabouts. They do the leg work so we don’t have to.

Cher looks lovely in the photo…much less posed than her usual photographs. Reminds me of the Believe era but with better hair. And so voluptuous. And that’s comforting.

While I was back in Lancaster, PA, my parents, my bf and I watched some old family movies to find video of Helga, my former dog. He’s heard so many stories from friends about her very caustic, un-dog-like personality. We came across Christmas footage which included me looking really, really, really stick-like thin. It felt like a punch in the gut to see. It looked unattractively skinny to me now and I’ve never ever thought this about an image of myself. I am now “hippy” and trying to lose weight for my 20th high school reunion later this year. But my  whole life I’ve felt hippy and chubby. There’s never been a time when I didn’t feel I could stand to lose 5 pounds.

Much to my despair, I was diagnosed (by family Dr. Vorhees) with anorexia when I was 13 or 14 years old. If I thought I was thin in this video! Jesus, I must have been all bones in junior high. But happily, I got better. Which is not something you usually hear about anorexics. They usually struggle over a lifetime. I’m thankful, believe me. I love to eat. For me it was mostly mis-education about dieting from listening to pop-star interviews and reading Cosmo issues with too much faith. I believed you could shrink your stomach and live on bean sprouts. But still, I do remember the very real madness that ensues when you willfully stop eating. Exhaustion, both mental and physical, moodiness, an overall sense of darkness, like the whole world is tinted over. Your head is full of conspiracy theories (why does everybody want me to be fat?) which leads to a scary kind of alienation from everybody.

I was heartbroken when my doctor told me what was happening. Karen Carpenter had just died. I couldn’t even read the People cover story. I still remember its horrific blue cover. I knew at its heart that this was a madness I wanted no part of. I started eating right away (Lucky Charms as an afternoon snack), gained weight and then eventually learned, with the help of a nutritionist, how to stay thin in a healthier way. But that was a turning point in my life in many ways. I knew I wanted to be sane much more than I wanted to be thin. And whenever I have some weight to lose and I’m tempted to crash diet, I always ask myself the same question: would you rather be fat or crazy?

I surely feel celebrity culture affects our goals and desires and our self-image. That’s why celebrity obsession can be so dangerous. But Cher’s thin-figure never did inspire me to starve myself. It was rather people around me in class who were very thin…tiny body types mostly. The tiny Indian girl who sat next to me in science class. 

All that bad flashback aside, I did have a great vacation…although traveling there and back was exhausting. It took us 17 hours to get home from Philly after we missed our plane due to excruciatingly slow check-in and security lines. My bf said we could have gone to Hong Kong by then. Poor guy. He endured a neighborhood picnic, a small town parade with veterans and fire trucks, a town faire with a hilarious baby parade, and poker with my unscrupulous family members. He also was introduced to the Ephrata Cloister, Wilbur’s Chocolate, Gettysburg re-enactments, a Philly hotel fire alarm in the middle of the night, a fun tour of South Street, and ersatz history at the City Tavern. He was the new plaything for all the family kids and was dubbed Funckle John. He was also told, by my 10-year old nephew, that  he wouldn’t be allowed to come to our family reunion in New Mexico next year until he became “a Ladd.” I wonder if my mother put him up to it.

    

Believe it or not (a new mashup)

Believe_2 Last week a concerned non-fan friend sent me the news that "Believe" made Rolling Stone Magazine’s list of most annoying songs.

I notice all the songs on this list were massive hits, thus probably most annoying due to being over-played. Some I’ve had the pleasure of never hearing. Some are sexistly annoying. Some are annoying just because people find Celine Dion annoying. And yes, some are probably inherently annoying. I’m going to remain silent on "Believe." It was never one of my favorite songs and it’s probably my least favorite among Cher’s iconic solo quad which includes "Believe," "Gypsies," "Half Breed,"  and "Turn Back Time" – although "Believe" gives "Turn Back Time" a run for the bottom spot in my list. I love "Gypsies, Tramps and Thieves." I really do. But it would have probably have made Rolling Stone’s list in 1976.

Here’s the list:

  1. The Black Eyed Peas – My Humps
  2. Los Del Rio – Macarena
  3. Baha Men – Who Let The Dogs Out
  4. Celine Dion – My Heart Will Go On
  5. Nickelback – Photograph
  6. Lou Bega – Mambo No. 5
  7. James Blunt – You’re Beautiful
  8. The Spice Girls – Wannabe
  9. Sisqo – The Thong Song
  10. Cher – Believe

Cher fan friend JeffRey sent me another mash-up of "Believe," AC/DC-ized. You know I love mash-ups! This helps alleviate the annoyance quite a bit.

     Download AplusD_YouBelieveMeAllNightLong.mp3

 

Woman at War

Dietrcih I finally bit the bullet and bought the coffee table book: A Woman at War: Marlene Dietrich Remembered as Cher contributed an essay to it. Cher was one of the few celebrities included among children of Dietrich, the son of Joseph von Sternberg, former GIs, producers, directors, biographers, a journalist and a jazz musician. Cher (listed as a singer/actress) is included with Burt Bacharach, Rosemary Clooney and Hildegard Knef.

Overall, the essay was packed with content. I really enjoyed Cher’s self-deprecation and passion about Dietrich. The intro paragraph commented that Dietrich always watched Cher because she was a fan of Bob Mackie’s work and that Dietrich liked Cher’s tenacity and bravado.

Cher discussed her one sighting of Dietrich during a Mackie fitting, which Cher said often entailed standing for hours. Cher also admitted to shaving off her eyebrows like Dietrich during the S&C Comedy Hour. Cher said you can see a whole season of her with penciled-in eyebrows. This is a good Cher test: does anybody know which season this is?

The funny thing is another Cher fan Bruce helped me track down many of the Cher photo credits on this blog and he said you can do Cher-dating based on her eyebrows. It’s all about the eyebrows, he said. I think this definitely deserves further study – resulting in a possible timeline or PowerPoint. I will try to secure some grant monies for this effort.

Cher also admired Dietrich for her ability to "command attention," her ability to do comedy while being sexy, the way she used lighting to create an image of herself, and sustain a singing career without having a strong voice. Cher, a student of all of these attributes, even said “I don’t think much of my own voice.” That kills me everytime she says that!

Cher also discussed women having to be a bitch to survive in show business. She imagines Dietrich could be a bitch from time to time and Cher comments how "people around you often pay for it." You never hear stories about Cher being a Diana-Ross-style beeotch; nevertheless, I still hope Cher’s personal assistant gets a good Christmas bonus.

Cher also said “women like Dietrich, Bette Davis and Katharine Hepburn paved the way for me.” Not only is this true in a ballsy-image kind of way, it also hints to the fact that Cher has an old-Hollywood air about her, probably inspired by these ladies. And I think it’s definitely a facet of her longevity.
   

Cher Cartoons, Links and Movies

Wilson Some cool links came along while I was on vacation: Cher fan Tyler posted links to the John Wilson cartoons from The Sonny & Cher Comedy Hour that he found on You-Tube.

Tyler’s compilation includes one I haven’t seen, "Love Song" a remade Randy Newman song.
Other John Wilson videos are here.

They may seem crude today, but back in the early 70s these toons and the slick transitions between S&C skits were really cutting-edge hot stuff for variety TV.

Tyler also passed along a memorial site for Patty Darcy Jones.  I’ve seen so many spellings of her name (even a variety on IMDB). I’m sticking to the version on the Cher albums.

I found a new type of celebrity news aggregator that had linked to this blog. You may find it handy. I’m a little overwhelmed (err….aggravated) with information aggregation at the moment so I’m not sure if I’ll use this or not. http://www.boxxet.com/Cher/best.box

July is the month of movies in LA! Not only is LACMA having a Katharine Hepburn festival, but the Cinematheque is hosting a festival called Mods and Rockers…full of 60s and 70s music movies. This is why I love living in LA –  rare movie screenings framed with nerdy talks by movie participants. You get rare opportunities to see filmmakers talk about their movies. Two years ago I saw Peter Bogdanovich talk about the director’s release of Mask.

Backstory: a month or so ago I was in a store on Main Street in Santa Monica and I came across a coffee table book mentioning Harry Nilsson and I thought about the duet he did with Cher in 1975, the one I blogged about as being part of Cher’s Phil-Spector oeuvre. I turned to my bf and one of us said ‘Who is Harry Nilsson?’ I mean…in the scheme of things.

So it kills me that I’ll have to miss this Saturday’s feature: Who is Harry Nilsson (and Why is Everybody Talkin’ About Him)?

Get this: one of the speakers after the movie includes Jimmy Webb! I have so many questions I would ask! Aaargh and double-aaargh. Webb produced Stars. I would ask him how the recording of that album that year was affected by the Nilsson single on the same label and what does he know about how that duet came to be, how it went and what Cher thought of it. It’s a perfect cross-hairs of Cher Scholarship and I’ll be missing it! *sob*

You might think I’d be having goiter surgery or something for missing this. But no: just hard-made dinner plans with some good friends I rarely see.

People first. Before obsession.

But on my birthday, (Harry Potter’s birthday too, btw), there’s another good movie regarding Cher history: Atlantic Records: The House that Ahmet Built. Which reminds me, my neighbor has a very kewl Atlantic Records coffee table book with some nice Sonny & Cher photos in it: What’d I Say: The Atlantic Story.

You can see a list of all the Mod and Rocker movies here:
http://www.americancinematheque.com/pressreleases/2007/ModsNRockers_2007.htm
http://www.modsandrockers.com/schedule.html
   

Cyndi Love

Cyndilauperredphoto_2 Okay…I lied. Five posts. This week Cyndi Lauper speaks well of Cher in an article promoting the True Colors extravaganza.

In the San Fansisco Bay Times article she says about touring with Cher:

"Cher was amazing!  She was so respectful. She didn’t treat me like an opening act at all. She really gave me the ability to put my own part of the show and evening forward. And come on!  She’s Cher.  How can you not love sharing the stage with Cher?!  It was a great experience."

   

New Cher CDs

Emicheruk_2 I received my new EMI Cher re-releases last weekend. EMI-UK has produced some new Imperial collections. One is a new compilation called The Best of Cher The Imperial Recordings 1965-1968.

They’ve whittled her Imperial stock down to…huh? 44 tracks? It’s not so much a question of why they included the songs they did, but why they rejected the one or two songs they didn’t include. And yet some of my favorites were still left out.

The CD has nice packaging. I love the colorized photos in the compilation, and the well-chosen black and white photos inside.

EmicherusBut it’s no match for US EMI retrospective that came out years and years ago Legendary Masters: Bang Bang (My Baby Shot Me Down): The Best of Cher which had illuminating session out-takes (“Needles & Pins”) and b-sides (“She’s No Better Than Me”), plus very nerdy liner notes. They also managed to make those tough-love choices, whittling down her Imperial catalog to only 22 tracks.

The other EMI-UK release is a double package of Backstage and Cher’s very first solo compilation, Golden Greats.

I ordered my first LP copy of Backstage from a used record store I found in a record guide when I was 13 years old – I anxiously awaited a live 60s album! Boy was I disappointed. But I got over it and learned to love “Take Me for a Little While,” “The Click Song” and “A Song Called Children.” I had already fallen in love with “Masters of War” from a 1978 Sonny & Cher compilation I had called The Beat Goes On. I remember, age 8, forcing my parents to sit in our living room in our blood-red, American-Furniture-style chairs while I played them this Bob Dylan dirge on our old mammoth phonograph. After it was over, they said "Very nice, honey" and went back to the Den to finish watching Roots.

Backstage ended up becoming one of my favorite Imperial albums next to With Love. Read my Cher Scholar reviews. I’ve been waiting a long time for a good CD re-release after suffering an awful bootleg or two. And that’s the best thing about these releases. A re-mastered CD is a joy to listen to. I’ve even started to appreciate “Carnival” more this week.

Backstage_2 The Backstage CD includes all the original artwork. But the extra wrap of cardboard is over-packaging uselessness, annoying to deal with when getting your CD in and out. This booklet also overuses the Cher on the throne picture, on its cover (see the background fade to the left) and in various spots in the booklet. Although, she does wear a very Paris-Hilton expression in that photo.

The CD also includes the original liner notes to Backstage and Golden Greats. Sonny elicits a couldn’t-care-less statement from Cher. "You’ll either like me or you won’t." So transparent. Strangely, the Golden Greats liner notes seem different than the notes on my US LP. I remember this only because Golden Greats was the theme of my last Cher Zine. Does anyone know if the UK packaging for this compilation was always different or am I imagining things?

The new releases both have pathetic new liner notes that offer nothing new or insightful. Spartan career overviews are useful only for newbies when probably only die-hards and Cher historians will be buying this CD (there are very few real hits on it).

A side note: it really irks me when Cher biographers don’t listen to and speak about all her albums, like Backstage. The lady recorded over 35 original albums. Whether biographers like them or not is irrelevant; pay diligence fer Christ sake.
   

Elijah Unplugged?

Elijah No…silly. Just two new solo songs on his Myspace page: http://www.myspace.com/elijahbluemusic.

Long Way Down

This is a sweet love song, but in that adorable, Deadsy-goth style. (My schnauzer ears go huh?) Same vitriol, “nothing really matters at all.” So why bother listening? I like the fade, though.

White Knuckle Angle Face

Yes, it’s hard to compile an image of a knuckle face. But I like this one better. The vocal has lightened up noticeably. Those retro-synth sounds of Deadsy are still there; but it’s an LRB-Cool-Change. It makes me wonder what ‘Elijah having fun’ might sound like. His creepy voice returns, however. (Come here Fido! Come here! Let go of your inner Goth, Fido. Drop it! Droooop it.)

Actually, the interplay between his two voices creates an interesting tension here. Although I have no idea what the lyrics are on about. I can barely decipher the words. But does it matter?
   

Teri Garr Dishes an Empty Plate

Speedbumps_1_2 For a long time I’ve been meaning to blog about Terri Garr’s book Speedbumps, Flooring it through Hollywood which I finished reading last year. I relished the opportunity to read this autobiography for some rare insights it might have provided on behind-the-scenes S&C Comedy Hour drama. I also wondered what she’s say about working with Steve Martin.

The book was largely disappointing. I’ve summarized almost all the Cher encounters and comments below (there were so few). Garr talks at length about her struggles with MS – definitely important to cover; but the title of the book leads us to believe we’ll be getting dish about her day job, not a book primarily about MS. Garr has had a successful and interesting career in television and movies. She egregiously glosses over most of her work, giving some movie classics only a sentence or two! The book is plain, uneven storytelling. She spends paragraphs explaining how she met Mr. Right: how they met, married and spawned, only to tell us in a pass-off comment in the last chapter that they’d already separated. Garr gives us no explanation as to why or when! She also hints at drama with other mega-stars (Jessica Lange) but never fully explains what happened. It was a frustrating read, I must say. She has previously expressed more emotion about working with S&C on Cher TV bio-pics than she did in this book.

You do get a few stories about her relationship with Steve Martin (who not only wrote for the S&C show but did their warm-up act), how they met working at Disneyland and then on The Ken Berry Show – with Cheryl Ladd of all people, and transitioned to the Sonny & Cher Comedy Hour – sans Cheryl. Chris Bearde was a producer on both shows.

Teri calls Cher on TV “a stunning presence…She was pure showbiz.”

I thought Cher was glamorous. She swore a lot, which I respected…What impressed me most about Cher was that even though she and Sonny had topped the charts…she acted like one of the girls. She’d come sit down with all the dancers and talk about face cream or hairdos or men. She taught me to do needlepoint…When I got stuck, I always wanted to know the by-the-book way to fix my work. Cher would simply say, “You just do what you have to do. It’s like life: you don’t have to play by the rules. Just get it done.”

Garr mentions this funny encounter: Cher was sizing Teri up one day backstage on the set. Teri was wearing jeans and a t-shirt (hey, that’s my wardrobe) and

Cher said, “You have to get a look. I have a look.” Looking at her in her black feathers and snake boots, I thought, Yes, you sure do.

Teri claims Cher’s dressing room always had shrimp cocktails and Coca-Colas and racks of dresses; but Cher would come over to Teri’s shabby dressing room to sneak cigarettes.

“That was before we decided smoking was making us look old.”

Garr also tells a funny story about sneaking out of S&C show obligations for small movie roles, telling one casting director who needed her to travel to San Francisco,

“But I’m on Sonny & Cher’s show. We’re rehearsing a Japanese rock-and-roll opera tomorrow. I can’t miss rehearsal!”

Garr also repeats her famous story of learning to speak with a German accent in 24 hours for the movie Young Frankenstein with the help of Cher’s wig-stylist Renata, Garr practicing saying:

“Mein Gott, zis vig veighs forty poundz.”

Garr makes no mention of working on The Sonny Comedy Revue or of leaving the S&C show. They’re both just never mentioned much again.
   

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