a division of the Chersonian Institute

Category: History (Page 9 of 15)

50 Years of Cher and Mick Jagger, Cher on SNL

MickWhile I was on my writing weekend in AZ last month, a friend of mine
had the Mikal Gilmore interview with the Rolling Stones from Rolling Stone Magazine
(a magazine whose interviews are way shorter and less interesting these days). I woke up
before everyone else one morning and read it. Two parts reminded me of Cher’s comments of late:

Energy Levels

I’ve been arguing with a friend and Cher appreciator about Cher’s energy level in live performances. I’ve been arguing how unfair it is for him to
compare Cher to her younger self. He then brought up Mick Jagger as an example of an energetic performing septuagenarian.
I responded, Mick Jagger doesn’t have any feet problems and hasn’t been through
menopause or Chronic Fatigue. I wasn't getting anywhere. Thankfully Mick Jagger himself came to my rescue
in this article (he also mimics Cher pleasure
over what key they’re still singing in):

“When I’m on stage,” he says, “I’m not just singing. I want
to do a performance, as well, so that’s waving my arms around and running
around, and I’m dancing. That takes 50 percent of your breath power, so my
challenge is how to balance that with my vocals. You don’t want to be out of
breath when you do the ballads. That’s a  kind of balancing act. I have things that I
can do at home for keeping my voice together. I do karaoke singing, and I write
songs a lot, and I do demos and sing them. I’m very lucky in a lot of ways,
because—I do all the Rolling Stones songs in all the same keys as they always
were in, so my higher end is still there, maybe better than it was, because I
don’t smoke anymore, and I don’t drink as much and whatever.”
(May 23, 2013
issue, p50)

Longevity

Mick Jagger was also being asked to explain his success and
longevity. He has a similar response to Cher's:

“….there has been some toll—though not equally
distributed—in the life of the Rolling Stones. But not enough to deter them, or
any audience, in the past 50 years. What is it that sustains that appeal?
Answers Jagger, “I could say just these things I usually do, but the answer is
that you don’t really know. Why do the Rolling Stones endure?  I always say, because they’re successful.
Because people still like them. However much we might like to do it for
ourselves, if nobody wants to see you, then we probably wouldn’t do it. But you
ask me what we mean to ongoing and changing audiences, I don’t know what we
Chermickmean. I haven’t got a clue. I do think our sort of longevity adds an extra sort
of layer to the appeal. Adding a patina to the piece of old furniture. Because
you’ve been around for 50 years, it does add this kind of …this luminosity, if
you want. But in some ways, it’s kind of a disadvantage, because then you’re
tempted to rely on it, you know?”
(May 23, 2013 issue, p 53)

Incidentally, my dream of seeing Cher
on the cover of Rolling Stone Magazine is moot. The articles are now truncated to
keep up with the bathroom audience; but I still have my Saturday Night Live
dream.  I just saw a rerun of Bruno Mars
on SNL from last year. He was freaking amazing in so many ways. Cher
could so do “a Justin Timberlake” on that show too and be both host and musical guest. She could
show them she’s been there, done that and can do it all again in a week. Show
the over-excitable divas what’s what.

 

I Think a Song from Cherished Changed My Life

Cherished1Cherished was the last album Cher did with producer Snuff Garrett in 1977. She was also working with Gregg Allman on a duet album that year and this was the kind of confused personna mash-up that probably occured years later when Cher tried to work on her Vegas shows and her new band Black Rose at the same time. One album personna was gritty, another one was pop.

But if you were 7 or 8 years old when you laid your little hands on this album, you may have loved it as much as I did. I bought my copy, along with Bittersweet White Light and Cher's Greatest Hits (MCA), from a three-dollar bin at our local department store, Styx, Bear & Fuller. I listened to its dramatic story-songs in a constant looping rotation. My best friend at the time would come over and we'd re-enact them all out in our living room where the furniture-sized record player lived. We played the pregnant girlfriend of the pirate, the failed actress, and the groupie.

Flash forward 35 years and the Peter Allen song, "She Loves To Hear the Music" came up on my iPod shuffle. I had a weird epiphany about the song.

I've always felt there are different kinds of celebrity obsession. I'm the kind of Cher fan who collects the stuff. I'm a fan of the product. I never really looked to Cher to model my life after, admire as a hero, or fall in love with. But as a teen I had my share of those kinds of celebrity obsessions. I fixated on a given rock star here and there. With my friends, we'd plot backstage meetings and fantasize about hookups. But I could never carry it through (as if I could carry it through). But even if we ever came close to dumb-lucking ourselves into a situation, something always held me back. Some fact of pride actually. And listening to this Cher song again after all these years, it occurred to me that internalizing this song's story did in fact influence my behavior during these times.

Let's review the lyrics:
Cherishedalt

She's just a secretary
at a small recording firm
and when it comes to music
there ain't nothing she can't learn.

Everything she lives and breathes
Is written on an album sleeve.
She can tell you who's hot,
who will make it and who will not.

She loves to hear the music.
She's got every lyric down.
She loves to hear them say
she's got the greatest ears in town.

Hangs around the studios,
ain't a rock star she don't know.
Sometimes they take her home
but she always wakes up alone.

Men that want to marry her
never satisfy.
In the rhythms that she hears

are all that keeps her high.

So they turn around and go
and leave her by her radio.
She didn't love 'em anyway,
not like she loves the men who play.

She loves to hear the music.
She's got every lyric down.
She loves to hear them say
she's got the greatest ears in town.

She's there at every studio,
the first to come, the last to go.
Sometimes they take her home
but she always wakes up alone.

Years will not be kind to her.
Her world is for the young.
Bands that played so tightly and knit
will soon become unstrung.

She'll be just another face,
out of time and out of place.
When the songs revive again,
she'll come to life and tell them when:

She loves to hear the music.
She's got every lyric down.
She loves to hear them say
she had the greatest ears in town.

She could of been somebody's wife.
Music men destroyed her life.
Each night she took one home
but she always woke up alone.

What a crazy lady, I thought when I was eight years old. I knew then this girl was ultimately a loser, in many ways. And she scared me. Who could throw themselves at a rock star if that legacy was looming over you? Not me.

I was conflicted about this for many years. I remember the day I decided to give up lusting after rock stars. I was in my shower feeling more tired than sad. I said to myself, today is the end of it. I started really looking at the men I was dating as real (and interesting) people after that. I met a string of quite amazing and facinating people before finding Mr. Cher Scholar.

I've seen, since then, how "bands that played so tightly knit" have in fact "become unstrung." Rock stars have come and gone with such unbelievable regularity that it makes the Cher phenomenon seem a bit bizarre.

Peter Allen was a great storyteller and the sentence structure of his lyrics: very bright. But I like Cher's version of this song better. Her voice brings the kind of authority the story needs.

Is it at all ironic that one of my childhood celebrity obsessions subconsciously cured me of my later heartthrob celebrity obsessions?

 

Cher History on Video: CNN, Doll Commercial, Mama

ChercnnSo while we're cooling our heels waiting for the new Cher single to be released this month, I came across some good video of Cher on the UTubes.

 

 

 

Cher on CNN

I caught up with a whole array of Cherness on CNN:

– Cher on Larry King (1999) circa "Believe," Tea with Mussolini and discussing Sonny's funeral (part 1 and part 2)

Footage I hadn't seen about Cher's single with Eros Ramazzotti (2001); how they came to make the record together

Cher calls CNN to talk about Hurricaine Katrina, feeling the same helplessness we all did but with some extra money to help out (2005).

Cher calls CNN to talk about the death of Michael Jackson (summer 2009) and her experiences working with him; how hard it was to learn the Jackson Five dance for her Cher TV show, how Michael loved her beaded socks.

Cher continues to talk that night about Farah Fawcett (summer 2009). "This chick was holding on to thin air and still had a great attitude."

Dolls

Doll– Cher Scholar JefRey sent around this clip: a French commercial for the Mego Cher doll. Mr. Cher Scholar thinks the commercial is from Quebec. He said the accent sounded unusual to him and we figure the Cher shows would be more meaningful to Canadians than to the French. Mr. Cher Scholar translates the commercial jingle as follows:

"That's Cher! [John laughed at the beginning because in French 'Cher' means both 'dear and, in 'slang, expensive… so it sounds like the little girl is exclaiming "That's expensive!"] The doll with long hair; the doll with elegant clothes, that doll that you can braid, wardrobe for all occasions. Thirty-two ensembles sold sseparately. Cher is sold with everything on the screen. Cool! [John was confused by the accent over the very last word which he guessed it meant divine or wonderful or cool.]

FactoryCher peforms (circa 1966) "Mama" with all those creepy dolls at what looks like a staged doll factory. Far from being creeped out, Cher looks pretty blaze about it all.

 

 

 

Cher Concert Openings

Caesars

Although Cher did video for her 1978-9 Take Me Home shows, the big opening video I remember is from Heart of Stone tour. It's fuzzy but you get a sense in the jump in polish from concert videos made from 1989 to 2008. This opening is just a collage of clips as opposed to a remix of music and clips. The first video opening at Caesars Colosseum.

What's great about these openings (whatever version they take) is not just how well they familiarize nonfans with Cher's 4-decade oeuvre, but how much excitement they build up before Cher makes her entrances.I love how the second one is a lovely mashup of "Believe," "I Got You Babe," "Dark Lady," Gypsies Tramps and Thieves," "Song for the Lonely" and "The Beat Goes On."

European Interviews

German– Wetten Dass (German) interview from 1995, part 1 and part 2 and part 3 (she sings a O Holy Night in German!!).

– Wetten Dass from 1999.

Sanremo (Italian) interview with audience from 1999.

 

 

Review of Dear Mom, Love Cher

DmlcThis is the first Cher special that has occurred since I've had my blog (which started in the fall of 2006). And I have to say, my two favorite Cher things in the world are Cher albums and Cher TV specials. I think this comes from starting to be a Cher fan in the early-to-mid 1970s when Cher was all about some flashy-fun TV Specials.

I noticed some old-tyme Cher special feeling while I was watching this one (luckily Mr. Cher Scholar was at work or he might have been disturbed to see it): childlike excitement, a feeling of suspended time, and then a slight sad fretting that the special would be over in one short hour. A Cher special for me is then like Marcel Proust's madeleine cake in In Search of Lost Time, a key to a vivid childhood memory. I watched it three times.

I loved seeing never-before-seen pictures of Cher as a kid and hearing the family delving into their history in Arkansas.

 

 

Bits about the family

Cher calls her history a "strange American story" but it's probably not so strange. Definitely interesting. Definitely American. She kids her mom that they "can only walk the narrow razor wire of white trash so long."

I loved all the stories about Georgia's grandparents, her fierce grandmother who defends her mother with a broken bottle and her mean grandfather who blows himself up while working dynamite to blow up stumps while the railroads in Arkansas were being built. This story is downright poetic with the psychic daughter's graphic dream predicting it. In newspaper reports, Lynda is called a "self-proclaimed psychic." It would be interesting to hear more about her other uncanny predictions or how the family felt about having some psychics in it. Lynda comes across as a very complex figure who is never described mean as such but does her share of mean things.

I wish we had learned more stories about Roy too who spent so much time with Georgia and who, it seemed, Cher knew as a child. He is described also as a complex of mean and funny. When did these family members die? What did they do while they were in California? And what about the story about Roy's attempt to kill Georgia and her brother Mikey. We learned nothing about Mikey.

Cher affirms that her grandmother Lynda's mother was either a quarter or a half Cherokee. Cher claims it was her great-grandmother who taught her grandmother the Rabbit and War Dance. She said although that doesn't make her very Indian, "Half Breed" was a good song to sing.

Bits about Georgia

MombeachGeorgia was born in Kensett, Arkansas, on June 9, 1926. Her father Roy was 21. Her mother Lynda was 13. She started singing at five and became state champion, described as a blues singer, in Arkansas (May 29, 1938). It was Bob Wills who encouraged her father to take her to Hollywood and they hitchhiked. Georgia talks about being perceived as a "dumb Oakie" when she came to LA. She explains why she changed her name from Jackie Jean Crouch (which she liked) to Georgia Pelham (in honor of a dead friend) and where Holt came from (last husband's name). Her Dad worked at the famous Cliffton's Cafeteria. (It's still open! Go eat there…it's so kitchy!).

Georgia talks about the squalid conditions of living in the slums near San Pedro, Main Street and Central Avenue. Georiga talks at length about her conflicting feelings about her early marriage to Cher's biological father, torn between her mother Lynda, John Sarkisian and an abortion. She tells more about the Catholic home in Scranton that wanted to keep Cher (which inspried Cher's critical song "Sisters of Mercy") and Georgia's eventual 6-week "Reno Cure."

Back from early struggles, Georgia won some beauty contests in Reno and LA (Miss Holiday on Wings) and won a Jack Carson scholarship to drama school with the Ben Bard Players. We get to see clips of her bit parts on both I Love Lucy and Ozzie and Harriet. You can see Cher's 1960's smile in some of these clips and head-shots. The family talks about Georgia being friends with Robert Mitchum and Lenny Bruce and a herd of beautiful people. The Asphalt Jungle story is told.

The list of husbands was illuminating but inconsistent:

  1. John Sarkisian (We find out where they meet and a few of their experiences as they relate to Cher, but don't find out anything about his character, his heroin addiction, his prison sentence, later-life conflicts with Cher after she became famous, when he died, etc.)
  2. Chris Alcaide (Also an actor, tall, loved Cher but they were only married "20 minutes" because he was very jealous.)
  3. John Southall (Georganne's father, described as one of the loves of Georgia's life, love at first sight, Cher calls him "dark like me" and appreciates the attention he gave her when Georganne was born on September 7, 1951 and "everyone forgot I was alive"…but he was an alcoholic. Georganne says that when she or Cher refer to their Dad, they mean him.)
  4. Joe Collins (Nothing is said about him…is there jucy dirt behind the omission or was he really that boring?)
  5. Gilbert La Piere (Was a wall street banker and they lived in New York with him, was described as very Father Knows Best and not a good fit with the family. He died last year and because he adopted Cher and Georganne, his obits still describe him as Cher's father. Georganne kept his name.)
  6. Holt (His first name is never given and nothing is said about his character or why Georgia married him.)

We hear much about Georgia's longtime boyfriend, Craig Spencer, who came into the picture while Georgia was running Grannys Cabbage Patch quilt shop in Brentwood in the late 1970s. It was Craig who encouraged her to record an album at a West Lake studio. Craig was 30 and Georgia was 51. Craig and Georgia are shown being interviewed by Oprah early in her career. In old late-1970s clips, Georgia talks about having the same vocal resonance and register as Cher. Craig and Georgia talk about their disappointments that the album was shelved due to contract disputes. Craig laments, "50% of something is better than 50% of nothing." The recordings languished for years in Georgia's Palm Desert garages. Cher says they shouldn't Promo have survived.

Georgia comments a bit on her depression and how she became "a royal pain" after this late career setback but nothing about family depression is elaborated on. Georganne talks about Georgia's unique carriage and demeanor and I think that was spot on. Cher calls her before her time.

Bits about Georganne

We learn all the many shows Georganne appeared in and it's an impressive listing: General Hospital (where she created the mean-girl character of Heather), Ozzie's Girls (with a young Matt Harmon), Welcome Back Kotter, Happy Days, Fantasy Island, TJ Hooker, Police Woman, The Streets of San Francisco. Would love to see her full reel!

ChermugBits about Cher

Cher talks about living her life like a bumper car. Georgia claims Cher is stronger and braver than she is. Cher and Georgia tell the story of Cher's arrest (on January 27, 1959, complete with mugshot) and how the event started at a bowling alley before Cher drove off in the borrowed car to get a sandwich. A picture of the famous LA-eatery Johnnie's Pastrami is shown. By the way, the profile and head-shot of the mugshots do not match.

Scenes from the TV biopic The Beat Goes On are show to illustrate Cher's stories about moving out of the house as a teenager and moving in with Sonny. I've always wondered if Cher approved of that movie based on Sonny's tell-all book. Cher indicated that Georgia threatened to put Sonny in jail. Cher was in her teens and Sonny was nearly 30. I wonder how far Gerogia's threat went and if it was a real concern for Sonny. Interestingly, Cher talks about her anger when she finally ran away and back to Sonny, kicking out her bedroom window screen in what she describes as a dramatic scene.

Georgia eventually got used to the idea of Sonny and talks about how proud she was of Cher when she visited Sonny & Cher the set of Good Times.

The final word on spellings and dates (?)Dmlc2

Sarkisian as in Cherilyn Sarkisian. She was named for Lana Turner's daughter Cheryl combined with Georgia's mother's name Lynda. It's interesting that Georgia picks all her names based on women in her life. Cher was born May 20, 1946.

Even the special could not clear up the cloudiness surrounding spellings of LaPiere. In the beginning of the special, Georganne's name was spelled Lapiere Bartylak (no space, small P) and by the end of the special, husband #5 had his name spelled Gilbert La Piere (space and a big P). Gilbert's obit spells his name LaPiere. In any case, there are no two letter Rs in any of these versions.

Chaz Bono was born Chastity Sun Bono on March 4, 1969.

Elijah Blue Allman was born on July 10, 1976. (Why did he wear sunglasses throughout the special?)

There were things I missed that a one-hour special couldn't hope to cover: a sturdier timeline of when Georgia's family moved from Arkansas to Oklahoma to California. More Arkansas stories, more stories of Cher's grandparens. A more complete list of the husbands with dates and more anecdotes. I know Georgia married John Sarkisian twice but I still don't know which other husband Georgia married twice. She had 8 marriages and 6 husbands.

It's rumored Cher might do a mini-series about the family saga. Mom at least should get a book if nothing else. After all, we never did hear the awful cat story.
 
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More good stuff:

 

The Agony and the Ecstasy of Phil Spector

SpectorIn my stack of to-dos I have a post-it note with the title The Agony and the Ecstasy of Phil Spector and for the life of me I can't remember who recommended this to me. Was it Cher scholar Dishy, JimmyDean or Robrt? Was it someone at work? Anyway, I watched it yesterday and it's a BBC documentary from 2009 which aired between Phil Spector's mistrial and his final conviction for second-degree murder (not premeditated) that same year.

To me the death of Lana Clarkson is a very complicated whodunit, a legit mystery with a dangerously broken man at its center. There seem to be facts supporting his conviction and facts supporting his innocence. I don't feel this documentary clears up the matter at all. The movie only confirms one thing, Phil Spector was looking more and more like Penny Marshall throughout his trial.

The film inter-cuts video footage from his first trial with clips of his greatest musical moments. Commentary about his oeuvre and brilliance is set as text which you try to read while court dialogue plays at the same time. It's very confusing to catch it all. But the commentary on Spector's "little symphonies for kids" is actually very good, the best part of the movie. The interviewer also handles Spector well and gets some semi-sane conversation from him, mixed with a bit of grandiosity (Spector compares himself to Da Vinci, Galileo, Gershwin, Miles Davis and Irving Berlin) and conspiracy theories (he thinks his enemies from the 1960s and 70s are involved in his latest troubles and is needlessly jealous of Bill Cosby's honorary PhD). But it's not so easy to write Spector off as a lunatic because he has completely lucid, smart and valid things to say about his career. Although he's bitter and a mess, he's right on some points.

It was weird to hear him talk about MTV because I thought he was already a shut-in by the time I was watching MTV. In fact, I was surprised to hear he had met a woman at the House of Blues. I'm too reclusive to frequent House of Blues. What the hell was Phil Spector doing there?

There are about 101 shots of Phil Spector looking like a sad sack, put upon by the system. Testimony to the power of film, this almost drew me info full sympathy with him until I reconsidered all the problems with this documentary and Spector's case:

  • The film too obviously sympathized with Spector. It's in no way a balanced look at the situation. The director asked leading questions, in some cases attempting to give sympathetic answers to Spector, like providing him with a good alternative reason for wearing his hair in an afro to court appearances.
  • The court footage is too highly edited to favor Spector. Court testimony supporting his innocence was given more weight and time than evidence against him: Lana Clarkson's bad, black-face audition reels are dwelt upon whereas a string of former girlfriends with their horror stories of him holding a gun to their faces or mouths were all collaged together in a sweep that implied this wasn't important testimony. Clips chosen of the prosecutor and judge made them look flippant and conspiring.
  • Surely Phil Spector wasn't allowed to comment on the details of his trial but this becomes a big problem for the documentary. Spector never addresses any remorse over the fact that a woman died in his entryway. He is also unable to discusses his history of violence (which includes infamous stories of threats with guns in recording studios, in Ronnie Spector's book and from a plethora of old girlfriends testifying). He complains that if a celebrity is well-liked, the media won't talk about their dark pasts and uses William Shatner as an example, implying Shatner got away with something (the drowning of his third wife) because he's popular. Which is all very possible but that argument implies Spector is equating himself with someone (Shatner) who is getting away with some crime. Is this Spector admitting he's committed a crime? The "other celebrities get away with shit" defense if very creepy.
      
  • There is evidence to his credit: his white coat and his body did not have any evidence of blood
    spatter or gun residue which should have been all over him unless he cleaned up quickly. The direction of the head wound could have been self-inflicted and
    Lana Clarkson was in the midst of a life crisis and hinted at being suicidal. On the other hand, after the shot was fired, the chauffeur saw Spector run out of the house, gun in hand, saying to him, "I think I killed somebody." Lana was sitting on a chair in Spector's entryway with her purse strap over her shoulder. So nothing is conclusive. On the outside, it looks like the director, Vikram Jayanti, made a judgement call based on his admiration of Spector's work (which is weaved throughout the film).

In the beginning of the movie, Spector wonders how his life would have been different had his
father not committed suicide when he was 6 years old. I also wonder if Spector would
have become less bitter if he had simply recorded himself instead of producing a string of other
artists he didn't respect. To his credit and as the film shows, many of those artists couldn't
replicate the greatness of his records in their live performances. If Spector had recorded himself
and caught what he felt was the deserved credit and adulation….who knows.

Why did women keep going home with Phil Spector? Why did Phil Spector keep finding himself in dysfunctional relationships with women. Why didn't Phil Spector retire into a nice career as a music critic or as an elder statesman of music?

Be warned, there is some sad footage of Lana Clarkson taken by House of Blues surveillance, gory testimony described and her death scene photos are shown, albeit at a distance from the top of the staircase (a staircase from a grim-looking, dark and dated Phil Spector house, a death scene that looked the the entryway of doom).

It's hard to find a moral in this sad, sad story. I guess maybe the "teaching moment" would be if you have a history of playing with guns and scaring women, make sure no woman ever dies from a gunshot wound to her head in your house…like ever. Because karma will f*#k with you.

The posting I watched yesterday has already been taken down due to copyright issues, but you might find a new posting of it by searching for it on the tubes. Phil Spector has spent his time in prison appealing his conviction. His last appeal was denied in 2011.

 

Album and Children Updates, Old Video and Photo

TwiggyHere is an old photo of Sonny & Cher and Twiggy that popped up on the Internets recently. What clean hair they've all got.

Cher has been tweeting that she has finished her album and this was picked up by many news outlets including The Huffington Post and ABC News Video with the headline, Cher Reaches Out to Young Stars After 12-Year Break.The video remarks that Cher "has made as many comebacks as a Clinton." Ahem…I rather think the Clintons are still in the process of having a Cher-like number of comebacks…if you do that math.

In the same tweet-span, Cher also talked about visiting Chaz in a musical on a break from final album tweaking:

…went to see Chaz in an unbelievable musical! It was so funny and everyone was great! Got home at 12:30…

Chaz is also breaking out in the news cycle this week due to stories about his 60-pound weight loss. The UPI story.

 

CalendaroutfitI have a long list of video links that I've been meaning to talk over. This one I love for many reasons. According to the post where I found this opening clip of The Sonny & Cher Comedy Hour, "I Need You" is from Episode #28 which aired on November 10, 1972. I don't remember having seen it before. But those outfits I remember because I had a calendar when I was a kid and one month was devoted to S&C in these outfits. I kept the calendar page all these years. That's what a Cher hoarder I am. It's nice to see the video that reminds me of my Cher hoarding problem. Secondly, the video is full of classic Sonny & Cherisms: hair flipping, tongue rolling, wardrHandsobe issues, rocking back and forth, singing to each other (I've noticed Dolly and Porter never so much as looked at each other), Sonny with his hands on his hips, Sonny with his paws all over Cher (see right), lots of whoos, Cher mocking Sonny, Sonny & Cher laughing at some inside joke and lots of polyester perfection. For all these reasons, I consider this video High Period Sonny & Cher.

 

Cher Doing Promo Work for TCM and Mother’s Day Special

ChermomDetails are coming together on Cher's Mother's Day tribute to Georgia Holt. It will be titled "Dear Mom, Love Cher" and will air on Lifetime, May 6 at 10 p.m. PT/ET. Press information states,

Dear Mom, Love Cher provides a rare peek into Cher’s family
history and features interviews with not only with Holt and Cher, but
also Cher’s sister Georganne LaPiere Bartylak, and Holt’s grandchildren
Chaz Bono and Elijah Blue Allman, promises Lifetime.

The documentary begins with Holt’s beginnings in rural Arkansas and
runs through her six tumultuous marriages while pursuing a career among
Hollywood’s elite as a singer and actress.

Dear Mom, Love Cher includes a never-before-heard duet
performance with Holt and Cher, along with the long-lost recordings Holt
taped more than three decades ago that Cher has re-mastered for
commercial release later this year.

“This project started as a gift for my mom’s 86th birthday,” says
Cher, 66, in the release, adding: “Like most things in my family, it was
initiated by my sister Georganne, who asked me if I could update mom’s
album. So I went BIG (I’m known in the family for doing that),” said
Cher. “My sister and I are proud of our mom and we want to share her
with the world. My mom is EXACTLY like ‘Rocky.’ She NEVER gives up!
Well…if we must nit-pick, they aren’t totally alike. Rocky is a
fictitious boxer and mom’s a singer. He’s younger and a man. Other than
that they are the same person! FIGHTERS.”

This should be a great special. To publicize her latest projects, Cher has been doing some interviews including,

  • Cher and her mom posed for Entertainment Weekly online.
      
  • A phone interview with Patricia Sheridan from the Post Gazette. Listen to it here or read the pared down transcript here. What's interesting to me about this interview is the comment, "I could answer every question that you would ask and you still wouldn't know me. I would still have my privacy. I wouldn't lie to you….I have such a private core." And I just blogged about that recently. I so should get an A in Cher class! I also enjoyed hearing Cher talk about how she would sing with her mother and her grandfather and uncle would play guitar. All those childhood details are so interesting. I didn't even know how well she knew her grandfather.
      
  • Cher did an interview with Michael Logan for TV Guide about her co-host gig on TCM with Robert Osborne. This is an interesting discussion where Cher talks about why she finds older films more progressive than current films. And she calls Robert Osborne Robby. Of course. And she talks about whatever happened to her dream of remaking The Enchanted Cottage.
       
  • Cher also spoke about having done an interview for People Magazine. Be on the lookout.

 

Best National Anthem Singers

CherIt’s Super Bowl Sunday this weekend and Alicia Keys is slated to perform the National Anthem.

OK! Magazine has just done a review of their favorite performances of the National Anthem: http://www.okmagazine.com/news/top-10-super-bowl-national-anthem-performances-cher-kelly-clarkson-carrie-underwood-more

Their list:

  1. Whitney Houston –1991—what a wowee that was. I bought the single cassette!
  2. Faith Hill—2000
  3. Kelly Clarkson—2012
  4. Jennifer Hudson—2009
  5. Carrie Underwood—2010
  6. Jordin Sparks—2008
  7. Mariah Carey—2002
  8. Cher—1999
  9. Beyonce—2004
  10. The Dixie Chicks—2003

Note the FOUR American Idol singers (three AI winners) in this top ten list. Cher’s inclusion is striking because she’s not the same kind of singer as the others (with the exception of maybe the country sangers). Many would make the case that she’s the weakest singer on the list (if you split vocal hairs about this sort of thing). I chalk up her inclusion on all these favorites listings to the fact that Cher has become, not only a real American idol, but a national treasure.

Rolling Stone magazine’s list: http://www.rollingstone.com/music/pictures/the-most-memorable-super-bowl-national-anthem-performances-20120130.

  1. Whitney Houston
  2. The Dixie Chicks
  3. Faith Hill
  4. Beyonce
  5. Cher
  6. Carrie Underwood
  7. Jennifer Hudson
  8. Aretha Franklin, Aaron Neville & Dr. John (in a New Orleans Tribute)—2006
  9. Garth Brooks—1993
  10. Mariah Carey
  11. Luther Vandross—1997

They say about Cher:

She left the Bob Mackie headdress at home, but Cher's throaty take on "The Star-Spangled Banner" still had the pop icon's unmistakable style – not to mention some impressive notes.

Rolling Stone, still hating on the idea of spectacle (at least when it occurred in the 1970s). Get over it, Rolling Stone!

The site The Week also posted their list recently: http://theweek.com/article/index/239018/the-10-greatest-national-anthem-performances-in-super-bowl-history

  1. Whitney Houston
  2. Luther Vandross
  3. Jennifer Hudson
  4. Cher
  5. Jordin Sparks
  6. The Dixie Chicks
  7. Beyonce (tie)
  8. Carrie Underwood (tie)
  9. Mariah Carey
  10. Vanessa Williams—1996

Their comments on Cher:

Cher can sing? Holy crap, Cher can sing! This was great. No complaints about Cher. The interpretive dancers were kind of weird, though. The Week's multimedia editor Lauren Hansen nails it: "Cher was surprisingly impressive, but like Mike Bloomberg with Lydia Callis, her spotlight was stolen."

Arbitrary diva rating: 90.4 percent Barry

This site also recommends Barry Manilow’s performance from 1984. I would heartily recommend his pitch perfect rendition. http://www.youtube.com/watch?v=A795MW-Qpow

I would also recommend Marvin Gaye’s brilliant and chill-inducing performance from the 1983 NBA All-Star Game: http://www.youtube.com/watch?v=QRvVzaQ6i8A

Marvin   

The Bittersweet White Light Photos

BwlI've always been fascinated by the album artwork for Cher's album Bittersweet White Light, the album of modernized torch songs from 1973.

I always found Sonny's photography of Cher on the cover to be enigmatic. The depressing panels of their house on Carolwood Drive. The crazy lights twinkling blurred in the foreground, Cher's fat fur, the head feather apropos of nothing and the shadow halo on her head. I just don't get any of it.

The rainbow Cher font?? Is that:

  •  "so gay" or
  •  "just gay"?

Cherthree

Then we move to those Neil Brisker photos on the back cover. Cher looks great but this is despite the fact that she's wearing crepe paper. This is some kind of artistic study of the seam.

Why is this yellow, orange and green stripped skirt dragging on the floor? Why does this bother me so much?

Cher could always make a halter-top work but all three photos show too much rib bone. We know she wasn't eating enough right before she left Sonny. Is this the evidence of her emancipated emaciated-ness? Why draw attention to it with this dress?

And surely we were all used to Sonny Bono Blather on the liner notes of Cher albums but swan song goes beyond the pale:

I was asked to describe this album in words. I don't know if I can, I'll try. A singer should make you feel. Every time I listen to Chér sing on this album I feel sad, I feel happy, I feel lonesome, I feel love but most of all I feel. For the ten years I've known Chér she's always wanted to make people feel. She did it this time. SHE DID IT ALL THIS TIME.

Sonny 

I'm telling you, I don't know what the hell I feel right now. Not sad, happy, lonesome or love. I feel slightly irritated with a hint of mystified. Was the creation of this little paragraph really necessary. Keep your feelings to yourself, Sonny.

To Sonny's credit, I actually like this album. I wish she had made ten more just like it. Torch with some 'tude.  

    

Cher on Night of 100 Stars (1982)

Many thanks to Dany for sending the link to Cher's appearance on Night of 100 Stars in 1982. Check the video near the 6:20 mark. Cher appears at the back of the stage.

Stars

There are a few things I want to say about this clip:

  1. I was 12 in 1982 and I would cash-in the official Ladd-house rule allowing me to stay up one night a week for shows like this. The rule was first instated after my obsession with The Sonny & Cher Comedy Hour in 1974 and during The Sonny & Cher Show, which ran in 1976-1977, during which time we moved from Albuquerque, New Mexico, to St. Louis, Missouri, most importantly from Mountain Standard Time to Central Standard Time, a difference of one hour which rendered my 8pm bedtime alarming in that I would miss my weekly fix of Sonny & Cher. Who I was obsessed with. My parents created this rule to accommodate the tragic situation. But after Cher's last TV show was cancelled, I used the rule for the first Solid Gold specials and these parades of celebrities performing scant seconds of theatrical fashion modeling. What a weird concept for a show. Hours of excitement for an ultimately frustrating few seconds of your sauntering celebrity of choice. Could you even get famous people to agree to do this today?
      
  2. Looking back on this episode with Cher in the mix, how awesome that she gets to be the center of this parading V, like a princess among celebrities. The Queen Bee. She is the enticing reveal, the centerpiece, the bride atop the cake! She smiles nervously and appreciatively, doing the runway walk with in a very modified Cher strut. She even tosses her bouquet in the fadeout.

Yes, it was good to be 12 years old in 1982, although it was a quiet time in between Cher comebacks. You thought nobody cared about Cher in that gap of fame time, but apparently they did.
 

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