I Found Some Blog

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Cher Scholar’s Ultimate Cher Comp

So when Robrt Pela and I were finishing our Quagmire of Comps project, we talked about our dream Cher comp. I have probably made about ten mix-tape Cher comps in my lifetime (not including new YouTube and steaming mixes). I mean the olde timey cassette tapes. This was back in the day when there was not a single comprehensive, across-the-many-labels compilation to be purchased. My last cassette mix was made in my late 20s and even had a fold-out of liner notes written by me in a moment of prenatal-Cher-scholaring.

By now, we’ve had a few good comps out there and it’s no longer a matter of wanting to see all her hits represented in one place. I’ve also done my share of sharing what I thought were the best songs (see the links above). So lately I’ve been creating thematic comps, like Love Songs, Philosophical Songs, Girl Power Songs.

As Robrt and I were talking about the Ultimate Comp I was thinking about songs that define Cher in some way, like personally. Which is very tricky. Somewhat newb interviewers since “Believe” have had a tendency to try to ask Cher what certain songs mean to her personally and she invariably responds like the person has just landed with that question from Mars. This line of questioning inevitably tanks. This is not an artist trying to reveal biography in her music (at least when taken as a whole). Her roots are too vaudevillian, too show-biz, variety-show for that.

But…fans like a little peak into the psyche of their stars from time to time, even from artists who don’t traffic in such disclosure. So it took me about ten minutes to come up with this ultimate bio mix. Then I was reminded of Biograph, Bob Dylan’s 53-song Box Set comp from 1985. In my mind, that was the first box set I ever saw on the shelves and I immediately pined for the Cher! Box! Set! And as you might recall, about a zillion box sets did get released, so many that they had to devote a special bin for those things. But that box set of Cher’s best/rare/popular songs never did come through (although we did get a cool wooden box up-sale with lyrics on tarot cards for the Love Hurts album in 1991).

Although my biographical  framework is a risky premise for a compilation list because album (and TV show) producers like Sonny and Snuff Garrett controlled her song selection for decades, there is much we can learn from the songs Sonny wrote for Cher, (some based loosely on their biography),  songs they both selected for her to sing,  songs she’s revisited over and over again through the years and songs Cher actually wrote, (what few there are). I didn’t include all of the songs Cher wrote in my bio mix, but you can see good summaries of those online:

A lot of my cassette mixes were called “This Is Cher” in a kind of a Whitmanian Leaves of Grass repurposing.  That title has always felt jazzy and back-door to me, a bit snooty so it works in both in a post-modern, wink-wink kind of way and yet still pretty earnestly (which is Gen X perfection in tone right there). But there have already been a few “This Is Cher” comps on the market and so I’ve appended “(For Reals)” to mine with the idea that this song list is a bit more of a personal peek into Cher’s inner life.

And lastly, I’ve broken the list of songs down by decade segments to wishfully indicate separate vinyl chapters, like those old, coveted multi-album box sets with their vinyl-cover-sized liner-note booklets. Oooh! That was nice!

The mix can be found on YouTube, the only streaming platform that includes Cher’s TV performances and her self-re-released Warner Bros albums from the mid 1970s.

1960s

  1. Baby Don’t Go
    Right before Sonny & Cher, as Caesar & Cleo, launched their recording act, Cher’s mother, disturbed by Sonny’s advanced age, physically extricated the underage Cher from Sonny’s apartment. They were basically just roommates at that point but this separation allegedly marks the point where Sonny began to miss Cher and began to see her as a girlfriend. This song and Sonny’s choice to sing Bob Lind’s “Cheryl’s Going Home” (not in my mix) possibly reflect this time of separation.
  2. I Got You Babe
    Sonny always spoke of this song as mythologically personal, referencing their time trying to break into show business. He casts himself as “young” like Cher which served him well until it didn’t seem so plausible anymore. Cher still calls it “my song.” When Sonny introduces the song on their first live album and in various television performances, he counsels her to, “Sing your song.”
  3. Hello
    Extremally personal, this is Sonny’s attempt to pull back the veil and show “the people” who Sonny & Cher really were, just everyday people. But in doing so, he has to draw Cher out of her shell and she seems highly uncomfortable with their improvisational conversation.
  4. Sunny
    The is 100% re-textualizing as Sonny with an innocent but truthfully reverent delivery.
  5. Just You
    You have to switch their roles here but Sonny has written a song about their relationship and gallantly given Cher the prettier part. We now know from various sources (including both Sonny and Cher) that Sonny didn’t find Cher very attractive or smart and she found him very attractive and very smart; and although it’s hard to believe, Sonny was the one making eyes at girls more his type (big-breasted blondes) and Cher was, in reality, the jealous partner. Very telling this one.
  6. You’ve Really Got a Hold on Me
    Cher sang this song with both Sonny and Gregg Allman, like two husband bookends. She must have revisited the song officially on vinyl for a reason.
  7. Why Don’t They Let Us Fall in Love
    The romance of Sonny & Cher was hindered by a big naysayer, Cher’s mother, understandably upset by the fact that her underage daughter was living with a man 11 years older. This song puts an innocent spin on that story but there’s a little grain of truth in there, at least from the perspective of an innocent teenage girl in the throes of a massive love obsession.
  8. But You’re Mine
    See “Just You” and “I Got You Babe” above. All the same things. I don’t love this song, tbh, and I keep wanting to take it off this mix. 
  9. Little Man
    Sonny wasn’t very tall and talking about this was a schtick in their act for 12 years. 
  10. It’s the Little Things
    See “Just You” above. All the same things.
  11. Don’t Talk to Strangers
    Sonny’s portrayal of Cher as innocent doe.
  12. Trust Me
    This one is interesting in light of the fact that Sonny asked Cher to trust him in all aspects of their business and personal life. Cher didn’t put up any resistance to this idea and unfortunately Sonny was cheating her in both regards. Both ironic and true.
  13. Just a Name
    See “I Got You Babe” and also a reference to  their propensity for unique names, their own and their children’s. Sonny on TV claimed that Cher picked out the name for their child Chastity but all of Sonny’s own children’s names (before and after Cher) begin with ‘ch’ and three of the four are also unusual names. They say Cher was allegedly as unenthused about making this movie as her self-character seems to be. Closeups on their wedding rings.
  14. Ma Piano (Per Non Svegliarmi)
    Someone recently posted a video on Tic Tok showing how Cher still remembers some of the lyrics to this song. Kind of interesting, that.

1970s (Part 1)

  1. Danny Boy
    Cher says in the introduction to the song on her first live album that this song is her favorite song. She gives it a pretty emotional delivery (for her anyway).  
  2. Gypsys, Tramps & Thieves
    Although this fictional song become Cher’s second signature song, there’s a bit of the gypsy, tramp and thief in her, too, which is why the femme-fetale trope keeps recurring in her movies, television skits and music.
  3. United We Stand
    By the end of the 1960s, Sonny & Cher did in fact have their backs against the wall and they stood by each other, despite an almost-bankruptcy, infidelities and retaliatory infidelities and a career nadir. 
  4. Vamp (The Sonny & Cher Comedy Hour)
    Cher pulled off the ultimate portrayal of history’s vampish heroines and villains on the 
    Sonny & Cher Comedy Hour. It felt a bit natural.
  5. My Funny Valentine (Sonny & Cher Comedy Hour)
    Although if we look to “Just You” and “It’s the Little Things” as an example, we could very well transpose the parts again, but by now Cher has redefined what it means to be beautiful in America, especially for brunettes and raven-haired ladies. Sonny can’t be anything but the also-ran from now on, a role that didn’t sit with him as well backstage as it did on-stage. 
  6. You’ve Got a Friend/Where You Lead (The Very First Glen Campbell TV Special)
    I don’t know why I included this one except that it indicates something personal in their relationship in the way they sing it, like Cher’s way of singing nasally like Sonny when they get to “Where You Lead” because where Sonny led, Cher would follow.
  7. Living in a House Divided
    And then the shit hits the fan. The year this record was made they imploded behind the scenes. Snuff Garrett might not have chosen the song for that reason, but its drama mapped perfectly to the situation. Except that nobody out in the Nielsen audience knew. It was a big secret for a year and a half. No one wanted to see it coming, even as Cher was already singing break-up songs.
  8. David’s Song
    Unknown to her fans, this was a song for Cher’s new love, David Paich. The song was also written by him (which is kind of weird and indicates he was trying to hint at her continued dependency on Sonny, if not professionally, a bit emotionally as well).
  9. Chastity Sun
    Cher’s re-wrote the lyrics to the Seals and Crofts song for Chastity and her version describes some sweet feelings of new-motherhood.
  10. The Greatest Show on Earth
    Truth be told, Sonny & Cher were putting on a master-class of acting every week on their variety show. Barely speaking offstage, they seemed perfectly fine on the air. 
  11. Mama Was a Rock and Roll Singer Papa Used to Write All Her Songs (Parts 1 and 2)
    Sonny’s mean-spirited kiss-off song about Cher’s leaving him. The fact that he got Cher to sing these lyrics still blows my mind. If that doesn’t prove to you love is blind (and deaf), what could?
  12. Didn’t We (Sonny & Cher Comedy Hour)
    Cher’s heartfelt farewell song to Sonny in return.
  13. Rock and Roll Doctor
    Cher wants to sing rock and roll already….like since the psychedelic era!
  14. Love Hurts
    Cher will return again to this one. It’s a rare soul-baring moment.
  15. Stars
    Fame can be challenging. Cher sings about it here in a remarkably intellectual Janis Ian cover.

1970s (Part 2)

  1. Love Song (Cher)
    Cher’s relationship to Elton John has been interesting and semi-personal since the mid-1970s. She records his songs, he sings like her sometimes and writes songs about her. They also wrote a song together and have appeared together on Divas Live and Joan Rivers.
  2. All Is Fair in Love (Cher)
    Cher’s first torch-song choice after starting her new solo show. Possibly a reality-check message to America.
  3. Resurrection Shuffle (with Tina Turner) (Cher)
    The whole reinvention thing. 
  4. Keep the Customer Satisfied (Cher)
    Cher solo is getting more criticism now that she’s a single lady. It’s hard to keep everyone satisfied on and off the stage.
  5. Two of Us/We Can Work It Out (The Sonny & Cher Show)
    Sweetness in how Sonny & Cher can pick it up years later. Professionalism? Affection? They keep revisiting this medley on their variety show episodes so they must like it. “Two of Us” also harkens back to their early relationship and Cher’s description of how creative they were together at home.
  6. I Love Makin’ Love to You
    Cher described sex with Gregg Allman as “hot.”
  7. Island
    But Cher’s intense fame and Allman’s pharmaceutical habits made their relationship rocky.  Cher picked this song thinking maybe a bona fide island would help.
  8. You’ve Really Got a Hold on Me
    Cher revisits the song with Allman. Totally different style and tone. Interesting evolution of relating.
  9. A Dream Is a Wish Your Heart Makes (Cher…Special)
    Cher delves into her childhood in this 1978 special and this Disney song describes a facet of her somewhat dreamy childhood self.
  10. Guitar Groupie
    Cher loves guitars, btw. Gene Simmons can be heard singing a line in the song.
  11. It’s Too Late to Love Me Now
    At the end of her second marriage, some heartbreak.
  12. My Song (Too Far Gone)
    More specific, Cher-co-authored heartbreak.
  13. Ain’t Nobody’s Business (Cher and Other Fantasies)
    This song comes up and up again.  “If I want to put my tits on my back…”
  14. Shoppin’
    Originally this album was written to give audiences a behind-the-scenes, reality-album version of Cher. The label wanted her to dance; she wanted to rock. This album happened as a tug-of-war. Cher loves to shop. Some nice Luther Vandross bopping to Cher’s shopping. 
  15. Mirror Image
    Cher compares CHER to Cher.  And laments the tabloids.
  16. Outrageous
    See “Aint Nobody’s Business” above. Also contains a nod to Bob Mackie. “God, my mother told me I was outrageous and she was right.”
  17. Hell on Wheels
    Cher was all up into the late-1970s roller-skating craze that had even me flying around Coachlite skating rink as often as I could. She had famous, exclusive skating parties at which costume malfunctions happened to her.

1980 – 1990s

  1. Young and Pretty (Black Rose)
    Getting old in Hollywood for women. The pressure of staying pretty.
  2. Take it to the Limit (Celebration at Caesars)
    Cher also calls this one of her favorite songs.
  3. Out Here On My Own (Celebration at Caesars)
    Although Cher had launched a solo-TV show without Sonny, she credited this tour/concert as being the point where she really felt alone out there for the first time as a solo performer.
  4. More Than You Know (Celebration at Caesars)
    This song comes up again and again and again on TV variety shows, TV specials and concerts. That could indicate she really feels this one.
  5. Heart of Stone
    Getting jaded in life. Cher follows politics and it can get depressing.
  6. After All
    Cher really fought to record this song as a demo so I feel it had some resonance for her. She always includes it in her live shows and never cuts it out after the first leg like she tends to do with the show’s other ballad, “The Way of Love.”
  7. I Got You Babe (with Beevis & Butthead)
    “We need a chick that used to be married to a dork and so now she’s all wild and stuff.” To be honest, Cher admitted she was kinda wild before Sonny. The fact that she left home at 16 and already had a sexcapade with Warren Beatty under her belt….kinda wild already one could argue. Cher is also distancing herself here from an earlier incarnation. At the end there’s a reference to Cher’s tendency to date younger men.
  8. Tougher Than The Rest (Heart of Stone Tour)
    Cher is one tough cookie…
  9. Many Rivers to Cross (Heart of Stone Tour)
    …but also vulnerable too, moving through the world with some humility (and pride). 
  10. A Dream Is a Wish Your Heart Makes (Pediatric AIDS Benefit)
    See same song above. The child is strong in this one!
  11. Nature Boy (Sonny’s Death Special)
    Cher’s chosen homage to Sonny after his death. Some people were upset about Cher’s tributes and lamentations when Sonny died due to some previous slurs (see Beevis & Butthead above) but honestly their relationship was very, very complicated and probably not easily understood by everybody.

Fin de siècle

  1. Sisters of Mercy
    Cher wrote this song based on her mother’s stories of Cher’s time at a Catholic home as a baby and how the church tried to remove Cher’s mother’s custody due to their poverty.. It also ties into Cher’s own experiences with nuns at Catholic school. 
  2. When the Money’s Gone
    Cher has a big entourage and staff. This would make anyone wonder about their role as Sugar Mama.
  3. Human (Stuck on You)
    Humility.  Yeah.
  4. You Haven’t Seen the Last of Me (Burlesque)
    Not ready to retire.

Memory and the Space Shuttle Challenger

Space Shuttle Challenger ExplosionThis started out as just one little story but it has tripled into three very tangentially related essays.

Recently I’ve been reading some Proust auxiliary material and another essay sprouted called “Proust and the Fan Squeal” and a third summary to wrap up a project on my inability to become a super-fan of Philip Levine.

I’m at the stage in my life where I’m lamenting with friends over our faulty memories and so sometime last year this story started to coalesce. I decided if there was ever a Space Shuttle Challenger remembrance, I’d complete it. So, like clockwork,  I started seeing Twitter memorials this January for the Space Shuttle Challenger disaster.  Calculating the anniversary (37 years), I’m even sure why we were memorializing this past January, but maybe the tragedy was on the collective mind. Yet another Twitter meme saw someone attempting to define big moments of American generations by national disasters, and for some reason they assigned my generation, Generation X, to Watergate. I’ve been polling my friends about this and none of us can even remember Watergate at all. Most say the Space Shuttle Challenger explosion…maybe, but more likely the assassination attempt on then-President Ronald Reagan.

Knowing my Generation X, I suspect our “moment” is probably more likely to be something irreverent and kitschy, like the first Brady Bunch reunion special.

But anyway, I thought it might be a good time to tell a story which is ostensibly about the day of the space shuttle explosion but also about my memory around that day, and what memory lets you have and not have.

I went to a nationally-recognized public high school. The year I graduated, my school was in, like, one of the top 25 public high schools in America or something like that. I don’t know how I happened to luck into that except when our family moved from Albuquerque to St. Louis, a real estate agent told my Dad he should aim for a house in a “good school district.” This wasn’t something one really thought about in Albuquerque; there weren’t that many great public schools to pick from in that very poor state. And in hindsight this was probably just some kind of institutionally racist suggestion on the agent’s part to encourage my Dad to pick a white neighborhood where the schools districts had more money and therefore could purchase premium teachers.

My Dad picked a neighborhood called Old Farm, (named for the old farm that once sat there), and its high school was in the Parkway School District, (which was big and had a lot of money). But our school, Parkway North, was most decidedly the least wealthiest of the schools in that district. The big houses were in the neighborhoods of Parkway Central and Parkway West.

But we happened to have an unusually good slate of teachers, like inspired teachers. One math teacher my brother and I had came in early every day to help us through Algebra. And our English teachers were superstars: Mr. Whaling had his Shakespeare students dress up once a year to re-enact a play; the grouchy composition teacher, Mr. Moceri, would do a mole impersonation on the last day for his honors students; and the iconic literature teacher, Ms. Eichorn, was the teacher who probably had the biggest influence on me.

Ours was also the kind of high school where over-achieving teachers probably in large percentage applied to NASA’s Teacher in Space Program in 1986, the teacher selected to go up in the Space Shuttle Challenger. You didn’t even have to be a science teacher to get selected. In fact, the winning teacher was a social studies teacher.

Of the 11,000 people who applied, I imagine many of them had to have been our teachers.

I remember the day of the shuttle disaster quite clearly. It was January 28, a Tuesday, and I was walking through the school’s open library which sprawled across the center of the second floor. I was actually headed to Ms. Eichorn’s honors American Literature class. Toward the side of the library was a large TV, (the deep square kind we had at the time), set up on a portable A/V stand. A circle of teachers and kids stood around the TV watching the shuttle launch that morning. I remember thinking, “Science…ugh…dull! Are those people really that interested in this?”

And the takeoff must have happened right then, (although my memory is foggy on that point so maybe it happened right before I came into the library). In any case, there was that unforgettable silly string of smoke on the TV set and it looked very unnatural for a shuttle launch and everyone was confused for a second and wondering what had just happened because nobody could even make sense of it until the TV announcers confirmed the catastrophe and the obvious demise of all the astronauts.

Everyone in the library was upset just immediately then.

christa mcauliffeIt’s a good thing to remember here that seven people died instantly that moment, including the pretty high-school social studies teacher, Christa McAuliffe, who hailed from Concord New Hampshire. She was a teacher who symbolized, (at least for a lot of teachers), a once-in-a-lifetime opportunity to play astronaut for a minute. If memory serves, this was the first time it was even  conceivable to anyone that an average person could go up into space without having to become a professional astronaut, which equated to like professional genius back then.

This particular shuttle was heading up into space to study Haley’s Comet and to deploy a communications satellite, which seems a bit ironic now considering all the satellites that connect us to all our worldwide disasters and live TV events. But due to the cold weather that day, a faulty O-ring seal caused a live, televised explosion.

A stiff, rubber o-ring.

But alas, all this was actually the last thing on my mind that moment. My first thought was, and I remember this quite clearly, “Oh God, I hope this doesn’t preempt John Waite’s guest VJ spot tonight on MTV.”

“I’ve been waiting a long time for this.”

“I mean MTV’s whole station identification is a rocket shooting up into space and a bouncing astronaut so…”

Now…if I can get ahead of this thing for a minute…in my defense I just want to that say, first of all national disasters were constantly preempting previously scheduled television happenings. I remember thinking, “Today Challenger? You do this today?”

But secondly I would like to remind us all that most teenage girls are highly self-absorbed and probably borderline sociopaths, just like all college boys are highly self-absorbed and probably borderline sociopaths because girls are ahead of boys in most things. You know, ends justify the means in attention-getting schemes?

I also knew, instinctively, that this was not an appropriate response to the space shuttle explosion and as such I have kept it completely on-the-quiet until this moment. I just clammed up and marched myself right over to Ms. Eichorn’s class.

At least that’s how I remember it.

When I arrived to the class, I saw Ms. Eichorn was visibly upset with what I would imagine, in retrospect, was most likely  survivor’s guilt. If she had applied to be the selected teacher astronaut, like tens of thousands of other teachers across the country, she might have felt slightly to bitterly disappointed at first that this Christa McAuliffe person was the one chosen and not her. After the explosion, feelings of lucky guilt might have arisen quite understandably.

Ms.Eichorn’s reaction was to immediately tell the class we must write an emergency essay, (and this was a literature survey class, not a composition class), about what we were thinking about when the explosion happened and what it meant for us all as a country.

“No fucking way,” I thought. “Not a chance.”

In hindsight I do get her response, but at the time I remember thinking this was a complete over-reaction.

I’m sure I dashed off something quickly late that night after watching John Waite guest VJ on MTV, recording the show on my VCR and then rewatching it six to ten times. Yes, the show did proceed to air but with the station identifier discretely removed. “Appropriate response MTV,” I thought. “Nothing more required.”

Second disaster quietly averted.

But another disaster was afoot because Ms. Eichorn read our lousy, quickly-drafted, sociopathic teen memorials and Lost. Her. Mind.

We were  subjected to a 50-minute lecture on our heartlessness and bad writings. I thought she should have given us a break. I mean, we were teenagers after all. I was just happy I wasn’t the only malformed one.

In fact, the only kid who did do a good job on the assignment was a kid named Maurice. This wasn’t surprising looking back. He was probably by far the most mature one of all of us. I didn’t know him very well at the time but later that fall we would go to the Homecoming dance together and it would be one of the most fun nights of my life up to that point.

Maurice and MaryTo quickly digress with a recap, Maurice first took me to University City (a city suburb of St. Louis) where there was a Jamaican Restaurant.  My parents would never go farther than a two-mile radius from our house to eat so this was a real treat, destination dining. Then we went to the dance, (which was kind of boring except for the fact that we both looked so good…I mean in a ridiculous, 80s kind of way), and then we changed out of our glamour duds and he took me back to University City to the Varsity Theater to see the midnight showing of The Rocky Horror Picture Show which I had never been to and was so thrilled to be witnessing. And then we went to a grocery store back in our neighborhood and tried Ben & Jerry’s Ice Cream for the first time which I had never even heard of!

A few weeks ago I was looking for something in my garage and I actually came across Maurice’s Challenger essay in a crazy moment of serendipity. It was in a stack of favorite writings of friends from high school and college. It looks like it was published in one of our year-end memory books, the kind where you could leave messages to all your friends. I contacted Maurice through Facebook and asked him if I could excerpt passages from his essay here in my essay. He said okay, why not? His much-more-mature thoughts about the disaster were as follows:

Maurice said he was writing through fear of judgement but he decided he was going to be honest anyway. He listed emotions as he felt them in a particularly sharp self-assessment for a 16 year-old: surprise, interested shock, laughter (his first reaction was laughter at the absurdity of the technical mishap) . He admitted this first response of laughter was “not super socially acceptable.” Then he felt wonder, a horrible curiosity, horror at seeing death made real, a desire to keep watching the televised replays, fascination “at the instantaneous moment of death,” a chill at watching people die, the feeling you were watching your own self die, amazement over “the fact they were doing something that seemed so fun,” a realization that the astronauts might not have ever realized they died, and tears at the end, then a lingering sadness.

Maurice also expressed sympathy for the spectators who had no idea while they would be witnessing  sudden death that instant of takeoff. And in his final paragraph, Maurice zeroed in on the #2 teacher, the runner-up teacher, the one who didn’t get to go up into space and that teacher’s face as it was captured by TV cameras while watching the #1 teacher’s demise.

It makes you think about what good fortune really is, something much more nebulous and ambivalent, like the old Zen story about the farmer with a son who had a broken leg.  Luck and fortune sometimes reveal themselves over time.

Deep thoughts, me.

So I re-read Maurice’s essay and wanted to think I’ve changed between then and now. (See me adulting?) I mean these were all the same thoughts and feelings I had on 9/11. We heard the news “America was being attacked” in New York City. I had just come back from NYC the day before. My friend Julie had set up both an interview for me at McKinsey & Co. and a John Cougar Mellencamp concert for us at Jones Beach. A group of my co-workers and I went a few floors up into another company’s offices, (they had a small tv), and surrounded by strangers we witnessed 9/11 unfold on live TV. I remember someone saying, “One of the towers is gone” and we all thought this must be a trick of a helicopter’s camera angle. It was the same TV confusion.

Anyway, while digging through some photos recently I also came across a photo of Ms. Eichorn’s classroom that semester. My friend Lillian was drawing Notre Dame on Ms. Eichorn’s classroom wall and we took our picture in front of it with me, Lillian, Diana and their friend Kathy.

Mary. Lillian, Diana, Kathy

Then last week I was going through some yearbooks. I had a hard time finding my own class in each one. And I couldn’t recognize most of the names in my own class.

When I was 17, I could identify all 400-plus fellow students of my senior class, save one person who I just never managed to have a class with. I remarked about this feat to my friend LeAnne at our senior overnight party in 1987, saying this would be the last time we would be in a room full of hundreds of people and know all their names.

So this is a significant loss of data here. And it made finding my own Junior picture in 1986 somewhat difficult. But I did find it. It looked like this:

Mary McCray hair

(and that was as high as my hair ever got, by the way). Scanning down the page I was surprised to find snippets and pictures about the Challenger explosion on the very same page. That’s what a big deal it was.

But whew, right? Thankfully nobody could possible imagine what my initial reaction to the explosion had been….except for some godforsaken reason there’s a pull quote next to the explosion photos…

from me.

Obnoxious Pull Quote

God. Dammit!

I have no memory of being asked about the challenger explosion, no memory of saying anything about it, least of all saying anything so remarkably dumb. No memory. This was a shock to see.

And this is just great because now any Junior from 1986 with a last name falling anywhere between Kirsch and McCullen can one day look up their picture in the Parkway North High School yearbook and see this pull quote about the Challenger explosion and think firstly “Who the hell is Mary Ladd?” and then secondly “Man, what a heartless boob she must have been.”

L:-M Yearbook Page

Sigh. Ok. Enough of that.

This is an unrelated-but-sort-of-related story about failing memory. When I was eleven or twelve I saw a man get murdered in a park.

My friend Christy’s dad worked at McDonnell Douglas where many of our dads worked. He brought Christy to his department’s summer company picnic every year and she was allowed to bring three of her little friends. LeAnne and I were always solid invites. And then there was always this revolving fourth girl who was the add-on girl every year, the girl who made LeAnne and I extremely jealous. In fact, my relationship with LeAnn probably solidified over this fourth-girl adversity. We were very possessive of Christy. And we made kind of a sisterhood-peace with each other.

On that year’s picnic, all four of us were standing by the curb waiting for Christy’s dad to get the car and pick us up. A blonde-haired man, maybe in his 20s, started running toward us.

(I’m convinced to this day he ran toward us believing nobody would shoot at him if kids were around him.)

We heard what sounded like firecrackers popping and the man fell literally twelve feet from us. All four of us realized at the same time what was happening and we booked it across the street and over a low grass hill.

Like a movie, Christy’s father drove up right at that moment and we pointed at the man who just got shot. To his credit, her Dad hustled us all into the car as fast as he could and got us out of there.

I was convinced that night a killer was at-large and hunting down four little girl witnesses. He wasn’t. He was arrested, if not at the scene then shortly afterwards. The next day the paper reported the murder was a domestic disturbance involving a family picnicking next to the big company event.

I was in St. Louis last November and I met up with my old friend LeAnne for dinner and we talked about this murder. She kept talking about Melissa being the fourth girl. Who was Melissa? I have no memory of a girl named Melissa or her slot as the fourth girl that year. I’m sorry, Melissa, if you ever read this and think who the hell is Mary Ladd? I can’t remember you either.

And it bothers me I can’t remember her. I mean dips and peaks, right? A murder. I should remember Murder-Day-Melissa quite clearly, shouldn’t I?

Well, I do not.

However, I can still remember every video John Waite played as guest VJ that night after the space shuttle exploded.

View the full restored show from my old almost-40-year-old VHS copy.
(Thanks to Dave Fein for restoration magic.)

Proust and the Fan Squeal

ProustIf I’m cocky about anything in this life, it’s my nerdiness. I can’t really be out-nerded. I don’t have a stamp collection and I don’t spend my time solving math or science puzzles; but I do plenty of other lit-nerd things, like slog through JStor essays and some very dry, academic books. You can’t out-nerd me by dropping titles like Gormenghast or authors like Proust.

Yeah, maybe you’ve read Proust. How cute. I have a Proust shelf. I have two sets of the Moncrieff translation, (the Vintage edition and the Modern Library Paintings in Proustedition), the Quarto Gallimard edition in French, Eric Karpeles’ Paintings in Proust (which I perused concurrently with the novel). I’ve read the first volume, Swann’s Way, three times, (once at Sarah Lawrence College, once in a book club and once reading the full epic with someone who had previously read it in French) and along my journey I have the collected The Paris of Marcel Proust, his biography by George D. Painter, lighter fare like How Proust Can Change Your Life and his Letters to His Neighbor,  the book that traces the origins of all the characters called A Proust Souvenir (in English and French), and two actual human students of Proust!

And let us not forget the two books of poems based on the novel, Proustiennes by Jean Fremon and The Albertine Workout by Anne Carson.

I have also visited the cork-lined bedroom of Proust at the Musee Carnavalet – Histoire de Paris in Paris, at the suggestion of one of those aforementioned Proust students, Ann Cefola, and I purchased the Lydia Davis translation of Swann’s Way so that Cefola and I could compare the paragraphs of the Davis edition with the Moncrieff edition with the original French novel in a month-long email and phone project to see which translations was more faithful to the original vocabulary of Proust.

It was great!

But none of this is to say I’m a Proust Scholar. That shelf is probably a small fraction of the Proust universe. Actually, I would say I am no Proust expert at all. I only understand In Search of Lost Time in fragments, kind of like I understand the poems of Anne Carson.

And, in fact, after five years of high school French classes, I can’t even speak French! So some of the books on this shelf (like the French ones, for example) are my husbands, a former French major. But I’m still buying and reading essays on Proust and he is not. And I think this is because I am what you would call a fan of Proust, and a pretty flamboyant fan at that (judging by the cock-a-hoop paragraphs preceding).

But even so, it took me a very long time to decide to read Proust. It seemed a pretentious thing to do, even for a lit major. Faulkner, Pynchon, okay; but Proust?

And when I did start reading the world’s most famous novel, I realized it was what we used to call, (in less PC times), very, very gay (as in that is so gay!). Which just means the novel has a queer sensibility and this is most likely because Proust himself was a gay man, a fact I didn’t know and if I had known I would have read the books decades earlier. Because I too have a kitschy, campy sensibility that is very closely aligned to queer culture. Is this because I am a life-long Cher fan? Or am I a life-long Cher fan because I instinctively appreciate camp? It’s a mystery.

In any case, when I describe Proust’s In Search of Lost Time as having a gay sensibility, it’s hard to explain to people what I mean. I keep saying Proust has a kind of exuberance you don’t normally see in straight male writers.

It’s not that certain straight men don’t go on and on about a subject like Proust does but that they might do so in ways like pontificate or lecture. You might hear someone talk about a particular thing they are excited about with words like ‘awesome’ or ‘great’ or, if they’re feeling really compelled, ‘so cool.’ But that’s as hyperactive as they may allow themselves to get; the remainder is at an emotional reserve, intellectualizing, doing what fan-scholar Mark Duffett calls distancing.

And I must say here that when I reference straight males, this is not at all exclusive. Some straight women, gay women, gay men and non-gendered people I know have a tendency to restrain a grand enthusiasm just as much as anybody; but usually they do it for the same reason.

I started putting it all together, myself, very recently while I was reading yet more Proustian analytics, the triad of Living and Dying with Marcel Proust by Christopher Prendergast, The New Yorkers’ May 10, 2021 article “Peripheral Proust,” (where Adam Gopnick ponders why “secondary works on Proust continue to appear in manic numbers”), and the textbook Understanding Fandom, An Introduction to the Study of Media Fan Culture by Mark Duffett.

Today, we have such a plethora of things to be fannish about: tv shows, movie auteurs, music artists, authors, whole food genres. Proust didn’t have many of those things. He had sights (architecture and painting), sounds (both ambient and music), and ideas (books, articles, the Dreyfus affair). Oh, and the Guermantes. He had nobility (which was the celebrity obsession of his time).

In Understanding Fandom, Duffett talks about hierarchies of fandom. All of Proust’s pleasures are high brow, for the most part respectable pursuits. The Proust novel is itself a respectable thing to be a fan of. However, Proust had plenty of what we now define as guilty pleasures including the theater, one of those things that has flipped from low to highbrow for us.

Mark Duffett explains one of the basest of fan gestures is considered to be the fan squeal. It immediately signifies lowliness. And the squeal is most often applied to “girls” because they do it with such lack of inhibition. And by definition this marks these girl fans as a lesser kind of fan because they are offering up an emotional versus intellectual response.  And further, any object that elicits the girlish fan squeal will become quantifiably downgraded in the hierarchy of subjects.

You can easily picture this, girls circled together in a bedroom verbally expressing shrieks of delight over handsome pop objects. At its screechy worst, it becomes a public scream, Beatlemania. When boys were Beatle fans, it means one thing. But when the girls arrived, it got screechy.

Steve Miller explains this repeatedly and unapologetically in his book Detroit Rock City. When girls start offsetting the audience ratio at any heavy metal rock show, the band is no longer cool.

Because bitch, please…

You should be a connoisseur not a sentimentalist.

Girls defy this edict, but so do a certain segment of the gay male population, men who also squeal performatively in public. ‘Flaming’ was once the derogatory term used for this type of very effervescent man.

And some gay boys were probably squealing themselves over John, Paul, George and Ringo…behind closed doors. Squealing is actually a highly acceptable practice within most circles of girls and girls hanging out with gay boys. And I believe this is partly why certain types of girls, (equally reactive ones, I would argue), develop such close friendships with them.

I, myself, do the very act of of distancing Duffett describes as a Cher fan. I do this very likely because I had two disparaging, older straight teenage boy music aficionados in my house growing up. Your ideas about music would be discounted otherwise.

Duffett quotes music critic Caroline Sullivan as using the word credibility in her book about the Bay City Rollers. As a fan of boy bands, your ideas lose credibility.

But there’s something absurd about that. And this was part of my original joke, Cher Scholar. But then when I actually began Cher scholarin’ there was respectability inherent in the endeavor. And I appreciated that. It was helpful to me and to the ways we speak about Cher. There’s nothing innately wrong with intellectualizing. But I was probably doing it just as subconsciously as consciously. So I would include myself as one of the straight females who tends to “tone it down,” to downplay my own version of the flaming squeal.

Another thing I notice that I do, and I noticed it while writing this essay and the one on Philip Levine, is that when I talk about poetry, I tone down my academic vocabulary and sentence constructions and when I talk about music I rev it up.

But I actually do love exaggerated enthusiasms and so it annoys me that I self-protect myself in this way. And so I try to offset my reticence with the occasional, politically-willful, calculated squeal. It’s not hard to find the object that will do it. Usually, it’s a Cher doll. In fact, I can remember my first Cher doll squeal all the way back to Christmas 1976. I can get plenty squealy about the dolls.

Because I can.

Dolls!Speaking of dolls, I am revamping the nativity of the Christmas Cher doll tree.

I finally bit the bullet and bought the Val Kilmer action figure from the movie Willow.  Then I found a hip, online paper doll artist from Perth, Australia, for our new nativity member, Alexander Edwards, and we had no Robert Cameletti! How did that happen? And while doing that, I decided to upgrade the paper dolls for Gregg Allman and David Geffen.

Anyway, we can see that there are strict boundaries around fandom all the time. And here we come back to Proust. He can go on for pages and pages of happy exuberance about a madeleine in a cup of tea, the passages of the moon or a flower patch. He uses words like bliss and glorious over things like train timetables, steeples and trees.

And although arguably he doesn’t squeal in volume, I would argue he does squeal in the amount of ink dispensed and the emotional particularity he demands from that ink.

Even if you didn’t know Marcel Proust was a gay man, you might consider the long, meandering Proustian sentence feminine just as you may consider the brief, single-syllabled Hemmingway sentences as masculine.  That’s the dichotomy, although it’s inherently unfair (and inaccurate) to both Proust and Hemmingway. Hemmingway famously had his own feminine side and as for Proust, as feminine as any gay man might seem he is still a man.

The dichotomy is false but easy to digest with our primitive ‘othering’ instincts. And intellectual distancing is an armor, which makes straight men particularly good at it. It’s a masculine effort. Women and gay men tend to have less armor, by design or by choice.

In any case, this is my somewhat distanced yet attemptive emotional fan squeal about Proust’s own fan squeal. And such as it is, I value it more dearly than all the nerdy academia of Proustlandia and you’ll have to pry it out of my cold, dead hands.

Taking On Cher Compilation Albums

I am very excited about this unveiling.

A few years ago, Robrt Pela suggested we compile a list of all of Cher’s compilation albums for the Cher Scholar site. So we did that. And it was quite a mind trap, I must say. Part of the project was culling out what was NOT a comp, like the three albums you see to the left, little imposter stowaways on the massive freighter of Cher comps.

We’d like to take you on the fantastical journey of our compilizing . So first we will summarize the experience of the toil and trouble.

Robrt: Here’s my postmortem paragraph about being a Cher Comp Wrangler. (Where’s my hazard pay?)

So, first of all, I have to thank you for your enthusiasm for this project. It would have been fair of you to say to me, “I think your desire to obsessively list all the Cher compilations is mad, and I don’t want to be friends with you any more.”

Also, thank you for letting me maniacally copy-edit this list.

So, a couple of things I noticed: One is that there are variations of variations of variations in the Cher Comp World. And also that I didn’t find it much fun tracking down some of this stuff. Like, knowing the difference between the Malaysian reissue of the seventeenth iteration of the Outrageous bootleg and the UK import of the original reissue of Holdin’ Out for Love, (which originated in Denmark as a repackaging of a Cher hits package from Canada) didn’t improve my life.

Here’s another thing: The Cher Comp Universe exploded in 2000, for obvious reasons: “Believe” was a monster, and every label, label subsidiary, and bootlegger wanted to cash in. All those annoying Holdin’ Out for Love comp variations started up around then.

Finally, all the similar comp titles and the variations on cover art made me want to jump off the balcony—and we live on the 14th floor. I mean, all those Golden Greats and Golden Hits and This is Chers were bad enough, but when they started swapping covers with one another, I thought I was going to burst into flames.

Which is pretty much what happened when I discovered that this already-weird Imperial/Casablanca mishmash comp called (of course) All I Really Want to Do has a variation cover that features two photographs of Cher THAT AREN’T REALLY HER.

After that I was like, “I’m done.”

Mary: I do feel your pain. While I was finally setting this all up in HTML I was losing the thread of my existence a little bit.

And as I remember it, you suggested this project and I was all like “I dunno…that seems hard.” And you were like,  “We’re doing this!” And I was like…”Okay. ”

But once we got going, it was a lot of fun (and very funny). I am still surprised it took us so long to complete the project but then I didn’t imagine there would be so many comps, so many details to track and so many life things that would intervene.

Parsing through my own collection was sobering. Why did I buy all these? Then looking for the photos was particularly maddening because many of the titles from different labels were duplicated. These aren’t respectable artifacts summarized on Wikipedia. I thank Discogs Music Marketplace for their very helpful database of details and photos.

The most fun for me was tallying up the statistics and organizing them (why so many German comps? Why do the Germans love “Holdin’ Out for Love” as a title so much? Because they love the song?).

And it’s worth mentioning, a compilation cataloguer’s work is never done. There are still a few comps in here that will need further research and I’m interested to see how streaming comps will evolve.

So without further ado:

The Cher Compilations: The breakdown by year, country, era depicted, hits, oddities, sound quality and our ratings.

Spoiler alert: there are 147.

The Discussion: Robert and I spent an evening talking about the Comp albums, our favorites and what makes us crazy about some of them.

We’ve Moved!

You try to tell newbs and naysayers about Cher one day and then 24 years of your life go by! It’s not okay. (It’s totally okay and I would do it all again.)

Our flagship site, Cherscholar.com, started in 1999 in my Yonkers apartment off Odell Avenue and it all began as a static spoof site. And look at us now! The spoof has swallowed us all up and we are now in our second content management system. 

My friend Julie encouraged me in 2006  to start a blog to go along with Cherscholar. At first I had no idea how to strike a balance between a personal blog and Cher discussions. But after some practice on another fan forum, I figured it out and started this intrepid little blog back on September 28, 2006. Unfortunately, back then I did not imagine the blog would last 16+ years or that I would have to lift it up and move it somewhere else. I would say that is something I probably should have known, web content being my day-job and all; but in my defense, content management systems were new back then and the perishability of services just seemed so…far away and unlikely.

And the really bad news is that I didn’t purchase a separate domain name for the blog. I’m fixing that now by attaching the blog to the parental cherscholar.com domain, but….big sigh….16+ years of incoming blog posts links to cherscholar.typepad.com/i_found_some_blog are about to break. Considering the prospect of almost losing 16+ years of deep Cher ponderings, I guess that’s a fair price.

I found out last October that Typepad was no longer accepting new bloggers, which translates to a ramped-down customer service and troubleshooting situation (you can’t pay folks when income’s not coming in). Then, when a server move resulted in weeks of broken site images and downtime, I saw the writing on the wall. But I was loathe to leave Typepad. I have very few complaints about them if any. They were easy to use and secure and their customer service was always great. Although very limited in site bling, their out-of-the-box features were far more customer-friendly than on WordPress where you have to build pretty much everything from plugins. (Want to include borders around your images? Well, you need a plugin for that. Want to link to Twitter? You’ll need a plugin. Don’t ask. You will need a plugin.)  But to WordPress’ credit, there’s a lot more bulk editing you can do site wide, so that’s good.

I had worked with WordPress at the Institute for American Indian Arts and at Central New Mexico Community College so I knew the learning curve with it and although I knew WordPress was the safest bet for future migrations, I still felt very loyal to Typepad and very, very lazy to do anything about the situation.

The timeline of the move looked like this:

  1. November: feeling sorry for myself, wishful thinking that Typepad would get bought out in the next month by another blogging service.
  2. December: dragging my feet to do anything and continued wishful thinking, backing up all my sites over Christmas break.
  3. January: begrudgingly researching my options.
  4. February: prepping the new environments, moving the two Cher sites, struggling with plugins.

Some of my angst I’m sure was not wanting to spend my private life doing my day job. And I don’t even hate my day job; I just don’t want to do it all the time.

Anyway, the new URL for the Cher Scholar blog, I Found Some Blog is https://cherscholar.com/cherblog/. Please update your bookmarks and forgive all the new brokenness.

Cher Funko Pop dollOh and image pop-ups will no longer work. So very sorry. I haven’t found the plugin for that. 

Sigh. 

Old stuff will look messy for a while (and there’s an issue with old comments.)

But as part of our lookback, I’d like to remind everyone this was the first title of my first legitimate I Found Some Blog post, “I’d Be a Superfan of Albert Goldbarth But There’s No Doll.”

Can I get an amen on that? The Funkos Pops are coming!

Goodbye to Georgia Holt

FSIKCl-X0AEk4a5I still haven't sorted out my websites due to a few setback this winter. So I haven't been able to blog about Cher's new perfumes or her new boyfriend (Quel scandale!); but the loss of Cher's mother, Georgia Holt, at 96 could not go without a moment of tribute.

Cher's mother lived a very interesting life, starting out as a country singer with Georgia's father at age 6 and at age 10 playing with Bob Wills & His Texas Playboys. (Wills actually has a mural in my family seat of Roy, New Mexico…Harding County has gone a bit mural crazy the last 20 years). 

Bobwills
Georgia Holt then came to Los Angeles to try to break into acting and she got by with modeling jobs. Although she never "made it big" she seemed to know many movers and shakers. She was friends with many people (or at least their wives) who would go on to play a big role in Cher's career, including Ahmet Ertegun at Atlantic Records who she spoke to about Cher before Sonny & Cher signed with Atco Records and also Robert Altman's wife who she notified about Cher's attempts to break into acting which led to Robert Altman's "discovery" of Cher as an actress in the early 1980s. Georgia did score some small roles in the 1950s and 60s, but her best role was probably that of Cher's elegant mother, a role which had its ups and downs (she wasn't at all on board with the Sonny thing at first) but a performance which seemed to end with love, grit and style.

How many mother's of celebrities have their own Wikipedia page? Or have their obits in The Guardian, People Magazine and Rolling Stone

Here are some pictures of Georgia with Cher's father, John Sarkisian, and Georgia with the closest thing she ever did of a book about Cher, Star Mothers, which she organized in conjunction with other celebrity moms of the 1980s,

Cherparents Starmothers

 

 

 

 


Anyway, ever since Cher has been tweeting about the precarious health of her mother this year I've had this poem rambling around in my head for Georgia and her girls…

Threepeas

Three Peas

Three peas in a pod were living in the grass
at the edge of the yard where the street flows by.

Three peas sitting in a pod like a green canoe
with a swanky soft-top the peas could open and close.

These peas could pose in their pod or unwind
or hole up in the rain or wind or sunshine.

Three peas brushing their hair, painting
their nails, singing with their pea mouths.

Three peas in a pod sitting in the grass
as the whole world floated by.

Fast cars came by with handsome men,
other cars brought even more interesting men,

and girls of every kind strutting down the street
in sequined suits. There were mustached ring leaders

and twirling disco balls, long parades with harlequins
on stilts, jugglers in spotlights and water in the gutter

that glittered for three peas who sat by the curb
where the world seems to come to you.

Three peas in a pod would dance and sing
and dress-up and gossip. And then

one day the oldest pea left the pod
and two peas were left alone 

and there was too much space and so they floated
and spun in slow motion until the time passed

and they could settle back in the pod
near where the world flowed by on the street.

And fast cars drove by with handsome men,
girls of every kind and the grass sparkled with dew.

There are two peas in a pod now in the grass by the curb
where the world seems to come to you.

 

Georgia-at-graumans

When I created this blog back in 2008, I jokingly created a tag for all non-Cher posts called "peripherals" (for news about family members, co-workers), but this is like The Peripheral, literally the origin peripheral and a person who had a very interesting life in her own right.

What always struck me about Georgia was her effortless regality. This is my favorite late-era photo of her because it represents the way she held herself. That swell of hair! This was taken the day Cher placed her handprints in Grauman's Chinese Theatre. 

As the t-shirt above says, "Bitch, please. I made Cher."

We’re Moving

It’s been a rocky year kids for reasons I can’t even begin to explain to you. But one of the final adversities this fall was the slow crashing of our dear webhost Typepad over the last three weeks, starting with their inability to display images on the site. Fortunately I was able to backup all (or most of) the many words but it’s been made clear by the downtime (and Typepad’s own homepage missive that they’re no longer taking new customers) that it’s time to move all the sites to more stable and supported pastures. That will take quite a bit of time and effort (and that’s after researching where we can even go). I don’t know if I’ll even be able to restore everything, but if not we can revisit old posts from time to time.

Brave new start.

So anyway I’ll be gone for a while which is kind of bummer considering I was within a shot put of finishing both the Cher TV shows and the Essay Project and was in the middle of a new set of Grammar poems.

The big irony here is that I had taken some time off blogging this fall (and off social media too, although I didn’t do as well with that). I had decided to just stop talking for a minute and start listening (but mostly just stop talking already). And when the weather changed last week I crafted some new posts about poets and madness, Cher's new Decades collection and a few other things that won’t see the light of day for a while.

Honestly, I’m one of the lucky ones in this hosting meltdown because at least I had most of my backups from 2007 and I’m not depending upon any of my words to eat. They’re provided free of charge. Since I’ve never felt this current life’s mission has been to make money or get ahead, I’m not suffering quite as much as some others at this time. (For anyone on Typepad who doesn’t have backups, try visiting archive.org, the Wayback Machine, and you can grab stuff there.) And Typepad most likely will stabilize again (fingers crossed) but this is a big wakeup call for us old-timers over there. And this whole experience just highlights how fragile an internet life can be and how it can all become destabilized and disappear overnight, just like Vint Cerf indicated all those many years ago when he warned us in a speech that a generation of intellectual property will probably be lost. Web companies come and go. The supports you take for granted can lose their way. It’s all part of the digital lifecycle.

It could be worse…always.

Which brings me back to my little goal of shutting up for five minutes. It might be longer than that. I will be taking this opportunity to watch one of my favorite movies, Into Great Silence. I will pretend to be a monk for a while until my little Chatty Cathy comes out again, which is inevitable.

In better news, ICANN has called everyone back into the office for the first time since they shut down in April of 2020. So oddly 2023 is feeling like what I expected 2020 was going to be. And that includes trips into the LA office starting January, during which I’ll see the Joan Didion exhibit at The Hammer Museum and will report back on that when the sites are all moved. This also means there will probably be no NaPoWriMo 2023 for me next year as I won’t likely be up and running by that time.

But there’s plenty of work for me offline and I hope to catch up with everyone down the line. I hope the rest of everyone’s year goes well and next year we can pick up with new books and fun Cher stuff. 

Starting on The Sonny & Cher Show and Misty Water-Colored Memories

DefaultI’ve started to work on the last leg of our major project. It’s hard to believe but I made the first post on the first Comedy Hour show all the way back on January 15, 2019! At this rate, I should be finished in late spring of next year (minus a sprinkling of TV specials we can do).

I’m actually happiest reviewing these post-divorce shows. These are the shows I remember watching in 1976 and 1977. After we moved to St. Louis from Albuquerque, our time zone changed and Sonny & Cher tv now fell after a pretty strict bedtime of 8 pm. At the time I petitioned for and was granted a weekly exception, an exception that lingered after the cancellation of the show and enabled me to watch Solid Gold every Friday night with the delightful Marilyn McCoo.

To watch Sonny & Cher, I would go back into my brother Andrew’s bedroom (I didn’t yet have a TV in my own room) to watch the show all alone. He had a little color portable green TV my mother once received as a work bonus. I remember the hour would go by incredibly fast. Sonny & Cher always looked so good, I thought.

This was also right around the time my family staged an intervention on my Cher obsession. It happened at the kitchen table one night (and this is going to turn shortly into a sentimental story about my Dad).

I recall sitting at the table while one of my brothers, my mother and  grandfather Stevens all tried to talk me out of liking Cher so much. My Dad was sitting at the far end of the table, but I don’t remember him saying a single word that night.

I do remember my mother telling me I shouldn’t like Cher because her teeth were crooked. And by the way, you can always ID an old Cher fan because we invariably say things like we prefer Cher’s old teeth. I’m sure I immediately dismissed this argument as beside the point. Then my grandfather said I didn’t even know what political party she belonged to!

This was not a surprising tactic on his part because he pretty much had his own two singular obsessions, (possibly this is a genetic problem), which were (1) extoling the greatness of British shipping history and (2) notifying anybody and everybody about the tragic demise of American labor unions. (As an aside, when he found out I was interested in poetry, he told me I should read the 1930s labor poets and I was like I don’t even know where I would find those people and he said go to the library and I said well, that’s not gonna happen. Fast-forward to today and I found those people and am reading them as we speak.)

But his suggestion that I know Cher’s political affiliation was completely disingenuous anyway because the current opening segment schtick for The Sonny & Cher Show was an argument about Cher supporting Jimmy Carter in the impending presidential election and Sonny still supporting Gerald Ford. This might even have been when Sonny “came out” as a conservative. My family should have known this. And in fact, Ford’s eventual loss to Carter was all the more misfortune in Sonny’s slow slide into the shadow of Cher’s phoenix-rising and his own impending designation as a “flash-in-the pan.”

But at that moment my only response to my grandfather was “I dunno” because I didn’t even know what the political parties were…and that was because I was seven years old.

Yes people, this all happened when I was seven!

So anyway, my Dad is sitting at the table conspicuously not saying anything during this completely shocking intervention and so this leads me into a story I’ve been meaning to tell for quite some time, (me wanting to tell it while my Dad is still with us).

So fast forward 33 years later and it’s my wedding. Now my Dad is not someone who wants to be doing anything in front of a crowd of people. So a speech from the father-of-the-bride was right away just not going to happen And honestly, a lot of the wedding traditions I felt very ambivalent about, but the one thing I had fantasized about for many, many years was the father-daughter dance. And I remember in early conversations my Dad was not wanting to do this. He kept saying he wasn’t a big dancer.

It took some working from my mother to convince him to even consider doing a father-daughter dance and even then there was a separate round of negotiations around what that song would be. My first choice was “Take It To the Limit” because my Dad was a late-adopting but relatively new fan of the Eagles and the song kind of reminded me of him in a distantly, Western kind of way. But then my brother Randy convinced him that the song was essentially a love song (an interpretation I still disagree with) but then as it turns out my Dad would never want me to ‘take it to the limit’ anyway so the whole thing was a moot point. Bad idea on my part. As was the, in hindsight, misguided suggestion to use Lee Ann Womak’s “I Hope You Dance.” There is probably not a single line in that song my Dad would agree with. Not a single line.

So after months of back and forth and finding nothing, I suggested the song “Turn Around” and I sent him Cher’s version with the caveat that I didn’t like it. I rather preferred the Harry Belafonte version or the version that was on that Kodak commercial in the 1960s. Unfortunately in 2009 other versions of the song were nowhere online or in new or used record stores that I scoured for weeks. And that ended up being a moot point too because my Dad said he was only interested in dancing to the Cher version. End stop.

I was surprised by this, kind of moved and also a little dismayed (it’s really not a great version; Cher’s barely had time to “turn around” herself). But that was just too bad, because that was the only song he would consider. And as I recall he still didn’t commit to anything fully until pretty much right before the event, the night before which we spent with my former-dance-teacher mother showing us a simple waltz.

0230_McCray-LoRes-WEB_20091114And we did the father-daughter dance to Cher singing “Turn Around” and it went off without a hitch.

Later, my wedding reception was basically a mix-tape project with the DJ and I organized slow-dance numbers in two-song blocks because haven’t we all been at weddings where you find yourself in the bathroom when a slow song comes up and by the time you find your date and drag him out to the dance floor it’s all over?

And I didn’t use many other Cher songs at the wedding. I used the instrumental version of “I Got You Babe” as part of the arrivals mix and a fun radio mix of “Song for the Lonely” as part of the dancing reception…

…and my favorite version of “I Got You Babe” during one of the slow-dance two-fers (the Westside Room version to which I edited out all of Sonny’s preambles because what poor guests need to hear that?).

And when that particular song started playing my own date was off hobnobbing with some of our guests and I was a little disappointed (missing a dance to “I Got You Babe” during my own wedding and all). But then I turned around and my Dad was standing there and he said, “I’ll dance this song with you.”

Oh my.

This was one of the unforgettable moments of my life, I have to tell you. I don’t even know why really. Probably it was his willingness to dance to this iconic Sonny & Cher song with me at that moment. To this day it gets me very verklempt. I mean after all the protracted negotiations about dancing at all and then the history of my family vis-à-vis the Cher thing. And now I cannot extricate my memory of my Dad and me dancing from this version of the song itself, which every time I hear it has come to mean a sort of moment of acceptance and connection. If I had to do it all over again, I would probably pick this song for the father-daughter dance in the first place. It was probably the real one, unbeknownst to anyone there, which is just like the most awesome thing.

 I mean.

The other slow song I paired with it was Wilco and Billy Bragg’s cover of Woody Guthrie's “California Stars,” a cover which my Dad really liked by then too and so…

 …we kept on dancing.

 

"Good night everybody. God bless you. Thank you for being so cool. Good night and thank you very much."

Cher Shows Completed

Fashionweek2022Cher just made a big splash (or two) at Fashion Week in Paris:

Rolling Stone
The Guardian
People

Fashionweek2022-1

I’ve been keeping my nose in projects lately. On top of that, ICANN had a meeting in Kuala Lumpur so it was the nightshift for me last week. And now cleaning furiously for a visit next week from my friend Natalie (the real Lion in this story) is visiting and we’re taking a scenic train trip on the Cumbres & Toltec Scenic from Colorado to Chama, New Mexico. We’ve been trying to plan this trip since Covid started. Sigh.

And I’ve been continuing to work diligently documenting Cher TV shows. Recently I finished the tour through the solo show. As part of that I watched the Bob Mackie interview in the Cher TimeLife DVD set. Here's a summary of that:

Mackie said he started working with Cher when she would ask for him whenever Sonny & Cher did early 1970s TV specials and Cher liked working with him because he was young. She was intimidated by old people in show biz, Mackie said. “I’ll never be older than 30,” she told him. “I’d be old then.” Mackie added, “look as us now.” Turns out death is kind of more intimidating that old age.

Anyway, Mackie says he saw S&C as a novelty group back then and that after the Beatles arrived they weren’t really getting booked anymore so they transitioned to a nightclub act.

He acknowledges Sonny & Cher were the same height, but that Cher had “a tall look.” He said for the first season of their variety show the network gave them no money and so Mackie had to recycle Carol Burnett dresses (they are the same size and measurements) and keep using the same basic white dress made over with embellishments. He said Cher always looked better than the models in his clothes. He said Sonny and Cher had a good PR agent and Cher was getting a lot of magazine covers.

Mackie says he was there for the first variety show planning session and he remembers the writers didn’t really know what to do with Cher. Was she like Keely Smith? No. Mackie could see Cher had something nobody else had. “She looks like nobody in show business.” Was she American Indian, Middle Eastern, Hispanic? He reiterates that he thinks her armpits are her best feature. He said she had a nice “soft six pack.” He said once the censors saw the show’s huge ratings, they relented on the belly button thing.

Mackie says they were always running late and pulling all-nighters on sewing outfits. Dresses would be hand-beaded and take hundreds of hours to finish. Cher was always very happy with bugle beads, crystals, feathers and rhinestones. Mackie’s favorite dress was the Time Magazine/Met Gala dress. “It looked like you could see something but you couldn’t.”

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He says Cher outfits have been experiencing Internet nostalgia recently and he sees copies of his dresses on young celebrities and drag queens everywhere.

He says their outfits were never vulgar, never trying too hard. Cher was “never posey” and could rock a t-shirt and jeans as easily as a historical costume dress. He said she was fearless with outfits and unlike other glamour girls wasn’t afraid to look silly. He said Cher was really laid back and easy and full of energy.

As we know, Mackie was doing the full suite of costumes for The Carol Burnett Show and only had the bandwidth to do Cher’s outfits on all her variety shows. Ret Turner took over, working with Mackie, on the rest of the cast including Sonny and Chastity. Turner and Mackie had worked together on lots of shows, Mackie said.

Of the Tina Turner, Kate Smith, Cher Beatles medley, Mackie says, “you will never see that again” and “you have to see it to believe it.”

He says the Laverne character is the complete opposite of Cher. He says he worked with Teri Garr earlier when she was a dancer on Hullabaloo. He said the 1970s was the Golden Age of Variety (which surprised all of us, Mackie said, “because we thought were at the end of the road.”) But never again would networks spend that kind of money on a big orchestra, couture-level costumes, sets and all-around glamour.

Mackie said in the recent Broadway show think-tank sessions Cher’s likeability kept coming up as a phenomenon. Cher wins you over, Mackie says, and people have an “odd fascination” with her. People “always wanted to know what Cher was doing.” He said it was “tough for the girls playing her. Nobody’s quite like her.”

ChershowI really enjoyed re-evaluating the Cher episodes in chronological order this year and I came to have more respect for what the show was doing: more overt feminism, trying to present Cher in her own right, a stronger focus on musical guests. There were a few cringy moments but there were just as many, if not more, really fabulous, history-making moments the show doesn’t get nearly enough credit for. It’s the show I was probably the least familiar with going into the project, having never seen any episodes before VH-1 re-aired some in the 1990s. I definitely could see a continuation of the cultural work the Comedy Hour was doing but with a bigger bang.

In some sense, the next incarnation of the Cher TV with Sonny would seem like a regression. But it wasn’t. After sweating it out on her solo show, Cher could now hold her own side-by-side with Sonny and it shows.

And any tension underscoring their post-divorce reunion may have turned America off (as the show’s ratings didn’t stay high), but looking back the show was nonetheless interesting in some entirely new ways.

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